To celebrate Her Majesty's Diamond Jubillee, Network is proud to present a brand new HD restoration of the only feature-length Technicolor record of the Coronation itself.When Queen Elizabeth the Second was crowned on June 2nd, 1953, many of Britain's leading cinematic artists were commissioned to create this wonderful record of the event. Narrated by Sir Laurence Olivier, it conveys the sights and sounds, the pomp and pageantry, the very spirit of that unforgettable day. Oscar-nominee and BAFTA-winner, A Queen is Crowned is one of the greatest films of an historical event ever made.Also included in this commemorative set is Palaces of a Queen - a 1966 documentary touring the six royal palaces: Buckingham Palace, Windsor Castle, St. James's Palace, Hampton Court, Kensington Palace and Holyrood House. Narrated by Micihael Redgrave and with a resounding score by Malcolm Sargent, this documentary is a worthy companion piece to A Queen is Crowned.
Titles Comprise: The Boys From Brazil: This terrifying thriller is based on Ira Levin's best seller in which Dr. Josef Mengele (Gregory Peck) alive and living in South America gathers a group of former Nazis to work on a mysterious project. Ezra Lieberman (Laurence Olivier) begins to unravel the conspiracy and discovers that Mengele has cloned 94 young Hitlers. Suddenly the terrifying extent of Mengele's plan is revealed: twisting genetic science to become a new weapon of global horror. The Eagle Has Landed: The daring World War II plot that changed the course of history. In November 1943 Heinrich Himmler (Donald Pleasance) received a simple message The Eagle Has Landed. It meant that a crack force of German paratroopers were safely in England poised and ready to kidnap the Prime Minister of England Winston Churchill. The force is under the command of Colonel Kurt Steiner (Michael Caine). All goes smoothly as the German force disguised in Polish uniforms is accepted by the villagers. But one of the men is killed while rescuing a little girl and his German uniform is discovered. The entire village has to be taken hostage and hidden in the town church. Agents and counteragents work desperately to keep the scheme alive. Steiner himself takes a dangerous gamble. He overpowers an American ranger commandeers his jeep and uniform and drives to the mansion where Churchill is relaxing. The action and suspense are nonstop in this World War II thriller which also stars Treat Williams Larry Hagman Anthony Quayle and Jean Marsh. Escape To Athena: A battle of action and wits in a World War II prison camp where the Fuhrer's scheme for looting a treasure-laden island off Greece is under way. Prisoners of war labour under the eye of the camp's Austrian Commandment Major Otto Hecht as they dig up priceless Greek art. Zeno the island's resistance leader and his woman Eleana scheme to defeat the occupiers. Zeno and his men clash with the Germans to save the lives of condemned prisoners and try to locate a submarine oil supply depot. If the Germans are to be defeated they must also seek and dismantle the communications equipment on Mount Athens which promises a blaze of action...
This is a spectacular retelling of a true story that shows courage at its inspiring best. Few defining moments can change the outcome of war; but when the outnumbered Royal Air Force defied unsurmountable odds in engaging the German Luftwaffe they may well have altered the course of history! Features Ron Goodwin's theatrical score or Sir William Walton's original (unused) score restored and remixed in 5.1 surround!
Adapted by Anthony Shaffer from his own hit stage play, Sleuth (1972) is a reflexively self-aware send-up of the murder-mystery genre, which risks everything on the tour de force performances of its small cast. Director Joseph L Mankiewicz doesn't attempt to escape the theatrical confines of Shaffer's clever and convoluted screenplay; instead he concentrates--or diverts?--our attention with close-up details of the setting. Is he showing us clues or just more red herrings? Like Agatha Christie's Mousetrap--which it rivalled in popularity on the West End stage--to say anything more about Sleuth would be to spoil the fun. But even when you've untangled the many and dizzying twists and turns, thanks to its literate screenplay and the magnetic performances of the leads this is a film that rewards repeated viewings. --Mark Walker
The true story of the worlds first kickboxer. In 1865 a corrupt Texas land owner's plan to evict innocent settlers is stopped dead by a new kind of fighter.
The back reads: Flora Robson, Laurence Olivier and Vivien Leigh star in this swashbuckling story set in an Elizabethan England under threat from Spain and the Inquisition. 1587. The court of Queen Elizabeth (Flora Robson) is alive with intrigue, espionage and danger. With Spain poised to launch its mighty Armada against England, traitors plot to kill or kidnap the Queen and destroy all opposition to the invasion force. Michael (Laurence Olivier) has just made a daring escape from Spain. Now, the Queen bids him to return once more as her spy to discover the names of those who plot against her. His love, the Lady Cynthia (Vivien Leigh) is desperate for him not to go, as his mission will take him into the Escurial itself King Philips palace. But duty calls and time is running out before the Armada is ready to sail . . . This fast paced, stirring and lavish British film production from 1936 was produced partly to celebrate the royal coronation year and also to act as a rallying cry against the forces of evil gathering in Nazi Germany.
After witnessing the death of her parents at the hands of the Nazis a young Jewish girl tries to survive by taking shelter from an old friend. The gestapo soon track her down and she is forced to flee once more to the support of a childhood vacation friend who passes her off as an employee of the family business. However the girls presence soon gets her protectors into trouble themselves.
Starring Laurence Olivier (one of the most famous actors ever) with his then wife Vivien Leigh, this 1940 British, black & white drama follows Larry Darrent (Olivier) who accidentally kills his lover's blackmailing husband, but then someone else is arrested for the crime. When he is found guilty, Larry and Wanda (Vivien Leigh) have just three weeks together before he must give himself up or let an innocent man go to the gallows.
In the industrial wasteland just outside of Los Angeles, circa 2027,there's a covert war raging between the cyborgs and the humans. "86.5% is still human", insists superagent Alex (Jean-Claude Van Damme wannabe Olivier Gruner, complete with kick-boxing credentials and thick Euro-warble) but as the cyborg conspiracy builds around him he discovers that humanity is more than simply a matter of flesh and blood. Borrowing elements from Blade Runner, The Terminator, Escape from New York and The Road Warrior and looking ahead to digital "data couriers" of Johnny Mnemonic, director Albert Pyun turns the sci-fi spy story into an engine for a visceral thrill ride of sleekly designed action sequences driven by a dancing camera and a breakneck editing rhythm. It's a glorious triumph of style over substance, the vigorous pace leaving the story far behind and nimble set pieces belying a tiny budget with ambitious action choreography and impressive displays of property damage. Apart from a few clumsy special effects at the conclusion and the requisite collection of scene-chewing performances, Nemesis is a thoroughly entertaining piece of sci-fi trash, a classic example of cinematic energy overcoming the obstacles of plot. --Sean Axmaker
Thriller directed by Patrice Rhomm starring Patrizia Gori, Malisa Longo and Richard Allan. Stilberg is a brutal penitentiary for female political prisoners. It is managed by the cruel warden Helga (Longo), who unleashes her vicious nature and grotesque lust upon new inmate Elisabeth Vogel (Gori).
The only full length Technicolor film of the Queen's coronation.
Two Christian knights arrive on a remote island intent on converting Pagan villagers to their own religion. The first seeks to win them over with understanding and humility, whilst the second relies on intimidation and violence. As a rift forms between the men, the villagers must decide which side they are on, and the men must decide how far they are willing to go for their faith. Bloodshed is inevitable and many will die.
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
When this epic series was first broadcast in 1973 it redefined the gold standard for television documentary; it remains the benchmark by which all factual programming must judge itself. Originally shown as 26 one-hour programmes, The World at War set out to tell the story of the Second World War through the testimony of key participants. The result is a unique and unrepeatable event, since many of the eyewitnesses captured on film did not have long left to live. Each hour-long programme is carefully structured to focus on a key theme or campaign, from the rise of Nazi Germany to Hitler's downfall and the onset of the Cold War. There are no academic "talking heads" here to spell out an official version of history; the narration, delivered with wonderful gravitas by Sir Laurence Olivier, is kept to a minimum. The show's great coup was to allow the participants to speak for themselves. Painstaking research in the archives of the Imperial War Museum also unearthed a vast quantity of newsreel footage, including on occasion the cameraman's original raw rushes which present an unvarnished and never-before-seen picture of important events. Carl Davis' portentous main title theme and score underlines the grand scale of the enterprise. The original 26 episodes were supplemented three years later by six special programmes (narrated by Eric Porter), bringing the total running-time to a truly epic 32 hours. Now digitally remastered The World at War looks even more of an impressive achievement on DVD. Available in five volumes, each handsomely packaged double-disc set comes with a detailed menu that places the individual programmes along a chronological timeline. Better yet, chapter access is laid out to allow you to select key speeches or maps or newsreel footage. The World at War was a landmark television event; its DVD incarnation underlines its importance as an historical document. --Mark Walker
The Bounty is the third screen version of one of the best-known stories in naval history, here with Anthony Hopkins as Lieutenant William Bligh and Mel Gibson as Fletcher Christian heading an extraordinary cast including Laurence Olivier, Edward Fox, Daniel Day-Lewis, Liam Neeson, Bernard Hill and Dexter Fletcher. HMS Bounty's voyage to Tahiti of 1787-9 and its infamous consequences are recounted with far greater historical accuracy than in the 1935 or 1962 Mutiny on the Bounty. The movie is gorgeously shot on location in Tahiti, England and New Zealand as well as on a full-size recreation of the original Bounty. Roger Donaldson's film benefits from a literate screenplay by Robert Bolt, who here as in Lawrence of Arabia (1962), brings real insight into the English institutional mind in conflict. Hopkins is at his complex best and Gibson offers more depth than his usual two-dimensional hero persona; here Bligh and Christian emerge as complex men gripped by circumstances beyond their control. The haunting score by Vangelis contributes immensely to a very underrated film which deserves to be considered a modern classic. On the DVD: There is an excellent 52-minute "making of" documentary that mixes historical information with on-location interviews. A 12-minute overview of previous screen versions of the story is narrated by the film's historical consultant, Stephen Walters, who also provides a somewhat stilted but nevertheless informative audio commentary. The second audio commentary is from director Roger Donaldson, Producer Bernie Williams and Production Designer John Graysmark, who genuinely appear to enjoy reminiscing and have real enthusiasm for the movie. Also included is a fascinating 28-page booklet. This is the stuff Special Editions should always be made of, and this would be one of the finest DVDs on the market were it not for the transfer of the film itself, which appears to be a reprocessed version of the same NTSC anamorphic 2.35:1 transfer found on the bare-bones Region 1 DVD, with no sign of PAL speed-up. The picture not only shows considerable grain in some scenes, but also demonstrates marked compression artefacting and enhancement shimmer on all horizontal lines, making some scenes extremely ugly. For such a beautiful film it is a most disappointing transition to the digital format. Most unusually for a UK release, the disc is region free.--Gary S Dalkin
Time Out, which won the Lion of the Year at Venice in 2000, is a midlife crisis film with a difference. Vincent is an out-of-work consultant who fabricates an increasingly complex and unsustainable business life to give his wife and children a secure existence. In the process, old friends are caught up in shady investments and Geneva becomes the focal point of his fugitive career. Then, as the net closes, the eternally routine nature of Vincent's professional life returns to haunt him anew. Aurélien Récoing is persuasively understated in the lead role, conveying a myriad of emotions with his subtle facial gestures. Karin Viard is sympathetic as the trusting Muriel, ready to offer support even when the web of lies has all but unravelled, and there's an engaging contribution from Serge Livrozet--the adept black marketeer sincere in his willingness to help. Laurent Cantet's direction is a fine example of less is more, sustaining the film with relative ease over 129 minutes. Pierre Milon's camerawork makes the most of some stunning scenery on the Franco-Swiss border and Jocelyn Pook's spare but brooding score is a discreetly effective enhancement. As the closing scene ties up loose ends with a neatly barbed irony, you're left in little doubt that Vincent's problems are about to start again. --Richard Whitehouse
A stylish and brutal glimpse into the intense violent underbelly of the ruthless Parisian underworld. Veteran mob boss Claude Corti rules over his pack of power hungry thugs with an iron fist. In his empire of fast cars upscale drugs and expensive women Corti's soldiers are always rewarded for their devotion. When they disobey his trust he makes them wish foe death and begins a crime spree set to send Paris into total lockdown.
When a neutron bomb goes missing Director of Covert operations and ex-Navy Seal Jack Thorn (Bo Svenson) is forced to put his retirement on hold and embark on a mission to secure not only the future of international trade but his own into the bargain. Reuniting with old allies including his ever-loyal CIA assistant Kelly Jones (Amy Weber) the band of ex-operatives and trained killers must master the new high-tech world of weaponry and infared motion detectors before they can bring e
A train full of beautiful young women have been ordered to service the men aboard; men being taken to help fight for the Nazis. Elsa, the leader, specialises in torturing those whose loyalty to the Nazi party comes into question. A group of brave Frenchman are planning to derail the train, while planning an attack that will strike back at the Third Reich.
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