Paddington Adapted from Michael Bond's beloved books, PADDINGTON follows the comic misadventures of a polite young Peruvian bear with a passion for all things British, who travels to London in search of a home. Finding himself lost and alone at Paddington Station, he begins to realise that city life is not all he had imagined until he meets the kind Brown family, who read the label around his neck (Please look after this bear. Thank you.') and offer him a temporary haven. But little do the Browns realise just how much comic mayhem one young bear will bring to their family life, and when this rarest of bears catches the eye of a sinister, seductive taxidermist, it isn't long before his home and very existence is under threat ... Produced by David Heyman (The Harry Potter series) PADDINGTON, is a timeless and universal story written and directed by Paul King. With Ben Whishaw as the voice of Paddington Bear, the film's all-star cast includes Hugh Bonneville, Nicole Kidman, Sally Hawkins, Jim Broadbent, Peter Capaldi and Julie Walters. Paddington 2 The much-anticipated sequel ï¬nds Paddington happily settled with the Brown family in Windsor Gardens. While searching for the perfect present for his beloved Aunt Lucy's 100th birthday, Paddington spots a unique pop-up book in Mr. Gruber's antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it's up to Paddington and the Browns to unmask the thief. Paddington's biggest adventure yet sees Hugh Grant and Brendan Gleeson joining the all-star returning cast of Hugh Bonneville, Sally Hawkins, Julie Walters, Jim Broadbent, Peter Capaldi and Ben Whishaw as the voice of the beloved bear. Features: Director's Commentary Rain on the Roof' with Phoenix Buchanan Full Screen Paddington 2: The Challenge of Making the Film BAFTA Q&A with David Heyman, Paul King, Simon Farnaby, Hugh Grant and Pablo Grillo
James Mason stars in this powerful suspense drama as Johnny McQueen the leader of a quasi-IRA group. When he's wounded in a botched robbery he becomes the object of an intense police manhunt and must scramble desperately about Belfast in an attempt to escape. Kathleen (Kathleen Ryan) the woman who loves him also takes off in pursuit of Johnny hoping to reach him before the police do.
Board the Millennium Falcon and journey to a galaxy far, far away in Solo: A Star Wars Story, an all-new adventure with the most beloved scoundrel in the galaxy. Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo befriends his mighty future copilot Chewbacca and meets the notorious gambler Lando Calrissian, in a journey that will set the course of one of the Star Wars saga's most unlikely heroes.
Odd Man Out is a British classic from 1947 that fits the film noir definition in almost every respect. It's one of the milestones of its era, highlighted by what is arguably the best performance in the illustrious career of James Mason, here playing the leader of an underground Irish rebel organisation, who is seriously wounded when a payroll heist goes sour. Left for dead by his accomplices on the streets of Belfast he's forced to hide wherever he can find shelter and as his gunshot wound gradually drains his life away, his lover (Kathleen Ryan) struggles to locate him before it's too late. Although the IRA and Belfast are never mentioned by name, this film was a daring and morally complex examination of Northern Ireland's "troubles" and the compelling tragedy hasn't lost any of its impact. A study of conscience in crisis and the bitter aftermath of terrorism, this was one of the first films to address IRA activities on intimately human terms. Political potency is there for those who seek it, but the film is equally invigorating as a riveting story of a tragic figure on the run from the law, forced to confront the wrath of his own beliefs in the last hours of his life. It was this brilliant, unforgettable film that established the directorial prowess of Carol Reed, whose next two films (The Fallen Idol and The Third Man) were equally extraordinary. --Jeff Shannon
It's generally acknowledged that the Master of Suspense disliked costume dramas, and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to quit Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and émigré German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--du Maurier adaptations, Rebecca and The Birds.--Philip Kemp
Shade with an all-star cast featuring screen Legends Sylvester Stallone, Gabriel Byrne, and Melanie Griffith alongside them Thandie Newton, Jamie Foxx, and Stuart Townsend. Set in the underground world of Los Angeles card sharks and gamblers, this slick neo-noir is a gripping ensemble drama that pays homage to hard-boiled heist directors like Mamet and Scorsese. SHADE, a gambling term for deception and trickery, revolves around a ring of small-time hustlers with dreams of the big payoff. Tiffany (Thandie Newton) is a beautiful and calculating swindler who works together with her partner Charlie (Gabriel Byrne) in nickel-and-dime schemes. But when one card shark, The Dean (Sylvester Stallone), seems to be unbeatable, they devise a scheme to topple his flawless run. They recruit Tiffany's old flame, Vernon (Stuart Townsend) a card mechanic and sleight-of-hand genius and hustler Jennings (Jamie Foxx) to manoeuvre their way on to The Dean's poker table. But all is not what it seems in this twisting and turning thriller: deception abounds. Secret love affairs and allegiances are kindled, and The Dean, whom everyone is trying to hustle, plays a dirty game with the help of his ex-girlfriend, Eve (Melanie Griffith). In a game of who's cheating whom, each player becomes a pawn in another's swindle. Debut writer-director Damian Nieman films the card tricks with flair, making the poker-faced manipulations visible to the viewer and adding to the high stakes tension of the film.
British film noir made in 1948 by the Gainsborough Studio, set in the Italian alps and full of post war intrigue and espionage. Engles (Robert Newton), a film director, offers his old friend and film extra Neil Blair (Dennis Price), an intriguing assignment. Blair is to travel to a remote Italian ski lodge and pose as a film script writer working on his next project. The real purpose of Blair s visit is to observe the visitors to the resort who include Wesson (Stanley Holloway) a photographer, and the mysterious Countess Forelli, who Blair quickly realises is travelling under an alias. The story begins to unfold with the arrival of Keramiko (Herbert Lom), a mysterious Greek gentleman, and when an attempt is made on Blair s life the real reason for his presence at the resort, and that of the other guests, soon becomes clear...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy