This is Earth the year 2100 and these are the adventures of cult hit Space Patrol! Newly remastered in High Definition from the original film elements for this Blu-ray edition, the series has never looked better! Join Galasphere 347 and its intrepid crew on their voyages around the solar system: heroic Captain Dart, elfin Slim, sausage-mad Husky, Irish genius Professor Haggerty, mad Martian parrot Gabbler and, keeping them all on a tight rein (and an even tighter budget), Colonel Raeburn and his super-efficient secretary, Marla!
To gallivant, is, according to its dictionary definition 'to wander about, seeking pleasure or diversion', and this is just what artist turned filmmaker Andrew Kötting set out to do on this zig-zagging 6,000 mile trip around Britain's coastline. Part home movie, part road movie, Kötting's riveting and eccentric film stars his 85-year-old grandmother Gladys - opinionated, bursting with anecdotes and contradictory reminiscences and his eight-year-old daughter Eden. As the journey begins, the two are practically strangers, but by the end, 'Little Eden' and 'Big Granny' have struck up a warm bond, a relationship lent added poignancy by the fact that Eden has Joubert Syndrome, a condition that affects her speech and movement so she communicates through sign language. Newly remastered in 2K by the BFI, Gallivant is presented on Blu-ray alongside a selection of short films chosen by Andrew Kötting. Product Features Gallivant newly remastered in 2K by the BFI and presented in High Definition 11 previously released short films by Andrew Kötting (1984-2001, 112 mins): Gallivant (The Pilot), Jaunt, Klipperty Klöpp, Hoi-Polloi, Acumen, H.B 1829 (his badblöod), Diddyköy, Smart Alek, Là Bas, Invalids, and Me Forgotten The Queen (Andrew Kötting, 2017, 10 mins) Dog Ate Dog (Andrew Kötting, 2018, 14 mins) In Far Away Land (Andrew Kötting, 2019, 6 mins) The Buzz of the Past (Andrew Kötting, 2022, 7 mins) A Gallivant Around St Leonards (John Rogers, 2022, 30 mins) **FIRST PRESSING ONLY** Illustrated booklet with writing on Gallivant and selected short films
Vera Cruz was only director Robert Aldrich's second Western (his first, made a few months earlier, was the revisionist, pro-Native-American Apache), but it's such an assured, stylish affair that he might have been roaming the sagebrush for decades. In the aftermath of the American Civil War two lone adventurers make their way south of the border, where Mexico is fighting a civil war of its own to rid the country of the French-imposed Emperor Maximilian. Neither the dour Benjamin Trane (Gary Cooper) nor the grinning, devil-may-care Joe Erin (Burt Lancaster) has much in the way of idealism, but Trane still retains a thin bitter edge of integrity, a quality quite alien to the cheerfully amoral Erin. In uneasy alliance, constantly looking to outwit or double-cross each other, the two find themselves escorting a beautiful French countess (Denise Darcel) and a shipment of gold across country. Cooper and Lancaster create a superb double-act, using their contrasted screen personas to point up the humour and the cynicism of the two mercenaries' relationship. Darcel makes less than she might of the femme fatale role, but there are relishable cameos from Cesar Romero as a suavely duplicitous aristo and Ernest Borgnine as another gringo with an exceptionally vicious streak. The script, according to Aldrich, was written on the run, "always finished about five minutes before we shot it", but you wouldn't guess it from the laconic wit of the dialogue. It looks great, too--Ernest Laszlo's widescreen photography makes the most of the handsome Mexican locations. With its irreverent take on the accepted moral conventions of the genre, Vera Cruz ushered in a new kind of Western, and its central love-hate relationship would be replayed in Sam Peckinpah's Ride the High Country (1962) and Sergio Leone's The Good, the Bad and the Ugly (1966). On the DVD: Not much in the way of extras but the mono sound has been expertly remastered to the benefit of Hugo Friedhofer's spirited score. Above all, the film's presented in its full Superscope ratio (16:9), a blessed relief after all those years when it showed up panned-and-scanned on BBC1. If ever a movie needed widescreen, it's this one--if only to fit in all Burt's teeth. You can see why they called him "Crockery Joe". --Philip Kemp
Horror directed by Jackie Kong. After being convinced by their uncle to help him resurrect the ancient goddess Sheetar (Tanya Papanicolas), brothers and restaurant owners Michael and George Tutman (Rick Burks and Carl Crew) embark on a vicious killing spree in order to gather enough female body parts to stitch together and summon the goddess. With their victims all customers at their popular diner, detectives Sheba Jackson (Lanette La France) and Mark Shepard (Roger Dauer) face a race against time to stop them before the body count rises and the Tutman's plans are completed.
Seven Mortal Sins CollectionCast out of heaven after angering God, Lucifer descends to hell. As she makes her plunge, she comes upon a beautiful young woman at just the right moment. Young, naïve, and perfectly pure, Maria seeks to help the fallen angel but winds up taking in more than she bargained for. Now, with her heart plucked from her chest and her body filled up with Lucifer's angelic blood, she's become the perfect tool in the fallen angel's mission to take over hell.With hands and mouth all over the whimpering maiden, and the eager-to-please sin of Envy at her beck and call, Lucifer will take the crown of hell-and whatever else she desires. But is her drive and fury enough to face the Mortal Sins that rule the underworld, or will she fall prey to their demonic yearnings?
China Moon (1991) is a pleasing entertainment that assembles the dependable elements of film noir in the tradition of Body Heat (1981), The Last Seduction (1994) and, of course, the mother of all such films, Double Indemnity (1944). There's a femme fatale (the beautiful and talented Madeleine Stowe) and an honest cop (reliable Ed Harris) who soon becomes smitten. Her husband (Charles Dance) is a brute who beats her, so she murders him and inveigles Harris into helping her dispose of the body. That's when the complications begin, and Harris starts to sweat when his fellow cop keeps asking awkward questions. The acting is uniformly good, with Harris' partner played by Benicio Del Toro (Traffic) offering an excellent performance. Harris and Stowe strike sparks off each other, to the point where you almost believe he is being sucked into her schemes. On the DVD: The disc contains a theatrical trailer and several TV ads, with scroll-down filmographies of the major talents involved which are incomplete for some unknown reason. There's a brief and unenlightening five-minute documentary, with the principal cast plus the director, John Bailey, commenting on the film. Both image and sound are excellent quality, sound in Dolby Digital, picture in anamorphic widescreen ratio of 2.35:1 --Ed Buscombe
Home Alone: Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house overnight! Accidentally left behind when his family rushes off on a Christmas vacation Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in and Kevin's rigging a bewildering battery of booby traps to welcome them! Home Alone 2 - Lost In New York: Kevin McCallister (Macaulay
The toys celebrate their 10th birthday with this amazing double pack set.
With his trademark shaggy blonde hair granny glasses and pure impassioned voice John Denver rose from obscurity to become one of the giants of country and western music. Denver lived a turbulent life and dies a tragic premature death but his songs - and legacy continue to enrich the world. 'Take Me Home' traces the triumphs and tragedies that inspired his songs: his struggle for recognition his troubled relationship with his military father his passionate dedication to good causes and how his love of singing tore him apart from the love of his life Annie. Based on Denver's autobiography and featuring some of his greatest songs.
A scientific expedition must outrun a deadly new breed of anaconda when they set out on a trip to the island of Borneo.
From master of British horror, Neil Marshall (Dog Soldiers, The Descent) comes the terrifying and blood-curdling Dark Signal. Part slasher, part ghost story, Dark Signal creates spine-tingling atmosphere, shocking moments of brutality and jump-out-of-your-seat scares. It's sure to make the staunchest of skeptics sleep with the lights on
One’s street-smart and blue-collar born; the other’s book smart and nouveau bankrupt. Together unlikely roommates and unlikelier friends Max (Kat Dennings Nick and Norah’s Infinite Playlist) and Caroline (Beth Behrs) are two broke girls waiting tables in a Brooklyn diner while they’re waiting for real life to begin. Saving $250 000 to open a cupcake shop won’t be easy but the pair’s saucy humor and blossoming friendship make chasing the American dream a priceless adventure. Enjoy all 24 outrageous Season One episodes from Emmy(R) winner Michael Patrick King (Sex and the City) and white-hot stand-up comedian Whitney Cummings (Whitney) plus sweet extras!
Review for Mission Impossible Season 1:With its combination of Cold War villains and James Bond-like techno-gadgets, Mission: Impossible was an instant hit when it premiered on September 17, 1966. The series was the brainchild of creator/producer Bruce Geller, whose formula for seven successful seasons included a well-chosen ensemble cast, noteworthy guest stars, and a flexible premise that inspired clever plots twists and a constant variety of "international" locations (mostly filmed on a studio backlot). This is the only season to feature Steven Hill as Dan Briggs, leader of the top-secret counter-intelligence team known as Impossible Missions Force (IMF). As the no-nonsense Briggs, Hill (better known for his later role on Law & Order from 1990 to 2000) began each episode by sneakily retrieving the dossier and recorded instructions (voiced throughout the entire series by uncredited actor Bob Johnson) for the IMF's latest assignment. "Your mission, should you decide to accept it" and "this recording will self-destruct in five seconds" quickly became pop-cultural catch-phrases, as Briggs routinely selected his preferred teammates based on their mastery of practical skills. Your mission--and you shouldn't hesitate to accept it--is to enjoy this classic series all over again! --Jeff Shannon Review for Mission impossible Season 2: Gone was Steven Hill as Dan Briggs, and in his place the supremely confident and smooth Peter Graves as new team leader Jim Phelps, whom most viewers identify with the series. Carrying out the missions assigned from a pre-recorded voice on the self-destroying tape recorder was magician and master of disguise Rollin Hand (Martin Landau, who moved up from guest star to regular cast member with this season), top model Cinnamon Carter (Landau's real-life spouse Barbara Bain, who won three Emmys for her work on the show), electronics genius Barney Collier (Greg Morris), and all-purpose strong man Willie Armitage (body builder-turned-actor Peter Lupus). Guest stars include Anthony Zerbe, Paul Winfield, Fritz Weaver, and Sid Haig, but it's the team itself that shines the brightest, especially Landau and Bain, who exude the breezy charm of the series itself (though both would depart the show by the following season). --Paul Gaita Review for Mission: Impossible Season 3:Season 3, should you decide to accept it (and you definitely should), was Mission's most accomplished. It garnered six Emmy nominations, and an Emmy for Barbara Bain, her third consecutive win, probably for "The Exchange," one of her finest hours, in which, breaking series format, her character is captured and psychologically tortured to discover for whom she works. As always, the first five minutes of any Mission: Impossible episode are the coolest: the lit fuse signalling Lalo Schifrin's indelible theme song, the opening-credits montage teasing the action in the upcoming episode, and Jim Phelps (Peter Graves), in some nondescript location, receiving his covert mission (usually to some non-existent, but real-sounding country as Povia or Costa Mateo), on that self-destructing tape. --Donald Liebenson Review for Mission: Impossible Season 4:Foil the invasion of a democratic country? No problem. Rescue members of a royal family from their would-be usurper? Piece of cake. Replace the irreplaceable Martin Landau and thrice-Emmy-winner Barbara Bain, who departed Mission after its third season? Now thats impossible! But in this classic series fourth season, the veteran and rookie members of the Impossible Mission Force still put on a good show. --Donald Liebenson
Some high school kids create a ruse involving a serial killer but it's a game that turns terrifyingly real.
Toy Story John Lasseter's Toy Story poses the universal and magical question of what do toys do when they are not being played with? Cowboy Woody (voiced by Tom Hanks), Andy's favourite bedroom toy, tries to calm the other toys during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he is the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar "For the development and inspired application of techniques that have made possible the first feature-length computer-animated film". In other words, the film is great. Toy Story 2 Like the handful of other great film sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out that Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular 1960s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. This is one of the most creative and smile-inducing films since, well, the first Toy Story. Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior and two action sequences that book end the film are dazzling. A hoot for kids and adults, the film is packed with spoofs, easily accessible in-jokes and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living for forever. --Doug Thomas, Amazon.com
A highly regarded science fiction classic it effectively conveys the paranoia of McCarthy's America and is considered by many to be the definitive ""Cold War"" film.During a thunderstorm a boy witnesses the landing of a flying saucer in a nearby field. No one believes his wild tale and the alien invaders who remain unseen in their subterranean space ship begin controlling the town's inhabitants.Brilliantly designed and directed by William Cameron is a surrealistic nightmare that's
Paramount released a first-rate Western, El Dorado, in 1967, and another, True Grit, in 1969. So why was the studio's 1968 oater such a hunk of buzzard bait? You know Five Card Stud's in trouble from the opening credits--they're too short to accommodate the Dean Martin title song, so that it spills awkwardly into the first scene. The timing never does come out right--not in the lethargic pacing, not in the lax editing (which often leaves cast members stranded onscreen at scene's end), and not in the herky-jerky screenplay, which either lurches over intervals of weeks (months?) or piles up enough calamities in one day to stock a sequel. Even the end comes five minutes and two anticlimactic scenes late. An after-hours poker game is underway as the film begins. A stranger is caught cheating and, over the objection of professional gambler Dean Martin, lynched. Soon there's another stranger in town, black-clad preacher Robert Mitchum, and participants in the fatal card game start dying grotesque, solitary deaths. Five Card Stud wants to be a psychological mystery, but there's scant psychology and no mystery at all beyond why the filmmakers thought any viewer could fail to figure it out. Martin and Mitchum sleepwalk through their roles (Martin's includes a glum, ludicrously written romance with brothel-keeper Inger Stevens), while Roddy McDowall camps up his turn as spoiled son of the local range baron. Somewhere in the middle, the young Yaphet Kotto plays it admirably cool as a philosophical bartender.
Director Tobe Hooper's Lifeforce, the follow-up to his most popular hit Poltergeist, is a film that must be seen to be believed. That's not really a compliment, though, since Lifeforce isn't much of a movie when all the sound and fury is over. But you've got to admit there's something crazily admirable about a picture that starts out as a science fiction mission to Halley's comet, turns into an alien-invasion thriller featuring a beautiful naked woman (Mathilda May) who's a vampire from space and escalates into an end-of-the-world disaster flick. Armed with a big budget and a special effects crew led by Star Wars pioneer John Dykstra, Hooper and Alien cowriter Dan O'Bannon have whipped up a concoction that's got everything anyone could ask of a horror movie--from zombies running amok in London to rotting corpses and energy bolts that signal the apocalypse to come. Keeping it all together is Steve Railsback as the Halley-mission survivor who holds the key to mankind's salvation--but what fun is saving the world when you could be seduced by a sexy naked space vampire? Check out Lifeforce to see how it all turns out. --Jeff Shannon
While "rock musical" remains a phrase used by sadistic parents to give their offspring nightmares the genre does occasionally throw up the odd gem, Purple Rain being perhaps the shiniest example. Given the theatricality of Prince's stage shows, it was only a matter of time before the diminutive pop potentate found himself a big-screen vehicle but few could have predicted that Purple Rain would become nothing less than a cultural phenomenon. The story, co-written by one-time Starsky & Hutch scripter William Blinn, may be a somewhat hackneyed tale with His Purpleness overcoming a troubled background and musical rival Morris Day to achieve his dreams of rock stardom. However, the cast, which also includes Prince protegée Appollonia, rises above the clichés to hand in a set of performances which, while never likely to trouble the Oscars, prove that all concerned can at least play a rough approximation of themselves with minimal difficulty. What really helped push the film's box-office receipts through the roof, however, was its soundtrack featuring a clutch of hit singles--notably "When Doves Cry"--and which cemented our pint-sized hero's position as one of the globe's premiere performing artists. Sadly, subsequent attempts to re-bottle this particular brand of lightning with Under a Cherry Moon and Graffiti Moon would prove substantially less successful but Purple Rain still looks--and, more importantly sounds--rarely less than funktastic. --Clark Collis
Please wait. Loading...
This site uses cookies.
More details in our privacy policy