Widely regarded as Tarkovsky's finest film Andrei Rublev charts the life of the great icon painter through a turbulent period of 15th Century Russian history a period marked by endless fighting between rival Princes and Tatar invasions. Made on an epic scale it does not flinch from portraying the savagery of the time from which almost inexplicably the serenity of Rublev's art arose. The great set-pieces - the sack of Vladimir the casting of the bell the pagan ceremonies of St.
Released in 1972, Solaris is Andrei Tarkovsky's third feature and his most far-reaching examination of human perceptions and failings. It's often compared to Kubrick's 2001, but although both bring a metaphysical dimension to bear on space exploration, Solaris has a claustrophobic intensity which grips the attention over spans of typically Tarkovskian stasis. Donatas Banionis is sympathetic as the cosmonaut sent to investigate disappearances on the space station orbiting the planet Solaris, only to be confronted by his past in the guise of his dead wife, magnetically portrayed by Natalya Bondarchuk. The ending is either a revelation or a conceit, depending on your viewpoint. On the DVD: Solaris reproduces impressively on DVD in widescreen--which is really essential here--and Eduard Artemiev's ambient score comes over with pristine clarity. There are over-dubs in English and French, plus subtitles in 12 languages. An extensive stills gallery, detailed filmographies for cast and crew, and comprehensive biographies of Tarkovsky and author Stanislaw Lem are valuable extras, as are the interviews with Bondarchuk and Tarkovsky's sister and an amusing 1970s promo-film for Banionis. It would have been better had the film been presented complete on one disc, instead of stretched over two. Even so, the overall package does justice to a powerful and disturbing masterpiece. --Richard Whitehouse
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