When a terrorist bomb destroys a building in Dallas FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) put their lives on the line to try to stop the spread of a deadly virus that may be extraterrestrial in origin. This pulse-pounder takes the two from a cave in Texas down the halls of the FBI headquarters to an icy no-man's-land in Antarctica. Special Features: Feature: Extended Version Theatrical Version Audio Commentary: Extended Theatrical Original 1999 Commentary Video Commentary Alternate Bee Sting Scene Gag Reel Blackwood: The Making Of The X-Files: Fight The Future Visual Effects Scoring Making Of The X-Files Movie (1998) The X-Files Trailers The X- Files: I Want To Believe Trailer Concept Art Unit Photography Story Boards
Embark on the ultimate search for the truth with Seasons 1-11 of the worldwide TV phenomenon known as THE X-FILES. Dive into all 218 episodes spanning a quarter century of mind-bending intrigue that stretches the boundaries of trust, faith and belief. Join FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) as they investigate unsolved cases that defy explanation, uncovering deadly conspiracies, alien encounters and other paranormal mysteries along the way. The truth may be out there, but the key to unlocking it is here in the definitive collection of THE X-FILES! Features: Audio commentary on selected episodes Deleted scenes Documentaries Featurettes Special effects sequences Interviews with Chris Carter and cast Gag reels Implanted Memories: 25 Years of The X-Files
Perhaps the most stately of Fritz Lang's two-part epics, the five-hour Die Nibelungen is a courageous and hallucinatory work. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proved an inspiration for nearly every fantasy cycle that has emerged on-screen since - from Star Wars to The Lord of the Rings.In Part One, Siegfried, the film's eponymous hero acquires the power of invincibility after slaying a dragon and bathing in the creature's blood. Later, an alliance through marriage between the hero and the royal clan of the Nibelungen turns treacherous, with Siegfried's sole weakness exploited. In Part Two, Kriemhilds Rache [Kriemhild's Revenge], Siegfried's widow travels to the remote land of the Huns to wed the monstrous Attila, and thereby enlist his forces in an act of vengeance that culminates in massacre, conflagration, and, under the auspices of Lang, one of the most exhilarating and terrifying end-sequences in all of cinema.Adapted from the myth that was also the basis for Wagner's Ring cycle of operas, Lang's epic offers its own startling expressionistic power - a summit of the director's artistry. The Masters of Cinema Series is proud to present Die Nibelungen in a spectacular new HD restoration.
Music Box provides celebrated director Costa-Gavras another opportunity to weave a story of nail-biting suspense with frightening political overtones. In this intense courtroom thriller Chicago attorney Ann Talbot (Jessica Lange) agrees to defend her Hungarian immigrant father Mike Laszlo (Armin Mueller-Stahl) against accusations of heinous war crimes committed 50 years earlier. As the trial unfolds Ann probes for evidence that will not only establish his innocence but also lay to rest her own agonizing doubts about his past. When a hospitalized witness is suddenly located in Budapest the trial moves to her father's homeland. Here crucial testimony plus Ann's personal investigation lead to astonishing results.
John Waters (Hairspray) made bad taste perversely transcendent with the forever shocking counterculture sensation Pink Flamingos, his most infamous and daring cinematic transgression. Outré diva Divine (Female Trouble) is iconic as the wanted criminal hiding out with her family of degenerates in a trailer outside Baltimore while reveling in her tabloid notoriety as the Filthiest Person Alive. When a pair of sociopaths (Mink Stole and David Lochary) with a habit of kidnapping women in order to impregnate them attempt to challenge her title, Divine resolves to show them and the world the true meaning of the word filthy. Incest, cannibalism, shrimping, and film history's most legendary gross-out endingWaters and his merry band of Dreamlanders leave no taboo unsmashed in this gleefully subversive ode to outsiderhood, in which camp spectacle and pitch-black satire are wielded in an all-out assault on respectability. Product Features New 4K digital restoration, supervised and approved by director John Waters, with uncompressed monaural soundtrack Two audio commentaries featuring Waters, from the 1997 Criterion laserdisc and the 2001 DVD release New conversation between Waters and filmmaker Jim Jarmusch Tour of the film's Baltimore locations, led by Waters Deleted scenes, alternate takes, and on-set footage Trailer English subtitles for the deaf and hard of hearing And more! PLUS: An essay by critic Howard Hampton and a piece by actor and author Cookie Mueller about the making of the film, from her 1990 book Walking Through Clear Water in a Pool Painted Black
The definitive American television series of the 1990s. The X-Files comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realised in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ongoing story lines, which is not something movies are especially good at. The big-screen drive for closure cramps the creative style, though it may also help nonfans get a grip on the proceedings. We do get some invigorating thrills and chills, however, and a more satisfying sense of the scale of an all-enveloping human-alien conspiracy than ever before, but there's no more plot development here than in an average two-part season-ending. FBI black sheep Mulder and Scully have been temporarily transferred from the X-Files project to an anti-terrorist unit to investigate an Oklahoma City-style bombing. They uncover a new wrinkle in the Syndicate/Cancer Man conspiracy--basically an attempt to help one bunch of (benign?) aliens fight off another bunch who want to colonise Earth. A spectacular, ice-bound finale thrillingly staged by series-veteran director Rob Bowman offers Mulder (but not a conveniently unconscious Scully) his first clear look at a You Know What, which in some quarters qualifies as an epochal event. Martin Landau offers the agents some crucial clues, and several familiar TV faces (including the Lone Gunmen and Mitch Pileggi's indispensable Assistant Director Skinner) turn up briefly to wink knowingly at faithful fans. --David Chute
Perhaps the most stately of Fritz Lang's two-part epics, the five-hour Die Nibelungen is a courageous and hallucinatory work. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proved an inspiration for nearly every fantasy cycle that has emerged on-screen since - from Star Wars to The Lord of the Rings.In Part One, Siegfried, the film's eponymous hero acquires the power of invincibility after slaying a dragon and bathing in the creature's blood. Later, an alliance through marriage between the hero and the royal clan of the Nibelungen turns treacherous, with Siegfried's sole weakness exploited. In Part Two, Kriemhilds Rache [Kriemhild's Revenge], Siegfried's widow travels to the remote land of the Huns to wed the monstrous Attila, and thereby enlist his forces in an act of vengeance that culminates in massacre, conflagration, and, under the auspices of Lang, one of the most exhilarating and terrifying end-sequences in all of cinema.Adapted from the myth that was also the basis for Wagner's Ring cycle of operas, Lang's epic offers its own startling expressionistic power - a summit of the director's artistry. The Masters of Cinema Series is proud to present Die Nibelungen in a spectacular new HD restoration.
It's not quite as clever as it tries to be, but The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age. He's locked in the cage of his own misery until his rebellious younger brother (Sean Penn) presents him with a birthday invitation to play "The Game" (described as "an experiential Book of the Month Club")--a mysterious offering from a company called Consumer Recreation Services. Before he knows the game has even begun, Douglas is caught up in a series of unexplained events designed to strip him of his tenuous security and cast him into a maelstrom of chaos. How do you play a game that hasn't any rules? That's what Douglas has to figure out, and he can't always rely on his intelligence to form logic out of what's happening to him. Seemingly cast as the fall guy in a conspiracy thriller, he encounters a waitress (Deborah Unger) who may or may not be trustworthy, and nothing can be taken at face value in a world turned upside down. Douglas is great at conveying the sheer panic of his character's dilemma, and despite some lapses in credibility and an anticlimactic ending, The Game remains a thinking person's thriller that grabs and holds your attention. Thematic resonance abounds between this and Seven and Fight Club, two of the other films by The Game 's director David Fincher. -- Jeff Shannon, Amazon.com
This tearjerker by Australian filmmaker Scott Hicks is a surprising story about real-life classical pianist David Helfgott, an Australian who rose to international prominence at a very young age in the 1950s and 1960s, and suffered a psychological collapse after enduring years of abuse from his father (Armin Mueller-Stahl). Hicks has three very fine actors portraying Helfgott at different stages of his life, including the adorably wry and goofy Noah Taylor (Flirting), who takes up the character's teen years, and Oscar winner Geoffrey Rush, giving a great performance playing the musician as a schizophrenic adult. Despite the Helfgotts' compromised psychological health, Shine is hardly a depressing experience. If anything, the story is really about how long one person's life can take to make glorious sense of itself. Sir John Gielgud, in golden form, plays Helfgott's teacher. --Tom Keogh, Amazon.com
Nicholas Van Orton (Michael Douglas) is a shrewdly successful businessman who is accustomed to being in control of each facet of his investments and relationships. His well-ordered life undergoes a profound change however when his brother Conrad (Sean Penn) gives him an unexpected birthday gift that soon has devastating consequences. There are no rules in The Game...
A Winning Story About Going The Distance. Get ready for the ultimate runner's high... In the tradition of 'Remember the Titans' comes an inspiring fast-paced story about going the distance - and wanting even more! Academy Award''-nominee Armin Mueller-Stahl stars as Berry a demanding but dedicated coach who's just been stripped of his job and his self esteem - until he meets Christine (Nthati Moshesh) a beautiful and fiercely independent runner who may have what it takes to win the toughest race in the world the Comrades Marathon. But does Berry have what it takes to help mold this inexperienced runner into a champion? And despite her raw talent can Christine beat the odds and finish the grueling race with a victory that might change both of their lives? Uplifting and unpredictable 'The Long Run' proves that some dreams are worth the struggle...
Viggo Mortensen and Naomi Watts star in this new thriller which centres on one of London's most notorious organized crime families.
Directed by Emmy Award winner Roger Young and featuring an all-star cast this mesmerising mini-series vividly depicts the life and mission of Jesus of Nazareth.
Jim Jarmusch's film tells five separate stories which all happen on the same night in five different taxis driving through five cities around the world: a Hollywood casting agent feels her age in L.A.; a learner cabbie, who is a former circus clown, drives through Harlem carrying two arguing passengers; a blind woman (Beatrice Dalle) disorientates her driver in Paris; a non-believer (Roberto Benigni) finds a dead bishop in his back seat in Rome; and a driver in Helsinki and his passengers swap melancholy stories.
Laura has her degree her job in Silicon Valley and it's time to leave home. Everything is fine until she meets Richard Farley who will not leave her alone...
A soaring action-packed journey of heroism and sacrifice as one crusading journalist desperately fights to uncover the horrors buried within the infamous Nazi siege of Leningrad in the savage winter of 1941. An epic story is inspired by true events featuring an acclaimed award-winning cast this is the tale of the tragedy that befell Leningrad: at over 800 days it was one of the longest and most destructive sieges in history.
Computer scientist Hannon Fuller (Armin Mueller-Stahl) finds something extremely important. Knowing that he's marked for assassination, he leaves a message in the virtual reality world he's designed, hoping it will be found by colleague Douglas Hall (Craig Bierko). Hall is a suspect in Fuller's murder and indeed finds a bloody shirt in his house, with no recollection of what he did the night before. Hall plunges headlong into Fuller's world (a re-creation of l937 Los Angeles) to try to unravel the slaying and is soon knee-deep in confusion and trouble. What this film lacks in character depth and plot cohesiveness it makes up for in special effects and high concept. Fans of films like Blade Runner, Dark City, eXistenZ, and even the game Sim City should find this appealing. Of course, there's the question of letting the computers do all the heavy lifting in films while the humans walk through the plot (an all-too-familiar scenario in 1999), but the re-creation of 30s Los Angeles is certainly something to see, pallid script and acting or not. The Thirteenth Floor is a stylish modern-day noir that raises questions about technology vs. reality, all the while wrapped up in a murder-mystery story line. --Jerry Renshaw
The gloriously grotesque second feature directed by JOHN WATERS (Hairspray) is replete with all manner of depravity, from robbery to murder to one of cinema's most memorably blasphemous moments. Made on a shoestring budget in Waters' native Baltimore, with the filmmaker taking on nearly every technical task, this gleeful mockery of the peace-and-love ethos of its era features the Cavalcade of Perversion, a traveling show mounted by a troupe of misfits whose shocking proclivities are topped only by those of their leader: the glammer-than-glam, larger-than-life DIVINE (Pink Flamingos), out for blood after discovering her lover's affair. Starring Waters' beloved regular cast the Dreamlanders (including DAVID LOCHARY, MARY VIVIAN PEARCE, MINK STOLE, SUSAN LOWE, GEORGE FIGGS, and COOKIE MUELLER), Multiple Maniacs is an anarchic masterwork from an artist who has doggedly tested the limits of good taste for decades. DIRECTOR-APPROVED SPECIAL EDITION FEATURES: New 4K digital restoration, supervised by director John Waters, with uncompressed monaural soundtrack New audio commentary featuring Waters New interviews with cast and crew members Pat Moran, Vincent Peranio, Mink Stole, Susan Lowe and George Figgs PLUS: An essay by critic Linda Yablonsky and more!
Set in a small West German town in 1957, where, with the help of the Economic Miracle, a booming economy is generating a new sense of optimism. In the town brothel, Villa Fink, Lola (Barbara Sukowa), a young high-class prostitute with a zest for life, is the star of the show. Her favourite client is the influential developer Schuckert (Mario Adorf), who enjoys spending time at Villa Fink with city officials important to his construction business. When Von Bohm (Armin Mueller-Stahl), an upright, energetic building commissioner with a liberal, social-democratic outlook, arrives in the town, he falls in love with Lola without being aware where she works by night. Although he is shocked when he learns of her true identity, he nevertheless marries her to the satisfaction of all concerned. Ultimately neither Lola, Von Bohm nor Schuckert are really concerned with what has happened in the past or the morality of their decisions the main thing is that they get what they want. Fassbinder himself said in 1980 that THE MARRIAGE OF MARIA BRAUN and LOLA are films about the country as it is today. To understand the present, what a country has and will become, one needs to understand the whole story. The BRD Trilogy, which also includes VERONIKA VOSS, represents RWF's attempt to create an overall picture of West Germany at the time, its double moral standards, and the hazards and dangers these implied.
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