"Actor: Nora Gubisch"

• Verdi: Falstaff -- Aix-en-Provence/Mazzola | DVD | (20/09/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

  With Willard White in the title role, this very well-sung production of Falstaff from the Aix-en-Provence festival, set in the 1950s, makes for a radical yet plausibly alternative view to the traditional setting in "Merrie England". By casting Jamaican-born baritone White in the title role, director Herbert Wernicke has emphasised Falstaff's role as an outsider, spurned by the community on account of his success as a local businessman and here with the added burden of being black. White engages our sympathy for Falstaff's plight, notably in the last act where he finally turns the table on his adversary, Ford. Yet in his world-weary sophisticated persona this Falstaff seems at odds with the farce unfolding about him; he's been there, done that. There are, nevertheless, key moments to relish: his flicker of the eye as he dismisses Pistol and Bardolph with his letters to the Misses Ford and Page; the duet he shares with Ford on the trials and tribulations of love; and the return of his self-esteem as he pulls himself up to full height following his ducking in the Thames. His face in the final act, shot in close-up, white beard illuminated by moonlight, framed by Herne's horns, is unforgettable. The supporting cast are uniformly excellent as singers and actors, a joy to watch and hear. The main set consists of a polished wooden floor with walls of wooden slatted flaps that open and shut as characters drop in and out of the action. White linen on washing lines, sheets tumbling out of drawers, or, somewhat incongruously, neatly folded on the bed that Falstaff rolls out of after his dip in the Thames, make welcome visual diversions. The Orchestre de Paris play brilliantly under maestro Enrique Mazzola who captures the ebb and flow of Verdi's fast moving score to perfection. On the DVD: Falstaff on disc has subtitles in Italian, English, German, French and Spanish. The picture quality has a real three-dimensional feel to it and the soundtrack likewise. --Adrian Edwards

• Les Contes D'Hoffmann | DVD | (31/05/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £29.99

  Hoffmann a poet and composer is in love with the prima donna Stella. As the opera begins she is appearing in her most famous role: Donna Anna in Mozart's Don Giovanni. Hoffmann's Muse declares that she will win back the artist and protect him from any further amorous obsessions. In order to do so she will assume the identity of Hoffmann's friend Nicklausse.Councillor Lindorf also desires the diva Stella and he bribes her servant Andres into giving him a letter addressed to Hoffmann which contains the key to her dressing room. As the curtain falls on Act I of Don Giovanni Luther and his waiters hurriedly prepare for the arrival of Hoffmann and his friends.Hoffmann is in an agitated state of mind but is soon persuaded to sing the ballad of Kleinzack. While doing so he is distracted and recalls his first love. His friends bring him back to reality and he finishes the song. Suddenly Hoffmann sees Lindorf and a heated argument develops between them. Hoffmann reveals that Lindorf has always brought him bad luck. When three of the poet's friends boast about their mistresses Hoffmann declares that Stella embodies three types of woman: the young girl the artist and the courtesan. Hoffman asks his friends if they would like to hear about three of his past loves. Despite Luther's warning that the curtain is about to rise on Act II of Don Giovanni the crowd fill their glasses and prepare to listen to Hoffmann's tales.