Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
The game of conquest is underway. Anything goes when a predatory, wealthy widow (Glenn Close) challenges a notorious rake (John Malkovich) to seduce a beautiful young newlywed (Michelle Pfeiffer). But this time, a cardinal rule will be broken: two players will fall in love with tragic results. This acclaimed winner of three Academy Awards® boasts grand 18th-century sets and costumes, brought to life in this gorgeous Blu-ray⢠release. Directed by Stephen Frears from a scandalous 1782 novel and Christopher Hampton's compelling play, Dangerous Liaisons is nasty, decadent fun; the surprise is how much anguished emotion seeps through its cool marble heart (David Ansen, Newsweek). Let the games begin!
Dutiful cavalry officer Nathan Brittles (John Wayne) is reluctant to retire in the face of an imminent Native American uprising. His last official task is to escort the commander's wife and her niece to the Sudrow's Wells stagecoach stop but it proves to be a journey fraught with danger. This film the second in John Ford's cavalry trilogy is a masterpiece of the cinema and is acclaimed as one of the greatest Westerns ever made.
The mystical tale of a World War One veteran (Matt Damon) and championship golfer who returns to his sport with the aid of his caddy (Will Smith) who teaches him how to master any challenge in life.
Based on Neil Simon's own play, 1967's Barefoot in the Park is a perennially joyous film starring carefree Jane Fonda and staid lawyer Robert Redford as young newlyweds setting up home in Greenwich Village. Although the opening credits are fragrantly idyllic (aided by Neal Hefti's soundtrack, you can almost smell the blossom in Central Park), the film doesn't idealise apartment living in New York, à la Friends, far from it: Fonda and Redford's apartment is up several flights of stairs; there's a hole in the skylight and the bedroom is the size of a cupboard. All of this puts some strain on the marriage. When Fonda introduces fellow free spirit and ageing, behind-on-the-rent Lothario (Charles Boyer) to her somewhat inhibited mother (Mildred Natwick), the hapless Redford in particular is forced to come to terms with his own inhibitions. Although the second half of the film moves at a less cracking pace than the first, Barefoot in the Park is as exhilarating as a romantic weekend city break. Directo r Gene Saks, scriptwriter Neil Simon and composer Hefti would regroup in 1968 to make the similarly wonderful The Odd Couple. On the DVD: With the aid of filtering, the DVD recaptures the almost unreal colour quality common to films of this period, while the sound is faithful to the nuances of Hefti's soundtrack. The special features are miserly--subtitles, a choice of languages and the original trailer, though this at least conveys the engaging naiveté of the period--("The rarest, unsquarest, happiest motion picture in many a year!"). --David Stubbs
The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighbourhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. --Tom Keogh, Amazon.com
When three outlaws stumble across a dying woman and her baby they vow to escort the infant to New Jerusalem across the white-hot desert...
A collection of films celebrating the outstanding iconic collaboration of actor John Wayne and director John Ford. Films comprise: 1. Stagecoach (1939) 2. The Long Voyage Home (1940) 3. Fort Apache (1948) 4. She Wore a Yellow Ribbon (1949) 5. Rio Grande (1951) 6. The Quiet Man (1952)
The Quiet Man (Dir. John Ford 1952): John Ford's The Quiet Man celebrates one of Hollywood's most romantic and enduring epics. The first American feature to be filmed in Ireland's picturesque countryside Ford richly imbued this masterpiece with his love of Ireland and its people. Sean Thornton is an American who swears off boxing after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. Rio Grande (Dir. John Ford 1950): John Wayne and Maureen O'Hara are embroiled in an epic battle with the Apaches and each other in this John Ford classic. Lt Col. Yorke (Wayne) heads to the Rio Grande to fight a warring tribe. But Yorke faces his toughest battle when his unorthodox plan to outwit the elusive Apaches leads to possible court-martial. Locked in a bloody war he must fight to redeem his honour and save his family. Against All Flags (Dir. George Sherman 1952): In 1700 the pirates of Madagascar menace the India trade; British officer Brian Hawke has himself cashiered flogged and set adrift to infiltrate the pirate ""republic."" There Hawke meets lovely Spitfire Stevens a pirate captain in her own right and the sparks begin to fly; but wooing a pirate poses unique problems. Especially after he rescues adoring young Princess Patma from a captured ship. Meanwhile Hawke's secret mission proceeds to an action-packed climax. Rare Breed (Dir. Andrew V. McLaglen 1966): In the 1880s Englishwoman Martha Price (Maureen O'Hara) and her daughter Hilary (Juliet Mills) come to America to sell their prize Hereford bull at an auction. When he is purchased by Bowen a wild Scotsman (Brian Keith) the women hire a footloose cowhand named Burnett (James Stewart) to help them transport the animal to its new owner. So begins an adventure that tests the mettle of all involved as they battle killers cattle stampedes and each other. But when they reach Bowen's ranch even greater obstacles force them to summon up extraordinary courage if they and the prize bull are to survive... Our Man In Havana (Dir. Carol Reed 1959): Jim Wormold (Alec Guinness) a vacuum cleaner salesman in Havana is recruited by the British Intelligence Services. As he has nothing to report he invents facts and pretends to discover secret operations...with disastrous consequences. Carol Reed directs this adaptation of the Graham Greene story. Lady Godiva Of Coventry (Dir Arthur Lubin 1955): Fictionalized account of events leading up the famous nude ride (alas her hair covers everything) of the militant Saxon lady
Blarney and bliss, mixed in equal proportions. John Wayne plays an American boxer who returns to the Emerald Isle, his native land. What he finds there is a fiery prospective spouse (Maureen O'Hara) and a country greener than any Ireland seen before or since--it's no surprise The Quiet Man won an Oscar for cinematography. It also won an Oscar for John Ford's direction, his fourth such award. The film was a deeply personal project for Ford (whose birth name was Sean Aloysius O'Fearna), and he lavished all of his affection for the Irish landscape and Irish people on this film. He also stages perhaps the greatest donnybrook in the history of movies, an epic fistfight between Wayne and the truculent Victor McLaglen--that's Ford's brother, Francis, as the elderly man on his deathbed who miraculously revives when he hears word of the dustup. Barry Fitzgerald, the original Irish elf, gets the movie's biggest laugh when he walks into the newlyweds' bedroom the morning after their wedding, and spots a broken bed. The look on his face says everything. The Quiet Man isn't the real Ireland, but as a delicious never-never land of Ford's imagination, it will do very nicely. --Robert Horton
The Quiet Man (Dir. John Ford 1952): Sean Thornton is an American boxer who swears off the sport after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. Rooster Cogburn: (Dir. Stuart Miller) (1975): Two of the most popular stars in screen history are brought together for the first time in the follow up to True Grit. The film returns John Wayne to the role of the rapscallion eye patched whiskey guzzling Deputy Marshall that won him an Academy Award. Katharine Hepburn is prim Eula Goodnight a Bible thumping missionary who teams up with the gun fighter to avenge the death of her father. While in pursuit of the outlaws a warm rapport develops between the rough n' tumble lawman and the flirty reverend's daughter. Stage Coach (Dir. John Ford) (1939): The film is set against the impressive backdrop of Monument Valley in Utah and tells the story of a mixed group of travellers who are making their way across country to Arizona. They are endangered by an Indian War Party and this along with their various characters results in difficulties for the party...
The Quiet Man (Dir. John Ford 1952): Sean Thornton is an American boxer who swears off the sport after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. Rooster Cogburn: (Dir. Stuart Miller) (1975): Two of the most popular stars in screen history are brought together for the first time in the follow up to True Grit. The film returns John Wayne to the role of the rapscallion eye patched whiskey guzzling Deputy Marshall that won him an Academy Award. Katharine Hepburn is prim Eula Goodnight a Bible thumping missionary who teams up with the gun fighter to avenge the death of her father. While in pursuit of the outlaws a warm rapport develops between the rough n' tumble lawman and the flirty reverend's daughter. Stage Coach (Dir. John Ford) (1939): One of the all time classic Westerns - considered by many to be the movie that propelled John Wayne to stardom back in 1939. The film is set against the impressive backdrop of Monument Valley in Utah and tells the story of a mixed group of travellers who are making their way across country to Arizona. They are endangered by an Indian War Party and this along with their various characters results in difficulties for the party...
The second instalment of John Ford's famous cavalry trilogy, this meditative Western continues the director's fascination with history's obliteration of the past. It features one of John Wayne's more sensitive performances as Capt. Nathan Brittles, a stern yet sentimental war horse who has difficulty preparing for his impending military retirement. All things considered, he refuses to leave before fulfilling his obligation to the local Indian tribe. It's a film about honour and duty as well as loneliness and mortality. And Oscar-winner Winton C. Hoch beautifully photographs it in Remington-like Technicolor tones (you've never seen such stunning cloud-covered skies). The combination of melancholy and farce (Victor McLaglen makes a perfect court jester) evokes comparisons to Shakespeare. Best of all, the scene in which Wayne fights back tears when receiving a gold watch from his troops is unforgettably bittersweet. If you view the whole trilogy, it actually makes sense to save this for last. --Bill Desowitz, Amazon.com
The Quiet Man: John Ford's The Quiet Man celebrates one of Hollywood's most romantic and enduring epics. The first American feature to be filmed in Ireland's picturesque countryside Ford richly imbued this masterpiece with his love of Ireland and its people. Sean Thornton is an American who swears off boxing after accidentally killing an opponent. Returning to the Irish town of his birth he finds happiness when he falls in love with the fiery Mary Kate. Though he is sorely tempted to pick up the gloves against her brother the town bully Sean is determined not to use his fists. Mary Kate and Sean wed but her brother refuses to pay the dowry. Sean would rather walk away than accept this challenge. Even when his new wife accuses him of cowardice Sean stands firm. But when she boards a train to leave he is finally ready to take matters into his own hands. The resulting fist-fight erupts into the longest brawl ever filmed followed by one of the most memorable reconciliation's in motion picture history! (Dir. John Ford 1952) Rooster Cogburn: Two of the most popular stars in screen history are brought together for the first time in the follow up to True Grit. The film returns John Wayne to the role of the rapscallion eye patched whiskey guzzling Deputy Marshall that won him an Academy Award. Katharine Hepburn is prim Eula Goodnight a Bible thumping missionary who teams up with the gun fighter to avenge the death of her father. While in pursuit of the outlaws a warm rapport develops between the rough n' tumble lawman and the flirty reverend's daughter. (Dir. Stuart Miller 1975)
A beautiful adaptation of the Henry James novella about a beautiful American girl Daisy whose headstrong ways create quite a stir in European society during the 1800's. Daisy finds herself caught between the affections of two men: European aristocrat Frederick Winterbourne and the suave Italian Mr Giovanelli Daisy's American ways slowly clash with continental etiquette and concern her mother Ms Ezra B Miller who tries to persuade her to act more like a proper lady.
The Trouble with Harry is a lark, the mischievous side of Hitchcock given free reign. A busman's holiday for Alfred Hitchcock, this 1955 black comedy concerns a pesky corpse that becomes a problem for a quiet, Vermont neighbourhood. Shirley MacLaine makes her film debut as one of several characters who keep burying the body and finding it unburied again. Hitchcock clearly enjoys conjuring the autumnal look and feel of the story, and he establishes an important, first-time alliance with composer Bernard Herrmann, whose music proved vital to the director's next half-dozen or so films. --Tom Keogh, Amazon.com
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