The most widely seen movie produced by a Hollywood studio, The Sound of Music grows fresher with each viewing. Though it was planned meticulously in pre-production (save for the scene where Maria and the children take a dipping in an Austrian lake that nearly cost a life), on each viewing one is struck anew by the spontaneous almost improvisatory air of the acting, notably of Julie Andrews under Robert Wise's direction. There are also the little human touches he brings to, for instance, the scene where Maria leads the children to the hills, over bridges and along tow paths where the smallest boy trips up and momentarily gets left behind: it creates a feeling that most of us have encountered. From the opening pre-credit sequence of muted excitement as the camera roves over the Austrian Alps (photographed in magnificent colour), where little phrases from the wind instruments on the soundtrack are flung as if on the breeze, foreshadowing the title song to follow, the production never puts a foot wrong. On the DVD: On the first disc the film itself has never looked or sounded better since its original presentation in Todd AO (prints of which are said to have disappeared forever). The disc also contains a separate audio guide that takes the viewer through the film sequence by sequence, with director Robert Wise commenting on the weather, the production design by Boris Leven, the sequences filmed on location and in Hollywood (like the interiors of the Von Trapp villa), and the naming of other actors who were eager for the lead roles, notably Doris Day and Yul Brynner. On the second disc there are the documentaries. "Salzburg Sight and Sound" was Charmian Carr's own record of her time on location in the summer of 1964, playing Liesl, the eldest Von Trapp daughter. "From Fact to Fiction", running two hours, begins with the birth of Maria in 1905 who inspired the film, charts her subsequent marriage to Captain Von Trapp, their escape from Nazi Germany not across the Alps but via a train across the Italian boarder, their home in Vermont and thence to the German film of the family that was brought to the attention of Rodgers and Hammerstein as an ideal vehicle for a stage musical. A second group of documentaries covers previews, television and radio commercials and a 1973 interview with Wise and Andrews. Overall, this is a marathon package but in its way is as compelling as the film itself. --Adrian Edwards
Patrick Troughton stars in this recreation of a lost classic from 1966. The TARDIS brings the Doctor, Polly and Ben to a colony on the swamp planet of Vulcan. Soon after arriving, the Doctor witnesses a brutal murder. Meanwhile, in another part of the colony an ancient crashed space capsule has been discovered in the swamps. The colony's misguided chief scientist opens the capsule and discovers a group of strange metal 'creatures' inside. The creatures appear to be long dead. The Doctor calls the metal creatures 'Daleks' and claims that they are incredibly dangerous. 'Power of the Daleks' was the first Doctor Who story to star Patrick Troughton as the Doctor - broadcast between November and December 1966. Sadly, none of the six original broadcast episodes of 'Power of the Daleks' any longer exist in the BBC Film Archives. However, complete audio recordings of the lost episodes have survived in the hands of private collectors. And it is these audio recordings that are used as the basis for this special animated production of the programme. Now in a brand new edition and brought to you in glorious black and white... Includes exciting new special features: Two new documentaries about Power of the Daleks 1993 BBC audio version of The Power of the Daleks narrated by Tom Baker Raw incidental music Photogrammetry Featurette Whicker's World - I Don't Like My Monsters to Have Oedipus Complexes Daleks - The Early Years: A 1992 documentary presented by Peter Davison Robin Hood - 1953 Episode: Patrick Troughton's earliest surviving TV appearance BBC archive footage from BBC regional news, BBC Breakfast, Blue Peter and Newsnight Previously unreleased animation trailers and animatics Additional bonus material: Audio commentaries by Anneke Wills on each episode Animation test footage Photo Gallery, including previously unreleased and rediscovered full colour on-set photos from 1966. Servants & Masters - The Making of The Power of the Daleks Doctor Who The Highlanders
George and Mildred are the ultimate odd couple the popular landlord and landlady from Man About The House who became a household name with Thames Television in the 1970's and 80's. Mildred is vain snobbish and domineering; George is shy timid frigid and henpecked. Together they make a great partnership! In this feature length movie Mildred is still trying to steer him towards romance; George still doesn't know what she's driving at...
BUILD YOUR OWN DOCTOR WHO ARCHIVE WITH THIS 6-DISC COLLECTORS' SET! The Fourth Doctor's classic first season all 20 episodes newly restored for Blu-ray, packed with bonus material. ROBOT THE ARK IN SPACE THE SONTARAN EXPERIMENT GENESIS OF THE DALEKS REVENGE OF THE CYBERMEN Special Features TOM BAKER IN CONVERSATION - A brand new candid one-hour interview with the Fourth Doctor BEHIND THE SOFA - Classic clips, viewed by Tom Baker, Philip Hinchcliffe, Louise Jameson, Janet Fielding, Sarah Sutton and Sadie Miller NEW MAKING-OF DOCUMENTARIES For The Sontaran Experiment and Revenge Of The Cybermen IMMERSIVE 5.1 SURROUND SOUND MIXES For The Ark In Space and Genesis Of The Daleks OPTIONAL UPDATED SPECIAL EFFECTS For Revenge Of The Cybermen GENESIS OF THE DALEKS TV-MOVIE VERSION - Unseen since broadcast in 1975 DOCTOR WHO TIMES 1970s TV context documentary THE TOM BAKER YEARS - The 1991 VHS release, on disc for the first time PDF PRODUCTION MATERIAL - Rare files from the BBC Archives Also contains extensive Special Features previously released on DVD including: MAKING OF DOCUMENTARIES, FEATURETTES, OPTIONAL CGI EFFECTS, AUDIO COMMENTARIES, RARE FOOTAGE, PRODUCTION INFORMATION SUBTITLES, PDF MATERIAL AND MUCH MORE.
A disgrace to criminals everywhere. Streetwise charmer and cardshark Eddy (Nick Moran) walks into the biggest card game of his life carrying a stake backed by the life-savings of his three best mates Tom (Jason Flemying) Bacon (Jason Statham) and Soap (Dexter Fletcher). Eddy is the sharpest player on the circuit but the game is set-up and Eddy leaves owing underworld boss Hatchet Harry (P.H. Moriarty) half a million. Harry gives Eddy a week to come up with the money before he starts taking fingers as collateral. Eddy's dad JD (Sting) can cancel the debt by handing over his bar lock stock and barrel to his old adversary Harry JD refuses to give in feeling his street-tough son can get himself out of his own messes. So while Harry sends a couple of petty crooks to steal a pair of antique shotguns to add to his collection Eddy and his mates plan a caper that will enable them to pay off Harry and make out like bandits! In a comedy of errors and a helter-skelter ride through London's gangland the guns cash drugs and identities become all mixed up as a full complement of London's lowlife get involved in a melee which even their menace can't handle. Full of energy and surprising twists at every turn it's a rollicking comedy that has it all - Lock Stock and Two Smoking Barrels!
A disgrace to criminals everywhere. Streetwise charmer and cardshark Eddy (Nick Moran) walks into the biggest card game of his life carrying a stake backed by the life-savings of his three best mates Tom (Jason Flemying) Bacon (Jason Statham) and Soap (Dexter Fletcher). Eddy is the sharpest player on the circuit but the game is set-up and Eddy leaves owing underworld boss Hatchet Harry (P.H. Moriarty) half a million. Harry gives Eddy a week to come up with the money before he starts taking fingers as collateral. Eddy's dad JD (Sting) can cancel the debt by handing over his bar lock stock and barrel to his old adversary Harry JD refuses to give in feeling his street-tough son can get himself out of his own messes. So while Harry sends a couple of petty crooks to steal a pair of antique shotguns to add to his collection Eddy and his mates plan a caper that will enable them to pay off Harry and make out like bandits! In a comedy of errors and a helter-skelter ride through London's gangland the guns cash drugs and identities become all mixed up as a full complement of London's lowlife get involved in a melee which even their menace can't handle. Full of energy and surprising twists at every turn it's a rollicking comedy that has it all - Lock Stock and Two Smoking Barrels!
Identical mixed-sex twins separated during a shipwreck both believe the other dead. When Viola dresses as her 'dead' brother for better protection little does she realise that her living brother will be on the scene as well. Based on the William Shakespeare play adapted for the screen by Trevor Nunn.
Welcome to the Hellmouth... Girl Power stalks the streets and graveyards of Sunnydale kicking out and laying waste to the vast pools of vampire scum that threatens to overrun not only the unassuming little town but the entire known world. Season One brings Buffy into contact with her Watcher Giles (Anthony Stewart Head) as well as the support gang who will help her in her quest to combat evil: Willow (Alyson Hannigan) Xander (Nicholas Brendon) Cordelia (Charisma Carpenter) and
'Civilisation' is probably one of the most famous documentary series ever made. Unreleased for many years it has been restored as is now available on DVD for the first time. Presented by distinguished art historian Sir Kenneth Clarke 'Civilisation' became the definitive history of art in the western world and has never been equalled let-alone bettered in the intervening 35 years.
The most widely seen movie produced by a Hollywood studio, The Sound of Music grows fresher with each viewing. Though it was planned meticulously in pre-production (save for the scene where Maria and the children take a dipping in an Austrian lake that nearly cost a life), on each viewing one is struck anew by the spontaneous almost improvisatory air of the acting, notably of Julie Andrews under Robert Wise's direction. There are also the little human touches he brings to, for instance, the scene where Maria leads the children to the hills, over bridges and along tow paths where the smallest boy trips up and momentarily gets left behind: it creates a feeling that most of us have encountered. From the opening pre-credit sequence of muted excitement as the camera roves over the Austrian Alps (photographed in magnificent colour), where little phrases from the wind instruments on the soundtrack are flung as if on the breeze, foreshadowing the title song to follow, the production never puts a foot wrong. On the DVD: On the first disc the film itself has never looked or sounded better since its original presentation in Todd AO (prints of which are said to have disappeared forever). The disc also contains a separate audio guide that takes the viewer through the film sequence by sequence, with director Robert Wise commenting on the weather, the production design by Boris Leven, the sequences filmed on location and in Hollywood (like the interiors of the Von Trapp villa), and the naming of other actors who were eager for the lead roles, notably Doris Day and Yul Brynner. On the second disc there are the documentaries. "Salzburg Sight and Sound" was Charmian Carr's own record of her time on location in the summer of 1964, playing Liesl, the eldest Von Trapp daughter. "From Fact to Fiction", running two hours, begins with the birth of Maria in 1905 who inspired the film, charts her subsequent marriage to Captain Von Trapp, their escape from Nazi Germany not across the Alps but via a train across the Italian boarder, their home in Vermont and thence to the German film of the family that was brought to the attention of Rodgers and Hammerstein as an ideal vehicle for a stage musical. A second group of documentaries covers previews, television and radio commercials and a 1973 interview with Wise and Andrews. Overall, this is a marathon package but in its way is as compelling as the film itself. --Adrian Edwards
Trainee nurse Sam is walking home to her flat in a South London tower block when she's robbed by a gang of masked, hooded youths. She's saved when the gang are distracted by a bright meteorite, which falls from the sky and hits a nearby parked car. Sam flees, just before the gang have to fight off a small alien creature that leaps from the wreckage.While Sam and the police hunt for the gang, a second wave of meteors fall. Confident of victory against such feeble invaders, the gang grab weapons, mount bikes and set out to defend their turf. But this time, the creatures are bigger. Much bigger. Sam suddenly realises that the bunch of no-hope kids who attacked her are about to become... more her best and only hope to survive.Attack The Block is a fast, funny and frightening action-adventure movie that pits a teen gang against an invasion of savage alien monsters. It turns a London housing estate into a sci-fi playground. A tower block into a fortress under siege. And teenage street kids into heroes. Its inner city versus outer space.
Cockney boys Tom, Soap, Eddie and Bacon are in a bind; they owe seedy criminal and porn king "Hatchet" Harry a sizeable amount of cash after Eddie loses half a million in a rigged game of poker. Hot on their tails is a thug named Big Chris who intends to send them all to the hospital if they don't come up with the cash in the allotted time. Add into the mix an incompetent set of ganja cultivators, two dimwitted robbers, a "madman" with an afro, and a ruthless band of drug dealers and you have an astonishing movie called Lock, Stock and Two Smoking Barrels. Before the boys can blink, they are caught up in a labyrinth of double-crosses that lead to a multitude of dead bodies, copious amounts of drugs, and two antique rifles. Written and directed by talented newcomer Guy Ritchie, this is one of those movies that was destined to become an instant cult classic à la Reservoir Dogs. Although some comparisons were drawn between Ritchie and Quentin Tarantino, it would be unfair to discount the brilliant wit of the story and the innovative camerawork that the director brings to his debut feature. Not since The Krays has there been such an accurate depiction of the East End and its more colourful characters. Indicative of the social stratosphere in London, Lock, Stock and Two Smoking Barrels is a hilarious and at times touching account of friendships and loyalty. The director and his mates (who make up most of the cast) clearly are enjoying themselves here. This comes across in some shining performances, in particular from ex-footballer Vinnie Jones (Big Chris) and an over-the-top Vas Blackwood (as Rory Breaker), who very nearly steals the show. Full of quirky vernacular and clever tension-packed action sequences, Lock, Stock and Two Smoking Barrels is a triumph--a perfect blend of intelligence, humour and suspense. --Jeremy Storey
This tearjerker by Australian filmmaker Scott Hicks is a surprising story about real-life classical pianist David Helfgott, an Australian who rose to international prominence at a very young age in the 1950s and 1960s, and suffered a psychological collapse after enduring years of abuse from his father (Armin Mueller-Stahl). Hicks has three very fine actors portraying Helfgott at different stages of his life, including the adorably wry and goofy Noah Taylor (Flirting), who takes up the character's teen years, and Oscar winner Geoffrey Rush, giving a great performance playing the musician as a schizophrenic adult. Despite the Helfgotts' compromised psychological health, Shine is hardly a depressing experience. If anything, the story is really about how long one person's life can take to make glorious sense of itself. Sir John Gielgud, in golden form, plays Helfgott's teacher. --Tom Keogh, Amazon.com
Behind every great monster is an overworked sidekick.Renfield is the tormented aide of the greatest narcissist among vampires: Count Dracula. After decades of servitude, Renfield wants to end this toxic relationship. He joins a Co-Dependents Anonymous group to find a way out of his predicament - but things quickly take a turn for the bloody. His master won't give in that easily! But Renfield also knows a thing or two about how to stand his ground. When he eats bugs, he develops superhuman powers. Joining forces with police officer Rebecca, Renfield goes into battle against a drug syndicate that has entered a diabolical pact with the Prince of Darkness....Directed by Chris McKayStarring: Nicholas Hoult, Nicolas Cage, Awkwafina, Ben Schwartz, Shohreh Aghdashloo, Brandon Scott JonesBonus Features:Audio commentary with producer Samantha Nisenboim, screenwriter Ryan Ridley & other crew membersEight deleted and extended scenes (17 mins)Alternate takes (3 mins)Featurette Dracula UnCaged about Nicolas Cage as Dracula (5 mins)Featurette Monsters & Men behind the scenes featurette of RENFIELD (12 mins)Featurette Stages of Rejuvenation about the transformation of Dracula (6 mins)Featurette Flesh & Blood about the splatter effects (5 mins)Featurette Fighting Dirty about the stunts (6 mins)Featurette The making of a Deleted Scene about Renfield's Dance (3 mins)Trailers & TV Spots
With all episodes newly remastered from the best available sources available, this Blu-ray box set also contains extensive and exclusive special features including: Extended Episode 1 of Claws of Axos: 90 minute omnibus edition of The Daemons (specially edited for the repeat screening at Christmas 1971 and not seen since) Behind the Sofa: New episodes with Katy Manning and Stewart Bevan, plus companions Janet Fielding and Sarah Sutton and from the Jodie-Whittaker-era Sacha Dhawan and Anjli Mohindra. In Conversation: Matthew Sweet chats to companion Katy Manning. A Devils Weekend: Actors Katy Manning and John Levene take a very personal trip back to the picturesque village of Aldbourne, 50 years after they recorded the Doctor Who story The Daemons there. The Direct Route: Doctor Who directors Michael Briant, Graeme Harper and Tim Combe take an epic road trip to all the filming locations from Season 8 as they discuss directing the show in the early 1970s. Terrance and Me: Lifelong Doctor Who fan, Frank Skinner sets out to meet the family, friends and colleagues of the late, much-loved writer, Terrance Dicks. Special Features Immersive 5.1 surround sound on Terror of the Autons and The Daemons Optional updated special effects and CSO clean-up on Terror of the Autons Blu-Ray trailer A specially shot mini-episode Unseen studio footage Rare archive treats Convention footage HD photo galleries Scripts, costume designs, rare BBC production files and other gems from our PDF archive
This title includes 4K ULTRA HD + BLU-RAY For the first time, experience Doctor Who like never before upscaled to glorious 4K. Relive Peter Capaldi's final adventure as the famous Time Lord, as well as the introduction to Jodie Whittaker's Thirteenth Doctor. Twice Upon A Time sees the Time Lord team up with his former self, the first ever Doctor (David Bradley) and a returning Bill Potts (Pearl Mackie), for one last adventure. Two Doctors stranded in an Arctic snowscape, refusing to face regeneration. Enchanted glass people, stealing their victims from frozen time. And a World War One captain (Mark Gatiss) destined to die on the battlefield, but taken from the trenches to play his part in the Doctor's story. An uplifting new tale about the power of hope in humanity's darkest hours, Twice Upon A Time marks the end of an era. But as the Doctor must face his past to decide his future, his journey is only beginning EXTRAS: Doctor Who Extra: Twice Upon a Time The End of an Era Doctor Who Panel: San Diego Comic-Con 2017 Extras have not been upscaled to UHD
November 1902. Fog and shadows engulf the city. The murky world of the menacing London docks collide with the glamour and glitter of Edwardian high society as sleuth Sherlock Holmes and Dr John H Watson are reunited to solve a case which threatens to overwhelm the privilege and tranquillity of aristocratic society. When the murder of a penniless shop-girl is linked to the body of debutante Lady Alice Burnham Holmes immediately begins to piece together the clues: a pair of dancing sho
""I'm free!"" With these words just one unforgettable character among many in this classic TV sitcom was born. From the comedy pens of Jeremy Lloyd and David Croft (Dad's Army) came the DepartMental comedy madness that is Are You Being Served?. There's hilarity at Grace Brothers the High Street department store with a difference. Join in the fun as limp-wristed Mr Humphries and that blue-rinsed batle axe Mrs Slocombe lead the outrageous department store staff t
Four nice, but petty criminals find themselves heavily in debt to a murderous London gangster after a crooked card game. To cover their debts and literally save their skins, they decide to rob a bunch of thugs who have just robbed a group of pot growers.
From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.) First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is. Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realise how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon). Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability. In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson
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