This extended cut of Project X follows three seemingly anonymous high school seniors - Thomas Costa and J.B. - as they attempt to finally make a name for themselves. Their idea is innocent enough: let's throw a party that no one will forget and have a camera there to document history in the making... but nothing could prepare them for this party. Word spreads quickly as dreams are ruined records are blemished and legends are born. Project X is a warning to parents and police everywhere.
Features: Censoring the Werewolf --A new 13-minute documentary directed by Hammer Films historian Marcus Hearn. The Making of Curse of the Werewolf with interviews with Catherine Feller Yvonne Romain Mike Hill Don Mingaye Margaret Robinson Jimmy Sangster. Lycanthropy:The Beast in All of Us. Stills Gallery
SOME LINES SHOULDN'T BE CROSSED. Known for his impressively eclectic filmography and for helping to launch the careers of several young Hollywood stars of the 80s and 90s, Joel Schumacher (The Lost Boys, St. Elmo's Fire) tackles the existential question that, at one time or another, haunts us all: what awaits us after we die? At the University Hospital School of Medicine, five ambitious students subject themselves to a daring experiment: to temporarily induce their own deaths, hoping to glimpse the afterlife before being brought back to life. But as competition within the group intensifies and their visions of the world beyond increasingly bleed into their waking lives, they're about to learn that the greatest threat comes not from the spirit world but from the long-suppressed secrets of their own pasts Stylishly photographed by Jan de Bont (Basic Instinct) and featuring a cast of Hollywood's hottest talent including Kiefer Sutherland (Twin Peaks: Fire Walk with Me), Julia Roberts (Secret in their Eyes) and Kevin Bacon (Wild Things) Flatliners is the ultimate life-and-death thrill ride. Product Features Brand new 4K restoration from the original negative, approved by director of photography Jan de Bont High Definition Blu-ray⢠(1080p) presentation Lossless DTS-HD Master Audio 5.1 and 2.0 surround soundtracks Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by critics Bryan Reesman and Max Evry The Conquest of our Generation, a brand new video interview with screenwriter Peter Filardi Visions of Light, a brand new video interview with director of photography Jan de Bont and chief lighting technician Edward Ayer Hereafter, a brand new video interview with first assistant director John Kretchmer Restoration, a brand new video interview with production designer Eugenio Zanetti and art director Larry Lundy Atonement, a brand new video interview with composer James Newton Howard and orchestrator Chris Boardman Dressing for Character, a brand new interview with costume designer Susan Becker Theatrical trailer Image gallery Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Amanda Reyes and Peter Tonguette
Tom Cruise stars as a high ranking German officer, who along with a small group of peers hatches a plot to assassinate Adolf Hitler in an attempt to end the war.
TBC
Attila the Hun. Ivan the Terrible. Al Capone. They were all seven once. Ben Healy (John Ritter) adopts Junior (Michael Oliver) a kid who's so bad that even the nuns want to kick him out of the orphanage in this hilarious heart-warming family comedy. When Ben and his infertile wife Flo (Amy Yasbeck) want a child right away Mr. Peabody (Gilbert Gottfried) cons them into taking little Junior but they have no idea what they're getting into! Before you can say ""bad seed "" Junior is setting his room on fire tormenting the cat and jeopardizing the mayoral campaign of Ben's father sporting goods king Big Ben (Jack Warden). But both Junior and his new father will learn what it really means to be a family in this comedy smash hit!
Inspired by NetherRealm Studios, creators of the Injustice: Gods Among Us video game, and the best-selling DC graphic novel based on the video game, Injustice: Gods Among Us: Year One by Tom Taylor, the animated film Injustice finds an alternate world gone mad - where The Joker has duped Superman into killing Lois Lane, sending the Man of Steel on a deadly rampage. Unhinged, Supermandecides to take control of the Earth for humanity's own good. Determined to stop him, Batman creates a team of like-minded, freedom-fighting heroes. But when Super Heroes go to war, can the world survive? Bonus Features A Preview of Reign of the Supermen. A Preview of the Death of Superman.
A performance of Strauss's biblical 'Salome' at the Royal Opera House.
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s) have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form, and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine (who has retractable claws and amnesia), and Anna Paquin's Rogue (who sucks the life and superpowers out of anyone she touches). The plot has to do with a big gizmo that will wreak havoc at a gathering of world leaders, but the film is more interested in setting up a tangle of bizarre relationships between even more bizarre people, with solid pros such as Stewart and McKellen relishing their sly dialogue and the newcomers strutting their stuff in cool leather outfits. There are in-jokes enough to keep comics' fans engaged, but it feels more like a science fiction movie than a superhero picture. --Kim Newman
Four classic Hammer chillers presented on Blu-ray for the very first time in the UK. Accompanied by a wealth of new and archival extras including exclusive new documentaries, audio commentaries, alternative versions, new and archival cast and crew interviews, a series of appreciations of their female stars, analyses of their composers' scores, and extensive booklets this stunning limited edition box set is strictly limited to 6,000 units. Extras: INDICATOR LIMITED BLU-RAY EDITION BOX SET SPECIAL FEATURES: THE REVENGE OF FRANKENSTEIN New 4K restoration Original mono audio New and exclusive documentary about the film, produced by Hammer expert Marcus Hearn (2019) Audio commentary by celebrated horror and fantasy authors Stephen Jones and Kim Newman (2019) A Frankenstein for the 20th Century (2019): video essay by film historian Kat Ellinger and Dima Ballin Hammer's Women Eunice Gayson (2019): profile of the Hammer star by critic and film historian Pamela Hutchinson David Huckvale on Leonard Salzedo (2019): new appreciation of the renowned composer by the author of Hammer Film Scores and the Musical Avant-Garde Super 8 version: original cut-down home cinema presentation Original theatrical trailer Trailer commentary (2013): short critical appreciation by filmmaker Joe Dante Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition box set exclusive booklet with new essays by Marcus Hearn and Kieran Foster, archival interview materials, historical articles, contemporary reviews, and film credits UK premiere on Blu-ray THE TWO FACES OF DR. JEKYLL High Definition remaster Original mono audio New and exclusive documentary about the film, produced by Hammer expert Marcus Hearn (2019) Audio commentary by film historians Josephine Botting and Jonathan Rigby (2019) Interview with Paul Massie (1967): rare archival audio interview with the film's star Hammer's Women Dawn Addams (2019): British cinema expert Laura Mayne explores the life and career of the UK-born star David Huckvale on Monty Norman (2019): new appreciation of the renowned composer Original theatrical trailer Trailer commentary (2013): short critical appreciation by Josh Olson Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition box set exclusive booklet with a new essay by Kat Ellinger, archival interview materials, historical articles, contemporary reviews and film credits UK premiere on Blu-ray TASTE OF FEAR High Definition remaster Original mono audio Alternative presentation with US Scream of Fear title sequence New and exclusive documentary about the film, produced by Hammer expert Marcus Hearn (2019) Audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television (2019) The BFI Interview with Jimmy Sangster (2008): archival audio recording of the celebrated filmmaker and screenwriter in conversation with Marcus Hearn at London's National Film Theatre The BEHP Video interview with Jimmy Sangster (2008): archival video recording, made as part of the British Entertainment History Project, featuring Sangster in conversation with Jonathan Rigby The BEHP Interview with Douglas Slocombe Part Two (1988): archival audio recording, made as part of the British Entertainment History Project, featuring the renowned cinematographer in conversation with Sidney Cole Fear Makers (2019): interviews with camera operator Desmond Davis, assistant editor John Crome and clapper loader Ray Andrew Hammer's Women Ann Todd (2019): Melanie Williams, author of Female Stars of British Cinema profiles the English star and producer David Huckvale on Clifton Parker (2019): new appreciation of the renowned composer Super 8 version of Scream of Fear: original cut-down home cinema presentation Original theatrical trailer Trailer commentary (2013): short critical appreciation by Samm Hamm Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition box set exclusive booklet with an essay by Marcus Hearn, archival interview materials, historical articles, contemporary reviews and film credits UK premiere on Blu-ray THE DAMNED: New 2K restoration Original mono audio Two presentations of the film: The Damned, the original UK theatrical release version; and These Are the Damned, the complete and uncut restoration which first premiered in 2007 New and exclusive documentary about the film, produced by Hammer expert Marcus Hearn (2019) Audio commentary by film historians Samm Deighan and Kat Ellinger (2019) Beneath the Surface (2019): new interview with filmmaker Gavrik Losey, son of director Joseph Losey Interview with actor Shirley Anne Field (2019) Interview with screenwriter Evan Jones (2010) Children of 'The Damned' (2019): new interviews with actors Kit Williams, David Palmer and Christopher Witty Hammer's Women Viveca Lindfors (2019): profile of the renowned actor by critic and film historian Lindsay Hallam David Huckvale on James Bernard (2019): new appreciation of the celebrated composer Beyond Black Leather (2019): appreciation by film expert I Q Hunter No Future (2019): analysis by author and film historian Neil Sinyard Original theatrical trailer Trailer commentary (2013): a short critical appreciation by filmmaker Joe Dante Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition box set exclusive booklet with a new essay by Richard Combs, archival interview materials, historical articles, contemporary reviews and film credits UK premiere on Blu-ray Limited edition box set of 6,000 numbered units All extras subject to change
Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry. On the DVD: The Complete History of Britain extras are generously packaged on a separate disc and include the original score and a Simon Schama biography. There's an interesting "promotional message" to camera in which Schama explains the role of a cab driver, Wally, in inspiring the series, along with an interview with Mark Lawson in which Schama stresses the deliberate subjectivity of these programmes and an inaugural BBC History lecture in which he defends TV's ability to transpose history to camera. --David Stubbs
TBC
The Prince And The Pauper
In 1985 Cocoon was a significant trend-bucker amongst summer blockbusters. Whereas other genre efforts were devised to lure a teenage audience into FX extravaganzas, this looked like one for their grandparents. Except that it turned out to be a gentle, affecting tale for all ages. Adapted from David Saperstein's novel, director Ron Howard took great delight in focusing on family relationships and the encroachment of old age (themes that reappeared in nearly all his work from here on). The plot is rather surreal in summary: a group of Florida OAPs befriend aliens in next-door's swimming pool and are rejuvenated to youthful well-being. It's in the FX and characterisations that the story comes alive. Both were acknowledged with Academy Awards; with Don Ameche's supporting role deserving praise for more than just the moment when he does some bodypopping on the dance floor. Wilford Brimley is the real star, a bluff old codger wanting to do right by everyone. Steve Guttenberg provides comic support and allows for a little non-wrinkly nudity with foxy space gal Kitty (Tahnee Welch). ILM's visuals remain polished and inspired, but never allowing us to lose sight of the characters basking in their dazzle. --Paul Tonks
Comedy with Stan Laurel and Oliver Hardy. Contains: Busy Bodies (b/w) Busy Bodies (colourised) Double Whoopee (b/w silent with musical score) Dirty Work (b/w) Dirty Work (colourised) The Finishing Touch The Music Box (b/w) The Music Box (colourised) Hog Wild (b/w) Hog Wild (colourised) Hats Off (stills gallery) A collection of classic shorts all of which present Stan and Ollie with a task to perform. 'Busy Bodies' is the famous film where Stan and Ollie work in a sawmill. In 'Double Whoopee' they start work at a plush Broadway hotel - and close a taxi door on Jean Harlow's dress! 'Hog Wild' concerns their efforts to fit a rooftop aerial. In 'Dirty Work' they are back on the roof this time as chimney sweeps at the home of an eccentric scientist. Stan and Ollie are in the building trade for 'The Finishing Touch' while in 'The Music Box' - perhaps their most famous film - they have to deliver a piano up a huge flight of steps. 'The Music Box' was inspired by one of their earliest comedies as a team 'Hats Off'. Sadly no copy of the film is known to survive but this DVD includes a selection of stills from this long-lost classic.
Starring James Bolam, Keith Barron and Richard Wilson, Room at the Bottom is John Antrobus's outrageous satire on the bullying, rivalry and corruption rife within the commercial television sector; co-scripted by Antrobus and Steptoe and Son/Hancock's Half Hour's Ray Galton, the series casts Bolam as a luckless light-entertainment producer and Barron as his tyrannical boss. Former drama producer Nesbitt Gunn's recent sacking has turned his life upside down. The offer of a new position in his company's Light Entertainment department fails to entice him, and he barricades himself in his office in protest. When calm reasoning fails to winkle him out and entreaties from the Chaplain end in accusations of blasphemy all concerned decide that it's time to wheel in the big guns...
Comedy with Stan Laurel and Oliver Hardy. Contains: The Live Ghost (b/w) Sailors Beware (b/w silent with musical score and sound effects) Two Tars (b/w silent with musical score and sound effects) Men O'War (b/w) Men O'War (colourised) Any Old Port Why Girls Love Sailors (b/w silent with musical score) Towed In A Hole (b/w) Towed In A Hole (colourised) A collection of classic shorts based around the maritime adventures of Stan and Ollie. In 'The Live Ghost' they help round up a reluctant crew for a 'ghost ship' - and are shanghaied themselves! Taxi driver Stan is similarly aboard ship against his will in 'Sailors Beware!' The classic 'Two Tars' is the famous film in which Stan and Ollie as sailors on shore leave become involved in a massive traffic jam. They are again sailors on leave in 'Men O'War' with hostilities taking place this time on a boating lake. 'Any Old Port!' sees Stan and Ollie arriving in port from a whaling voyage to find their assistance required by a damsel in distress. Another imperilled damsel is Stan's girlfriend in the early pre-teaming L&H comedy 'Why Girls Love Sailors'. One of the best-loved L&H shorts 'Towed In A Hole' is that in which they buy a boat - and fill it with water to detect the leaks!
Some Things are Best Kept Apart. After a family tragedy Chris and Maggie Conley in a last-ditch effort to save their dying marriage purchase an isolated home in a secluded forest. When Chris leaves for days at a time to continue his training as a fire-fighter Maggie is left alone in their new house. But her emotional state deteriorates rapidly after a series of disturbing events. She becomes convinced that there is something unnatural sharing their house intent on her psychological destruction. But does some malicious presence really have the key to their front door or is there something even more alarming happening in the house of good and evil?
Brought to you by the producers of 'Broadchurch', Tin Star is an epic and bloody new revenge drama from Sky Atlantic, telling the story of Jim Worth (Tim Roth), an ex-pat British police officer starting a new life with his family as police chief in Little Big Bear, an idyllic town near the Rocky Mountains. Not long after their arrival, the opening of an oil refinery nearby leads to Jim encountering its mysterious representative Mrs Bradshaw (Christina Hendricks) and the Little Big Bear soon becomes a boom town, bringing with it a wave of drugs, prostitution and organised crime. When Jim takes a stand against the oil company, it's not long before someone makes an attempt on his life. But when he ducks the bullet meant for him it leaves a member of his family dead instead. With the gang of killers still in town, the police chief becomes hell-bent on violent revenge and as his world continues to unravel, the line between hero and villain becomes blurred. Will Jim's lust for bloody vengeance put his family's life in further danger still?
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