Fritz Lang's first sound movie, the serial-killer film M, has often been voted the best German film of all time, but, until now, most of us have never seen it properly. What we have seen is a heavily cut 1950s re-edit with extra sound and music patched in, where Lang was deliberately economical with the new technology. This new "Ultimate Edition" is dominated by a marvellous restoration which is true to his intentions and oft-voiced complaints about what had been done to his best film. The young Peter Lorre is terrifyingly ordinary as the child-murderer whom police and criminals hunt down in what is still one of the best forensic police procedurals ever made, while Gustaf Grundgens has effortless charisma as the chief gangster. Lorre's Hollywood exile and decay, and Grundgens' betrayal of old friends and principles under the Nazis, merely add a layer of irony to all this. Lang's ironic cuts--a gangster's gesture is completed by his police equivalent--and dark, studio-bound cinematography make this one of the great precursors of American film noir. Simply, seen without cracks and pops and lines running down the screen, M is revealed as a true classic--a film that shames everything made in its genre since. On the DVD: M on disc has a great deal of documentary material featuring scholars and technicians telling us just how clever they have been in preparing this splendid restoration. The film also comes with a detailed commentary into which has been spliced interview material with Lang talking in English about specific sequences. There is a German-language film interview with Lang in which he talks through his career and re-enacts the interview with Goebbels that led to his exile; an audio interview with Peter Bogdanovich; and an intelligent video critical essay by film historian R Dixon Smith. The restored film is shown in its correct, unusual visual aspect ratio of 1.90:1 and has vivid cleaned-up digital mono sound: the murderer's whistling of "In the Hall of the Mountain King" has never sounded so chilling. --Roz Kaveney
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
Hailed as one of the greatest directors of silent films and after the coming of sound Fritz Lang was one of the most influential and innovative artists of the twentieth century and in the history of cinema. Released to mark the 80th Anniversary of the epic Metropolis this Box Set contains five of the filmmaker's most legendary works in their recently restored forms spread across eight discs and supplemented with a host of extras. The two-part film Dr. Mabuse the Gambler is one of the most sensational crime thrillers ever filmed and mirrors German society of the 1920s in all its crime-ridden decadence. Its sinister theme is dominated by terror as the power-crazed Mabuse (Rudolf Klein-Rogge) masterminds the worlds most dangerous gang of counterfeiters thieves and murderers wielding hypnotic powers with an iron fist to obtain total obedience to his will. Inspired by the towering Manhattan skyline Metropolis is a science fiction classic. Sixteen months in the making with a cast of over thirty seven thousand the film cost over two million dollars at 1920s prices. Set in the year 2026 a mammoth city is ruled by the super efficient industrialist Joh Fredersen (Alfred Abel). On the surface the city appears to be a utopian dream with wealthy inhabitants living in palatial apartments set in colossal glass and concrete spires but underground it's a different story. Armies of slaves work gruelling hours to maintain the luxurious lifestyles of their masters. The tense balance of these two societies is soon realized when the workers revolt and destroy everything in sight. Fritz Lang's penultimate silent film Spione is a flawlessly constructed labyrinthine spy thriller. An international spy ring headed by Haghi (Rudolf Klein-Rogge) uses technology threats and murder to obtain government secrets. As master spy president of a bank and music hall clown Haghi leads several lives using instruments of modern technology to spearhead a mad rush for secrets - secrets that assert his power over others. Like a brand the letter 'M' has made its mark on film history as one of the most chilling serial killer films ever produced; its disturbing theme having lost none of its power or impact. Sinister dark and foreboding M tells the story of Hans Beckert (Peter Lorre) as the globe-eyed child murderer hunted by both the law and the underworld of Berlin. Fritz Lang resuscitated the evil genius Dr Mabuse ten years after making Dr Mabuse the Gambler in the sequel The Testament of Dr Mabuse. The sequel picks up the story with Mabuse's capture madness and incarceration. Even though he has been locked away in an asylum for ten years his crime organisation is still perpetrating an insane orgy of wanton destruction threats shoot-outs thefts explosions bombings burnings and floods. Rudolf Klein-Rogge reprises his role as Dr Mabuse. Banned by the Nazis The Testament of Dr Mabuse is one of Fritz Lang's most inventive crime thrillers and one of cinema's most accomplished early talkies.
The Testament of Dr Mabuse is Fritz Lang's sequel to his flamboyant Dr Mabuse two-part epic of the 1920s, this time adding subtle use of sound to the creepy effects developed for the earlier film. Once a Moriarty-like mastermind, the haggard Dr M (Rudolf Klein-Rogge) has become an autistic asylum inmate who scrawls plans for daring crimes in his cell and exerts an unhealthy influence on his psychiatrist. Inspector Lohmann (Otto Wernicke), the jolly policeman from Lang's M, is puzzled by a series of daring crimes that bear the Mabuse signature, and a gang of thugs take instructions from a shadowy figure who claims after the doctor's death to be Mabuse reborn and is staging a reign of crime apparently designed to bring about the ruin of all law-abiding society. Though it works best as a textbook thriller, some commentators, including Lang, suggested that the pulp plot was intended to allegorise the evil influence of the Nazi party, with a crime boss who rants like Hitler. The many impressive set-pieces still work, too: the pursuit of a spy through a grinding print-works, an assassination at a traffic light, hero and heroine trapped in a room with a bomb and cutting a water main to flood their way to freedom, the persecution of the asylum head by a phantom of his patient, and a last-reel night-time chase. On the DVD: The Testament of Dr Mabuse on disc is accompanied by a 15-minute illustrated essay on the film and its history. There are English subtitles. --Kim Newman
Peter Lorre made film history with his startling performance as a psychotic murderer of children. Too elusive for the Berlin police, the killer is sought and marked by underworld criminals who are feeling the official fallout for his crimes. This riveting, 1931 German drama by Fritz Lang--an early talkie--unfolds against a breathtakingly expressionistic backdrop of shadows and clutter, an atmosphere of predestination that seems to be closing in on Lorre's terrified villain. M is an important piece of cinema's past along with a number of Lang's early German works, including Metropolis and Spies. (Lang eventually brought his influence directly to the American cinema in such films as Fury, They Clash by Night and The Big Heat.) M shouldn't be missed. This original 111-minute version is a little different from what most people have seen in the cinema. --Tom Keogh, Amazon.com
Metropolis: Set around the year 2000 a mammoth city is ruled by the super-efficient industrialist Jon Fredersen (Alfred Abel) and on the surface appears to be a utopian dream with wealthy inhabitants living in palatial apartments set in colossal glass and concrete spires. But underground it's a different story - armies of slaves work gruelling shifts to maintain the luxurious lifestyles of their masters. The workers a subhuman species of sluggish creatures are led by the saintly Maria (Brigitte Helm) who urges them not to rebel but to wait patiently for the arrival of the mediator. Fredersen kidnaps Maria and orders mad scientist Rotwang (Rudolf Klien-Rogge) to create a robot replica to take her place. His plan is doomed when the evil mechanical Maria incites the massed workers to revolt and destroy everything in sight... Taking 16 months to film with a cast of 37 383 and costing over million at 1920s prices everything about this epic German science-fiction film which was inspired by the towering Manhattan skyline is gigantic. Although director Fritz Lang hated the ending of his film it was an instant hit with Adolf Hitler and Goebbels who first saw it in a small German town. When they came to power in 1933 they asked Lang to make prestige pictures for the Nazi party. He packed his bags and left for Hollywood the same day. On its first release it was a box-office flop and nearly bankrupted its financiers UFA Germany's largest film production company. Metropolis is now a monument to Fritz Lang's artistic vision and film craftsmanship. M: Like a brand the letter M has made its mark on film history with its disturbing theme having lost none of its impact or relevance. Sinister dark and foreboding M tells the story of Hans Beckert (Peter Lorre) - child molester and murderer. Tension builds - a child late home another child missing. Posters reveal the fate of earlier victims and the police seem to have few clues as to the perpetrator of the crimes. Gangsters beggars and petty criminals incensed by both the crimes and the police crackdown track the killer themselves. Cornered caught and dragged off to face an equally barbaric form of justice Beckert endures his own personal torment. As with his earlier classics Die Nibelungen and Metropolis Lang collaborated on the script with his wife Thea von Harbou in what was to become his most stark and uncompromising film. Allegedly based on the story of Peter K''rten the Monster of Dusseldorf M remains one of the most chilling serial-killer films ever produced.
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