When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
In Press for Time Norman Wisdom offered his version of the crusading reporter movie, though by 1966 time was running out for Norman's style of big-screen comedy. Wisdom had played duel roles in The Square Peg (1958) and On the Beat (1962), but perhaps a sign of his growing frustration with the formulaic nature of his pictures was that he stretched himself to play not just his usual underdog hero, but also his own mother and his grandfather, the Prime Minister. Wisdom also co-wrote the movie, and as a reporter in a small seaside town causes chaos for the council, organises a beauty parade and manages to reprise his drag act (he dressed as a female nurse in A Stitch in Time) as a suffragette. This was really the penultimate Norman Wisdom comedy, since apart from What's Good for the Goose (1969), he has only made two more features, William Friedkin's The Night They Raided Minsky's (1968) and the belated thriller Double X (1992). Though now nearing the end of his years as a movie star, Wisdom shows himself to still be as polished as ever at his own brand of good-natured slapstick. Fans can be sure that with Norman around there's Trouble in Store (1953). --Gary S. Dalkin
Two episodes from the popular TV detective series. The Dead Of Jericho Morse who never quite finds romance thinks that at last things will turn out differently when he meets beautiful Anne Stavely. But it is a love destined not to be when Anne is found hanging from a beam in mysterious circumstances. Morse suspects murder and sets out to discover the truth. Joining him is Sergeant Lewis and their investigation into 'The Dead Of Jericho' is the beginning of a lasting partn
Includes Jailhouse Rock Trouble With Girls Spinout and Double Trouble. Jailhouse Rock: Elvis stars as Vince Everett a small-time convict introduced to the music business by his cellmate a former country music singer who also teaches Vince the guitar. On his release Vince tastes success as a performer but becomes disillusioned by the record industry until he is advised to set up his own label. He is a sensation but now that he is a superstar will he forget the people who
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Two more cases for Holmes and Watson to solve. The Crooked Man: A scandal is threatening the honour of the Army and suddenly Colonel James Barclay is found dead. His wife Nancy is immediately suspected of murder but who is the strange crooked man who holds the key to the mystery? The Speckled Band: Julia Stoner's enigmatic dying words have haunted her younger sister for the last two years. In desperation she asks for the help of Holmes and Watson who discover an undetectable murder weapon in Julia's remote country house which has no place in the English countryside.
This double DVD pack features The Boondock Saints and the documentary feature Nowhere; which reveals the story of the troubled shoot behind Boondock Saints. Overnight (Dir. Tony Montana & Mark Brian Smith 2003): Alternately hilarious and horrifying Overnight chronicles one man's misadventures of making a Hollywood movie. It starts out as a rags to riches story as Troy Duffy a Boston-bred bartender sells his first screenplay for The Boondock Saints. The deal includes a directing gig for Duffy a soundtrack gig for his band and at one point there's even an offer to purchase the bar he works at. Duffy uses his newfound good fortune as fuel to mistreat his associates friends and even his own brother. With his overwhelming arrogance he burns every bridge possible in both the music and film industries. Soon his calls go unreturned the studio drops the film and the picture ends up going into production with half the original budget. Duffy's rise and subsequent fall from Hollywood grace is something you won't believe unless you see it for yourself. The Boondock Saints (Dir. Troy Duffy 1999): Thy Kingdom Come Thy Will Be Done... It's the one commandment they cannot keep. Tough stylish and extreme fans of Reservoir Dogs and Pulp Fiction will thrill to the action intensity and intelligence of this modern day morality tale written in blood starring Willem Dafoe Sean Patrick Flanery and Norman Reedus. When the sadistic Russian mob starts muscling in on their South Boston Irish neighbourhood Connor and Murphy McManus know what must be done. Feeling that the vengeance of God is flowing through their veins they set out to rid the streets of gangsters criminals and lowlifes. As the body count rises the brothers become local heroes. Now one unorthodox FBI agent must be cunning enough to bring them down...
John Thaw created one of Britain's most-loved TV detectives in this pilot episode that started the long-running Inspector Morse series, based on the novels by Colin Dexter. The brilliant, somewhat elitist police inspector who loves crosswords, classical music and the more-than-occasional pint of ale clumsily romances a woman (Gemma Jones) from his choir. When he finds her hanged in her apartment on the eve of their big recital, he suspects murder and muscles his way in on the investigation. The assigned investigators are convinced it's suicide except for the eager Sergeant Lewis (Kevin Whately), and they reluctantly team up to sort out a mystery tangled in blackmail, adultery, peeping neighbours (former Doctor Who Patrick Troughton) and mistaken identities. With his snooty temperament and lone-wolf lifestyle, the white-haired, Oxford-educated bachelor is a wonderful mismatch with the younger Lewis, a married man with a family and a rather less classical background (Whatley is a Geordie, though Lewis was a Brummie in the book). There's a quiet undercurrent of affection and respect almost from their first meeting that builds with each continuing Inspector Morse mystery, as well as an air of melancholia and loneliness beautifully developed in the script by future Oscar-winning writer/director Anthony Minghella (The English Patient). Morse's initial theories may be washouts (a series hallmark), but his relentless sleuthing, eye for clues and mind for puzzles dredges up the answer in the end, even as he loses the girl. --Sean Axmaker, Amazon.com
Includes the seminal chillers: Die Screaming Marianne (1971) Marianne following the sudden death of her mother stands to inherit the family fortune along with several documents that could incriminate her corrupt judge of a father. Now her sister and her father both want their hands on Marianne's inheritance and they'll stop at nothing even murder to get it! House Of Whipcord (1974) A bizarre correctional institute is set up by a small group of people disillusioned
A tribute to John Thaw which includes: 'Inspector Morse - The Dead Of Jericho' in which Morse investigates the mysterious circumstances surrounding the death of Anne Stavely. Based on the novel by Colin Dexter. 'Kavanagh QC - Nothing But The Truth' which centres on James Kavanagh who has climbed to the top of his profession as one of the leading criminal advocates in London. He takes on the defence of a student accused of raping a middle-aged housewife. 'Goodnight Mister Tom' finds To
The Navy's newest recruit is Norman Puckle (Norman Wisdom). He's no ordinary sailor and that's just as well because he soon finds himself lined up for an extraordinary adventure. It is planned that the Navy will put a rocket into orbit and Norman is chosen to man it. Hilarious setbacks and chaos are Norman's constant companions as he undertakes the strenuous tests and training required. Eventually doubts arise as to whether the right person has been chosen but surely the whims of admirals and officers will not be enough to deny Norman his moment of glory!
A Happily Married Couple Find Their Lives Thrown Into Frightening Disruption When A Stranger Appears At Their Door Claiming That Their Adopted 12-Year-Old Daughter Contains The Reincarnated Spirit Of His Little Girl! An Underrated 1970'S Psychological Horror From Director Robert Wise, Starring Anthony Hopkins & Marsha Mason.New Audio Commentary By Film Historian Samm DeighanNew Video Interview With Kim NewmanVideo Interview With Marsha MasonNew Visual Essay On The Cinema Of Reincarnation By Film Historian Lee GambinNew Interview On The Music Of Michael SmallArchival Interview With Author Frank De FelittaIsolated ScoreTheatrical TrailerLimited Edition Slipcase On The First 2000 Copies With Unique Artwork.
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