First, J.K. Rowling's delightful bestseller, then an unforgettable movie: Harry Potter and the Sorcerer's Stone is sheer screen enchantment. At its center is Harry, orphaned, unloved, rescued, enrolled as a wizard-in-training at Hogwarts Academy and as his telltale forehead scar shows, destined for great things. Enter into the world of Hogwarts and experience the rich characters, lavish surroundings, wizardly tools and customs, the high-flying sport of Quidditch ... and much more beyond imagining. For the most magic ever to visit your house, see you on Platform 9-3/4!
Perky teen starlet Hilary Duff wholeheartedly embraces the kind of earnest innocence all parents wish their daughters had. In Raise Your Voice, Terri Fletcher yearns to go to a prestigious music conservatory in Los Angeles. Her father won't let her because L.A. is a bad place, but her loving mom and kooky aunt sneak her away. Once there, she gets a sassy roommate-of-colour, geeky cool friends, a snooty rival, and a sexy British boyfriend. Of course, all conflicts with family and friends come to a head at a big competition at which Terri rediscovers herself. Formulaic? Yes. Bland? Yes. Will preteen girls enjoy it anyway? Maybe, because Duff plays it so sincere. --Bret Fetzer, amazon.com
At University Hospital School of Medicine a group of ambitious medical students are about to die and live to describe the experience. Embarking on a daring and arrogant experiment the five aim to push through the confines of life and touch the face of death. In their search for knowledge however the five discover the chilling consequences of daring to tamper with immortality.
African-American and Jewish gangsters and a guy in the wrong place collide in this thriller.
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
African-American and Jewish gangsters and a guy in the wrong place collide in this thriller.
When college lecturer Ben Rolf (Oliver Reed, The Brood, The Devils) and his family rent a remote country mansion at a bargain price, they believe they're in for an uneventful summer. Little do they realise that they've just moved into a veritable house of horrors! As the malevolent force that dwells within its walls exerts its dark influence on the minds of its new inhabitants, and the sinister occurrences begin to mount up, it grows increasingly clear that this is a holiday they'll never forget... provided any of them live to tell of it. Also starring Karen Black (The Day of the Locust) and Bette Davis (Whatever Happened to Baby Jane?), Burnt Offerings provides a unique and chilling portrait of a modern family in meltdown. Presented in high definition for the first time in the UK, there has never been a better time to revisit or discover for the first time this unforgettable slice of American Gothic. SPECIAL EDITION CONTENTS High Definition Blu-ray (1080p) and Standard Definition DVD presentation of the feature, transferred from original film elements by MGM Original uncompressed PCM mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary by film historian Richard Harland Smith Acting His Face, an interview with actor Anthony James Blood Ties, an interview with actor Lee Montgomery From the Ashes, an interview with screenwriter William F. Nolan Portraits of Fear, an animated gallery of promotional materials and behind-the-scenes stills Theatrical trailer Reversible sleeve featuring original and newly commissioned artwork by Haunt Love First pressing only: Collector's booklet featuring new writing on the film by critic Kat Ellinger
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
Traumatized by the murder of her best friend when she was a young girl Tory Bodeen has finally returns home hoping to rebuild her life and make peace with her past. but Hope's family and her killer may stand in the way of Tory's happiness and possibly her life. Based on Nora Roberts novel.
Fresh out of jail motor-mouth con man Gabriel Cane (Woods) sets up a bet with local gangster John Gillon (Dern) in which ageing prize fighter 'Honey' Roy Palmer must knock out 10 opponents within 24 hours. The con is on but exactly who is scamming who?
A Life for a Life The General's Son is in Prison The Agents Daughter is in Jeopardy The war on drugs has just turned personal. Filled with sizzling action and adventure FAIR TRADE is a powerful story of survival parental love and betrayal set against a backdrop of drug trafficking and the perilous South American jungle. A group of innocent college girls become pawns in a deadly game of death and destruction when a South American drug baron General Belmondon (Oliver Reed)
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful, Hellraiser visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
Offenbach's operetta La Belle Hélene, which pokes fun at the Parisian upper class of a century and a half ago through tales of ancient Greece, requires a leap of imagination on behalf of today's audience that this production only partly succeeds in reconciling. On musical grounds we're on sure footing. Nikolaus Harnoncourt conducts the chorus and orchestra of the Zurich Opera House with his customary flair for precise and taut rhythms and an appreciation of the composer's wit and the good tunes that are a-plenty. His multi-national cast headed by Vesselina Kasarova as Helen of Troy and Deon van der Walt as her lover Paris are excellent and among the smaller parts there's a lively and stylish performance from Liliana Nichiteanus as Oreste. The video direction by Hartmut Schroder and the superb sound obtained from the relatively intimate Zurich Opera House, a delightful setting for this operetta, are further assets. The production alas is unenlightening and perpetrates an over-the-top style that seems to be synonymous with Offenbach. The backdrop, a pink concave awning is hideous. The costumes by designer Jean-Charles de Castelibajac are silly: Paris is dressed in lederhosen and looks a twerp, Calchac, the high priest wears a Ku Klux Klan hat and Helen at one point looks as though she'll take to absailing. Kasarova suggests the lure of Helen in her voice but a beauty she's not. So it's left to Harnoncourt who joins the company at the curtain call with a twinkle in his eye and a nifty side step and his superb orchestra to remind us what might have been. --Adrian Edwards
An isolated country mansion promises to be the perfect hideaway for an unsuspecting family on a summer vacation but the peace and quiet of the country is abruptly shattered by an unspeakable horror. High in the house awaits an evil presence that promises only a vacation of terror from which there is no return. Burnt Offerings is a gothic tale that holds you in the grip of a family's nightmare as they confront the nameless evil of a possessed house. Oliver Reed and Karen Black star as a vacationing college professor and his wife who are besieged by the malevolent force while Bette Davis is the tenant's aunt. Also starring Burgess Meredith and Eileen Heckhart as the sinister owners of the mansion Burnt Offerings is based on the acclaimed horror novel by Robert Marasco.
The story of a boy who learns on his eleventh birthday that he is the orphaned son of two powerful wizards with unique magical powers of his own. At Hogwarts School of Witchcraft and Wizardry he finds the home and family he has never had.
In a place between pleasure and pain there is sensual experience beyond limits. And in a world between paradise andpurgatory there is a horror that feeds the souls of evil. When Frank Cotton solves the mystery of a Chinese puzzle box he enters the world of the Cenobites a world where the cruel sadists thrive on pain. Restored to life by the blood of his brother Larry Frank rises to feed on the life force of others. When Larry's wife agrees to provide the sacrifices he needs the chills are just beginning...
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
Hellraiser A man is brought partially back to life by the blood of his brother. He befriends his sister-in-law who agrees to supply the blood he requires to live but he is still haunted by the evil forces which held him captive in death. Children Of The Corn In Gatlin Nebraska the corn crop has failed. When a sinister boy comes into the small community preaching a solution the adults need to watch their backs.
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