A gritty crime series with strong female lead characters and the career breakthrough which started Lynda La Plante on her path as one of television's highest profile writers - Widows was a smash hit for ITV and has now been adapted into a major motion picture by acclaimed director Steve McQueen. Both series of Widows are presented here as brand-new High Definition restorations from their original film materials. Also included, in Standard Definition, is the sequel series made ten years later: She's Out. When their villain husbands are killed during the attempted robbery of a security van, three widows have a chance to start afresh. Then one of them finds the robbery plans and they decide to finish what their husbands started...
Two veteran English actors have their lives disrupted when one's grand-niece enters their lives.
When her husband dies en route to America, Martha Price and her daughter Hilary are left to carry out his dream: the introduction of Hereford cattle into the American West. They enlist Sam Bulldog Burnett in their efforts to transport their lone bull, a Hereford named Vindicator, to a breeder in Texas, but the trail is fraught with danger, and even Burnett doubts the survival potential of this rare breed of cattle. Extras: Trailer Subtitles
Pig and Runt were born moments apart in the same hospital and except for blood are twins. They grow up together and have equal appetites for recklessness and destruction. Just before their seventeenth birthdays Pig's behaviour threatens the private world they have spent a lifetime building. Their special relationship is stretched to breaking point and the survival of one of them depends upon which one can break free.
If a musical sci-fi satire about an alien transvestite named Frank-n-Furter, who is building the perfect man while playing sexual games with his virginal visitors, sounds like an intriguing premise for a movie, then you're in for a treat. Not only is The Rocky Horror Picture Show all this and more, but it stars the surprising cast of Susan Sarandon and Barry Bostwick (as the demure Janet and uptight Brad, who get lost in a storm and find themselves stranded at Frank-n-Furter's mansion), Meat Loaf (as the rebel Eddie), Charles Gray (as our criminologist and narrator) and, of course, the inimitable Tim Curry as our "sweet transvestite from Transsexual, Transylvania". Upon its release in 1975, the film was an astounding flop. But a few devotees persuaded a New York cinema to show it at midnight, and thus was born one of the ultimate cult films of all time. The songs are addictive (just try getting "The Time Warp" or "Toucha Toucha Touch Me" out of your head), the raunchiness amusing and the plot line utterly ridiculous--in other words, this film is simply tremendous good fun. The downfall, however, is that much of the amusement is found in the audience participation that is obviously missing from a video version (viewers in cinemas shout lines at the screen and use props--such as holding up newspapers and shooting water guns during the storm and throwing rice during a wedding scene). Watched alone as a straight movie, Rocky Horror loses a tremendous amount of its charm. Yet, for those who wish to perfect their lip-synching techniques for movie cinema performances or for those who want to gather a crowd around the TV at home for some good, old-fashioned, rowdy fun, this film can't be beat. --Jenny Brown
The crew of the spaceship Dark Star are on a 20-year mission to destroy unstable planets and make way for future colonisation by using smart bombs which zoom off cheerfully to do their duty. But unlike the orderly inhabitants of Star Trek's Enterprise, the nerves of this crew are becoming frayed to the point of psychosis. Their captain has been killed by a radiation leak that also destroyed their toilet paper. "Don't give me any of that 'Intelligent Life' stuff", says Commander Doolittle when presented with the possibility of alien life, "Find me something I can blow up". When an asteroid storm causes a malfunction, Bomb Number 20 (the most cheerful character in the film) has to be repeatedly talked out of exploding prematurely, each time becoming more and more peevish, until they have to teach him phenomenology to make him doubt his existence. And the film's apocalyptic ending, lifted almost wholly from Ray Bradbury's short story "Kaleidoscope" has the remaining crew drifting away from each other in space, each to a suitably absurd end. Absurd, surreal and very funny. John Carpenter once described Dark Star as "Waiting for Godot in space". Made at a cost of practically nothing, the film's effects are nevertheless impressive and, along with the number of ideas crammed into its 83 minutes, ought to shame makers of science fiction films costing hundreds of times more. --Jim Gay
How do you like your blockbuster movies? If the answers loud, fast and full of big robots fighting, then youre well and truly in luck. For director Michael Bays take on Transformers, based on the toys of the same name, delivers just that. And with some style. The film stars the fast-rising Shia LaBeouf (Disturbia) as Sam, who discovers that his first car has a little more to it when it transforms into an Autobot robot called Bumblebee. Fortunately, the Autobots are the good guys, and following not far behind are a good number more, headed up by Optimus Prime. Against them are the less friendly Decepticons, with Megatron at the helm, and the two sides are set for a frenetic battle right in the middle of Planet Earth. Theres a plot sitting underneath all of this, but its pretty much given with the Transformers movie that its just a vehicle to get the film from one set piece to another. And theres little denying that the action sequences are spectacular. Boasting quite staggering special effects, the on-screen action moves with a pace and ferocity that sometimes makes it hard just to keep up with it all, as mighty robots engage is some quite staggering fights. Its quite an achievement. Paving the way for an already-in-production sequel, Transformers has little pretensions about what its going to do, and is all the better for it. This is a film about big robots, big fights, big effects and, ultimately, big, dumb grin-inducing fun. What, really, is there not to like? --Jon Foster
Its Friday night and the girls are getting ready for a big night out. The boys they are meeting up also making their preparations for a wild night ahead. They meet and all seems to be going well the drinks are going down quick and fast and the four women and four lads seem to be well paired off for a night of wild raging. The couples go their own way until 4 am when Emma arrives at Jeans in bad shape accusing Mike an NFL player of rape. When arrested he says he is innocent
Wartime spy thriller. Richard Greene stars as war correspondent Bob Randall, who returns from Dunkirk to report on Nazi atrocities committed during the Blitzkrieg, and to deliver a stark warning about the traitors who aided the Germans in their conquest of Europe. He is outraged to discover that the 'People for Peace Society' in England are campaigning to appease the Germans, and tries to expose them for the fools they are - only to have his newspaper stories censored by Home Security. As the Blitz rages in London, Randall and fellow journalist Carol Bennett (Valerie Hobson) uncover an even more sinister side to the Society. Do they have advance knowledge of German bombing raids? And who is really controlling them?
1978 American neo-noir, directed by Walter Hill (Warriors) and starring Ryan O'Neal, Bruce Dern and Isabelle Adjani. The Driver (Ryan O'Neal) is the best wheel man for hire. His work in driving getaway cars are exhibitions in excellence, works of art.The Detective (Bruce Dern) is the top cop of the force. Nobody he tracks down ever eludes him. Except the Driver. As the Driver pulls off another job, the Detective lays in wait for him. But the Driver has already planted his alibi and is one step ahead of him.Product FeaturesMasterclass: Walter Hill Interview with Walter Hill Alternate opening sequence Trailer Teasers
Three sisters set off from Switzerland with their divorced mother to go to New York in order to stop their father marrying a calculating socialite...
Oscar night. Who will win? Who will lose? And will someone please kick that numbskull off stage? Wait! That's no ordinary numbskull. That's Lt. Frank Drebin, crashing the ceremonies to stop a terrorist plot that could mean curtains for him - or will a simple window shade be enough? Yes, back for a hilarious threepeat and a state-of-the-art advance in sequel numbering are the filmmakers you love, the returning stars you adore, plus others getting Naked for the first time: Fred Ward, Anna Nicol...
Jeff Bridges, Jessica Lange and Charles Grodin star in this remake of the adventure classic from director John Guillermin. Oil executive Fred Wilson (Grodin) sees the chance to make his fortune when he stumbles upon a remote island whose inhabitants worship a giant ape-god named Kong. Capturing the mighty beast, Wilson brings Kong back to New York, earmarking him as the greatest attraction to come to Broadway. The ape has other ideas, however, as he looks to escape and goes on the rampage through the streets of the Big Apple.
Disney's beloved modern classic - the first animated feature film in the history of the Oscars nominated for Best Picture (1991) - is brilliantly transformed to a new level of entertainment through the magic of Blu-ray(tm) High Definition.
The film that officially signalled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or unavailable edition of this title.
An all-star cast feature in this stylish adaptation of Agatha Christie's quintessential murder mystery, produced and co-written by legendary B-movie mogul Harry Alan Towers. Directed by George Pollock (who had previously won great acclaim with the Miss Marple films starring Margaret Rutherford) and sporting the ultimate gimmick of a 60-second Whodunnit Break prior to the final reveal, Ten Little Indians is featured here as a High Definition remaster from original film elements in its original theatrical aspect ratio. Ten strangers arrive at a snowbound mansion invited by their host, the shadowy Mr U.N. Owen. During dinner, an audio tape of Owen's voice is played, revealing that each guest has a scandalous secret a secret that each would be willing to kill to protect. It's not long before the first guest is murdered. It won't be the last. Special Features Theatrical trailer Image gallery
A look at the lesbian experience over different decades and social climates in America told through three stories of love. An elderly woman 'widowed' when her companion of 50 years dies in 1961; a feminist co-ed discovering her attraction to an outsider in 1972; a loving couple eager to experience parenthood in 2000: three couples three different decades. 'If These Walls Could Talk 2' is an honest portrayal of women in three very different times all searching for love and acceptance.
Alan Graham and Terry have been best mates since primary school. Now pushing forty the three friends are still inseparable. Naturally Alan and Graham are going to give Terry a stag night to remember. A big fry-up breakfast bubbly down the dogs for a flutter ten-pin bowling...fantastic. But when the boys pay a late night revenge visit to their despised former headmaster things begin to go disastrously wrong. A tragic accident sets off an unforeseen chain of events revealing terrible secrets. Life will never be the same again.
A purely tasteless, moronic, guilty pleasure. Director Harold Ramis employs a mixture of Mad magazine National Lampoon maturity and Saturday Night Live sarcasm in this goofball golf comedy set on the grounds of a posh country club. Somewhere buried in the slapstick antics, drug references, Marx Brothers-like insults, and gratuitous sex scenes are the intertwined, forgettable subplots of a poor caddie (Michael O'Keefe) trying to earn enough cash to attend college, and golf-tournament and class battles between rich and even richer snobs. Mainly, Ramisjust lets his colourful group of eccentrics crash into each other, relying on several inspired performances to create several hilarious moments of sketch comedy. Most come from the trio of Bill Murray (playing a vile, obsessed groundskeeper engaged in a one-man war with a charismatic and very stuffed gopher), Rodney Dangerfield (basically recreating his crude stand-up routine), and Chevy Chase (who looks bemusedly stoned throughout). Quotable favourites include Murray's acted-out fantasy of winning the Masters, his tall tale about caddying for the Dalai Lama, an overreaching priest's rain-soaked golf game, Dangerfield's verbal assault on the club's uptight dining patrons, and Chase's lesson on the essence of golf ("Be the ball, Danny"). A perfect double feature with other comparably crass films such as National Lampoon's Vacation or Stripes. --Dave McCoy
Adapted by Desmond Lowden from his novel of the same name, Bellman & True is a tense heist thriller starring Bernard Hill (Boys from the Blackstuff, The Lord of the Rings) as a computer programmer blackmailed by gangsters into hacking a bank security system. Directed by Richard Loncraine (Full Circle, The Missionary) Bellman & True deftly balances dramatic realism with stark black comedy and nail-biting suspense. Produced by HandMade Films, Bellman & True is a fine companion piece to their successful thrillers The Long Good Friday and Mona Lisa. Product Features High Definition remaster Original mono audio Two presentations of the film: the pre-release version that premiered at the 1987 London Film Festival (122 mins), and the original UK theatrical cut (114 mins) Running in Traffic (2019, 24 mins): director Richard Loncraine recalls the production of the film Just an Adventure (2019, 20 mins): actor Kieran O'Brien talks fondly of his first film role Cracking the System (2019, 17 mins): screenwriter and author Desmond Lowden discusses adapting his own novel for the screen Trust Me (2019, 10 mins): composer Colin Towns looks back at the creation of the film's score Original theatrical trailer Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
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