From Mike White (HBO's Enlightened), The White Lotus is a sharp social satire following the exploits of various employees and guests at an exclusive Hawaiian resort over the span of one highly transformative week. Checking into the luxurious White Lotus are a young couple fresh off their fairytale wedding, a woman mourning the death of her mother, and a high-powered executive, accompanied by her less successful husband, their teen son, and college-age daughter, who's brought along her best friend for the trip. Looking to relax and rejuvenate in paradise, the vacationers are greeted by the resort manager and head of spa services, who soon find themselves catering to their guests' every whim - no matter how unreasonable - while juggling stressors in their own lives. As darker dynamics emerge with each passing day, this biting six-episode limited series gradually reveals the complex truths of the seemingly picture-perfect travelers, cheerful hotel employees, and idyllic locale itself. Product Features Disc 1: Invitation to the Set - Show creator Mike White and the cast share some of the themes and characters to expect in The White Lotus. Disc 2: Cast Snap Judgements - Cast members share their first impressions of each other through a series of rapid-fire questions.
The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognise and cultivate both Mozart's talent and career, he's also consumed with envy and insecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruellest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern mid-level businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay and Best Picture. --Jim Emerson Note: this region two DVD is a "flipper" with a break between sides A and B.
'Looking' offers up the unfiltered experiences of three close friends living -- and loving -- in modern-day San Francisco. Friendship may bind them, but each is at a markedly different point in his journey: Patrick (Jonathan Groff) is the 29-year-old video game designer getting back into the dating world in the wake of his ex's engagement; aspiring artist AgustÃn (Frankie J. Alvarez), 31, is questioning the idea of monogamy amid a move to domesticate with his boyfriend; and the group's oldest member -- longtime waiter Dom (Murray Bartlett), 39 -- is facing middle age with romantic and professional dreams still unfulfilled. The trio's stories intertwine and unspool dramatically as they search for happiness and intimacy in an age of unparalleled choices -- and rights -- for gay men. Also important to the Looking' mix is the progressive, unpredictable, sexually open culture of the Bay Area, with real San Francisco locations serving as a backdrop for the group's lives. Rounding out the Looking' world are a bevy of dynamic gay men including Kevin (Russell Tovey), Lynn (Scott Bakula), and Richie (Raul Castillo), as well as a wide-range of supporting characters like Dom's roommate Doris (Lauren Weedman), AgustÃn's boyfriend Frank (O.T. Fagbenle), and Patrick's co-worker Owen (Andrew Law).
A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the Director's Cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes". Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes. Here we learn why Constanze Mozart bears such ill-will towards Salieri when she discovers him at her husband's deathbed: he has insulted and degraded her after she came to him for help. We also see deeper into the reasons why Mozart has no pupils: not only has Salieri poisoned the Emperor's mind against him, but the only promisingly lucrative teaching job he can find ends disastrously when he realises that the master of the house just wants music to quiet his barking dogs. In a humiliating coda to that episode, a drunk and desperate Wolfgang returns later to beg for money only to be coldly rejected. The structure of the picture is otherwise unaltered. On the DVD: Amadeus--The Director's Cut finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc (the original single-disc DVD release was that crime against the format, a "flipper"). Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerised by the movie to do much more than offer the odd anecdote. Disc 2 contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner and all the main actors, taking in the scriptwriting, choice of music, casting and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker
'Looking' offers up the unfiltered experiences of three close friends living -- and loving -- in modern-day San Francisco. Friendship may bind them, but each is at a markedly different point in his journey: Patrick (Jonathan Groff) is the 29-year-old video game designer getting back into the dating world in the wake of his ex's engagement; aspiring artist AgustÃn (Frankie J. Alvarez), 31, is questioning the idea of monogamy amid a move to domesticate with his boyfriend; and the group's oldest member -- longtime waiter Dom (Murray Bartlett), 39 -- is facing middle age with romantic and professional dreams still unfulfilled. The trio's stories intertwine and unspool dramatically as they search for happiness and intimacy in an age of unparalleled choices -- and rights -- for gay men. Also important to the Looking' mix is the progressive, unpredictable, sexually open culture of the Bay Area, with real San Francisco locations serving as a backdrop for the group's lives. Rounding out the Looking' world are a bevy of dynamic gay men including Kevin (Russell Tovey), Lynn (Scott Bakula), and Richie (Raul Castillo), as well as a wide-range of supporting characters like Dom's roommate Doris (Lauren Weedman), AgustÃn's boyfriend Frank (O.T. Fagbenle), and Patrick's co-worker Owen (Andrew Law).
Looking offers up the unfiltered experiences of three close friends living – and loving – in modern-day San Francisco. Friendship may bind them but each is at a markedly different point in his journey: Patrick (Jonathan Groff – Spring Awakening) is the 29-year-old video game designer getting back into the dating world in the wake of his ex’s engagement; aspiring artist Agustín (Frankie J. Alvarez - Smash) 31 is questioning the idea of monogamy amid a move to domesticate with his boyfriend; and the group's oldest member longtime waiter Dom (Murray Bartlett) 39 is facing middle age with romantic and professional dreams still unfulfilled. Episode List: Looking for Now Looking for Uncut Looking at Your Browser History Looking for $220/ Hour Looking for the Future Looking in the Mirror Looking for a Plus-One Looking Glass Bonus Features: Audio Commentaries Inside the Episodes – 8 in total tied to each episode
Zavvi Exclusive Steelbook - Limited to 2000 Copies Set during disco's heyday Boogie Nights is a dark hilarious and hysterical expose of the pornography industry as seen from the inside. Eddie (Mark Wahlberg) is a 17-year old busboy looking for a break when he is spotted in a disco by veteran porn director Jack Horner (Burt Reynolds). Jack immediately senses that the virile and well-endowed young man can make him very very rich. Lead by Jack into the wickedly glamorous realm of porn movies Eddie emerges as Dirk Diggler the superstar who's always pleased to see you... Bonus Features: Commentary by Director Paul Thomas Anderson Commentary by Don Cheadle Heather Graham Luis Guzman William H. Macy Julianne Moore John C. Reilly Mark Wahlberg and Melora Walters Additional Scenes Michael Penn Try Music Video The John C. Reilly Files: Outtakes and Extended Sequences Theatrical Trailer
When Troy (Murray Bartlett, Farscape) moves back to LA after many years in Barcelona he finds that his ex-boyfriend Jonathan (Daniel Dugan) has begun dating Raul (Adrian Gonzales), a handsome South American immigrant. Jonathan has helped Raul stay in America, but when Raul senses the sexual tension between the exes, temperatures rise between the three men in LA’s stultifying summer heat. From Eldar Rapaport, director of award-winning short films ‘Post Mortem’ and ‘Steam’, comes a languorous, lyrical exploration of love split three ways.
Made with the full cooperation of the real-life Texas Rangers this sprawling historical western stars Fred MacMurray as Jim Hawkins one of three outlaws working the Lone Star State in the years following the American Civil War. Both Jim Hawkins and his partner in crime Wahoo Jones (Jack Oakie) decide to go straight but their bandit pal Sam McGee (Lloyd Nolan) has not quite seen the light as they have. Eventually Jim and Wahoo join the fledgling Texas Rangers an organization
Farscape is genre television at its most ambitious, inspired both by the cult appeal of Babylon 5 and the continuing success of the Star Trek franchise, but taking a visual and conceptual leap beyond those shows. Making extensive use of CGI, prosthetics and state-of-the-art puppetry, courtesy of Jim Henson's Creature Shop, the Farscape concept has a freshness that makes it look and feel completely original. The production design is all bio-mechanical curves and the script, which is peppered with post-modern pop culture references and movie in-jokes, never takes itself too seriously. It may be expensive to make, but it certainly looks (and sounds--in Dolby Digital 5.1) like every penny made it to the screen. Ben Browder plays leading man John Crichton as a latter-day Buck Rogers but with an entirely believable sense of bewilderment, not to mention loss; the rest of the living ship Moya's crew also has plenty of difficult issues to deal with, allowing Farscape's writers licence to develop their characters in often unexpected ways. The result is episodic TV sci-fi that continually pushes at the accepted boundaries of the format. Box Set 6: after the nail-biting cliffhanger at the end of the first, the second series gets off to a shaky start in "Mind the Baby", as all the loose plot ends have to be gathered and resolved. Crais apparently has a change of heart, and Scorpius takes his place as Crichton's new nemesis. In "Vitas Mortis" D'Argo falls for a lonely Luxan, with catastrophic and barely plausible results for Moya. "Taking the Stone" showcases Chiana's grief in an episode that manages to be even more confusing. Fortunately by the fourth episode, "Crackers Don't Matter", the show has really hit its stride once again: the crew slowly succumbs to a state of paranoia-fuelled madness, fighting and trying to kill one another thanks to the presence of an odd light-seeking alien. Crichton has a string of great lines ("I hate it when villains quote Shakespeare") and much fun doing an impersonation of Jack Nicholson in The Shining. In "The Way We Weren't" there are shocking revelations about both Aeryn and Pilot's past lives and the show's gift for surprising as well as emotionally convincing character development is once more brought to the fore. Extra features on the DVD include a handful of deleted scenes, cast biographies, a picture gallery and TV trailer. --Mark Walker
Set at the turn of the century Joseph Rudd decides to move his family to a small rural farm in Australia. It's a tough life in the bush what with the lousy weather marsupials reptiles insects and other vermin but they have to stick together through thick and thin to keep the family together and the selection going.
Amadeus triumphs as gripping human drama sumptuous period epic glorious celebration of the music of Wolfgang Amadeus Mozart - and as the winner of eight 1984 Academy Awards including Best Picture (produced by Saul Zaentz) Actor (F. Murray Abraham) Director (Milos Forman) and Adapted Screenplay (Peter Shaffer). Now in a revitalized digital transfer and including more than 20 minutes of extra scenes not seen on its original release Amadeus remains a screen triumph! Amadeus won 8 Academy Awards including Best Picture Actor Director and Adapted Screenplay. About as close to perfection as movies get. USA Today
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