"Actor: Mildred Shay"

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  • Inspector Morse - Disc 3 And 4 - Service Of All The Dead / Wolvercote Tongue [1987]Inspector Morse - Disc 3 And 4 - Service Of All The Dead / Wolvercote Tongue | DVD | (20/05/2002) from £9.98   |  Saving you £5.01 (33.40%)   |  RRP £14.99

    When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

  • Made For Each Other / James Stewart On Film [1939]Made For Each Other / James Stewart On Film | DVD | (01/11/1999) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £3.99

    Produced in a time when films were both literally and figuratively black and white, Made for Each Other was unique in its effective blending of the comedic, the dramatic and, as perhaps some would insensitively say, the melodramatic. Beautiful Carole Lombard and likeable James Stewart are Jane and John Mason, a couple who meet, fall madly in love, marry and quickly have a baby. But while they--and the audience--are confident that they are meant for each other, life intercedes and the couple must meet with disapproving in-laws, job stress, financial challenges and, finally, a devastating illness.Lombard and Stewart--and the genuinely good people they portray--are utterly compelling and charming. Say yawningly what you will about tradition but the Masons' path is one that many, if not most, go down. And unlike the wonderful but wholly fantasy world of peer Preston Sturges, director John Cromwell's universe is, like real life, full of ups and downs. It's an accessible, sensitive portrayal. He gives the audience characters they want to see succeed, and to see stay together in the process. It may be a tale of triumph of the human spirit but its ultimate sentiment--one that celebrates the kindness of strangers--is thoroughly sweet, though in no way saccharine. Look for a great supporting cast, including a blustery Charles Coburn as John Mason's boss and Lucile Watson as Mason's interfering mother. --N F Mendoza

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