Theodore Theo Decker (Ansel Elgort) was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day...a painting of a tiny bird chained to its perch. The Goldfinch.
Class in now in session at Greendale, the craziest community college ever! Recently disbarred lawyer Jeff Winger enrols to get a legit degree the quickest and easiest way possible, but when he starts a fake Spanish study group solely for the purpose of hooking up with a sexy classmate, he doesn't expect to be joined by a random group of misfit fellow students. Over the course of the next 6 years, this group finds themselves involved in epic paint battles, chicken finger conspiracies, sci-fi conventions, campus-wide pillow wars and everything in-between. In the process, they become so much more than just a study group they become a family. Sign up for courses in Hilarity 101* today!Includes all 110 episodes on 17 discs.Click Images to Enlarge
In Night at the Golden Eagle, a cross-section of decrepit people live out their desperate, dead-end lives over the course of a long night at an equally decrepit LA hotel. This is the jaundiced vision of director Adam Rifkin, best known for the raucously enjoyable Detroit Rock City and the cult curiosity The Dark Backward. He's corralled some good people for this low-budget offering (Natasha Lyonne and Ann Magnuson as hookers, Vinnie Jones as a cruel pimp), but the lion's share of screen time goes to a pair of small-time crooks (Donnie Montemarano and Vinny Argiro) planning to split for Vegas in the morning. It's diverting for a while, but the bleached-sepia look and unrelenting rancidity take their toll, grinding the picture down. Even a soft-shoe shuffle for Fayard Nicholas (of the awesome Nicholas Brothers), a grace note if there ever was one, can't lift the movie out of its determined sense of gloom. --Robert Horton
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