READY OR NOT follows a young bride (Samara Weaving) as she joins her new husband's (Mark O'Brien) rich, eccentric family (Adam Brody, Henry Czerny, Andie MacDowell) in a time-honored tradition that turns into a lethal game with everyone fighting for their survival.
Technology and sexuality meet in a head-on collision in Crashdirector David Cronenberg's controversial adaptation of writer J.G. Ballard's hugely transgressive 1973 novel starring James Spader and Holly Hunter. Spader stars as James Ballard, a film producer whose deviant sexual desires are awakened by a near fatal automobile accident with Dr. Helen Remington (Hunter). Soon the pair, alongside Ballard's wife Catherine (Deborah Kara Unger), are drawn into an underground world of car crash fetishism presided over by renegade scientist Vaughan (Elias Koteas). Danger, sex and death become entwined as eroticism and technology join together in a disturbing, deadly union. Awarded the Special Jury Prize at the 1996 Cannes Film Festival for originality, daring and audacity, Crash remains an incredibly subversive and confrontational piece of cinemaCronenberg himself describes it as a dangerous filmnow refurbished in a stunning 4K restoration. Special Features 4K restoration of the uncut NC-17 version, supervised by director of photography Peter Suschitzky and approved by director David Cronenberg High Definition Blu-rayTM (1080p) presentation 5.1 and 2.0 Stereo DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary with film scholar Adrian Martin Interviews with Suschitzky, executive producer Jeremy Thomas, composer Howard Shore and casting director Deirdre Bowen 2019 Q&A with Cronenberg and actor Viggo Mortensen at TIFF 1996 Q&A with Cronenberg and source novel writer J.G. Ballard at the National Film Theatre in London Behind-the-scenes footage and contemporary press interviews Architect of Pain: The Cronenberg Project video essay by Caelum Vatnsdal on Cronenberg's use of architecture and location Crash! (1971, 18 mins) short film originally broadcast as part of the BBC's Review series, starring J.G. Ballard and loosely adapted from his 1970 novel The Atrocity Exhibition Two short films inspired by Ballard and the novel Crash: Nightmare Angel (Zoe Beloff, 1986, 33 mins) and Always (crashing) (Simon Barker and Jason Wood, 2016, 14 mins) Two Cronenberg short films: The Nest (2013, 10 mins) and At the Suicide of the Last Jew in the World in the Last Cinema in the World (2007, 4 mins) Original Trailers Reversible sleeve featuring original and newlycommissioned artwork by Gilles Vranckx
Adapted from the controversial novel by J.G. Ballard, Crash will either repel or amaze you, with little or no room for a neutral reaction. The film is perfectly matched to the artistic and intellectual proclivities of director David Cronenberg, who has used the inspiration of Ballard's novel to create what critic Roger Ebert has described as "a dissection of the mechanics of pornography". Filmed with a metallic colour scheme and a dominant tone of emotional detachment, the story focuses on a close-knit group of people who have developed a sexual fetish around the collision of automobiles. They use cars as a tool of arousal, in which orgasm is directly connected to death-defying temptations of fate at high speeds. Ballard wrote his book to illustrate the connections between sex and technology--the ultimate postmodern melding of flesh and machine--and Cronenberg takes this theme to the final frontier of sexual expression. Holly Hunter, James Spader and Deborah Unger are utterly fearless in roles that few actors would dare to play, and their surrender to Cronenberg's vision makes Crash an utterly unique and challenging film experience. --Jeff Shannon, Amazon.com
Cube: Six Strangers awaken from their daily lives to find themselves trapped in a surreal prison - a seemingly endless maze of interlocking cubical chambers armed with lethal booby traps. None of these people knows why or how they were imprisoned. But it soon emerges that each of them has a skill that could contribute to their escape. Who created this diabolical maze and why? There are unanswered questions on every side whilst personality conflicts and struggles for power em
If Clive Barker had written an episode of The Twilight Zone, it might have looked something like Cube. A handful of strangers wake up inside a bizarre maze, having been spirited there during the night. They quickly learn that they have to navigate their way through a series of chambers if they have any hope of escape but the problem is that there are lethal traps awaiting if they choose their route unwisely. Having established some imaginative and grisly punishments in store for the hostages, cowriter and director Vincenzo Natali turns his attention to the characters, for whom being trapped amplifies their best and worst qualities. The film is, in fact, similar to a famous episode of Rod Serling's old television series, though Natali's explanation for why these poor people are being put through hell is a lot closer to the spirit of The X-Files. Cube has some solid moments of suspense and drama and the sets are appropriately striking: one is tempted to believe at first the characters are lost inside a computer chip. --Tom Keogh
Technology and sexuality meet in a head-on collision in Crashdirector David Cronenberg's controversial adaptation of writer J.G. Ballard's hugely transgressive 1973 novel starring James Spader and Holly Hunter. Spader stars as James Ballard, a film producer whose deviant sexual desires are awakened by a near fatal automobile accident with Dr. Helen Remington (Hunter). Soon the pair, alongside Ballard's wife Catherine (Deborah Kara Unger), are drawn into an underground world of car-crash fetishism presided over by renegade scientist Vaughan (Elias Koteas). Danger, sex and death become entwined as eroticism and technology join together in a disturbing, deadly union. Awarded the Special Jury Prize at the 1996 Cannes Film Festival for originality, daring and audacity, Crash remains an incredibly subversive and confrontational piece of cinemaCronenberg himself describes it as a dangerous filmnow refurbished in a stunning 4K restoration. Special Features 4K restoration of the uncut NC-17 version, supervised by director of photography Peter Suschitzky and approved by director David Cronenberg 4K (2160p) UHD Blu-ray presentation in High Dynamic Range 5.1 and 2.0 Stereo DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary with film scholar Adrian Martin Interviews with Suschitzky, executive producer Jeremy Thomas, composer Howard Shore and casting director Deirdre Bowen 2019 Q&A with Cronenberg and actor Viggo Mortensen at TIFF 1996 Q&A with Cronenberg and source novel writer J.G. Ballard at the National Film Theatre in London Behind-the-scenes footage and contemporary press interviews Architect of Pain: The Cronenberg Projectvideo essay by Caelum Vatnsdal on Cronenberg's use of architecture and location Crash! (1971, 18 mins)short film originally broadcast as part of the BBC's Review series, starring J.G. Ballard and loosely adapted from his 1970 novel The Atrocity Exhibition Two short films inspired by Ballard and the novel Crash: Nightmare Angel (Zoe Beloff, 1986, 33 mins) and Always (crashing) (Simon Barker and Jason Wood, 2016, 14 mins) Two Cronenberg short films: The Nest (2013, 10 mins) and At the Suicide of the Last Jew in the World in the Last Cinema in the World (2007, 4 mins) Original Trailers Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx
Based on a true story. A man becomes plagued by nightmares and trances. He finds himself possessed by a demon which is trying to destroy his family...
In `50s America he grew up in front of millions as TV's most famous child star as his family dramatised their picture-perfect world for the enjoyment of millions. But acting and singing sensation Ricky Nelson was destined to battle with love loss and redemption before falling from grace in one of Hollywood's most compelling and tragic tales.
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