Marion Cotillard takes the lead in this long awaited biopic of the legendary French chanteuse Edith Piaf - La Vie en Rose.
Marion Cotillard takes the lead in this long awaited biopic of the legendary French chanteuse Edith Piaf - La Vie en Rose.
Based on a novel by Alexandre Dumas, La Reine Margot concerns the events behind infamous Massacre of St Bartholomew in sixth-century France. Isabelle Adjani plays Margot, betrothed for political reasons to one man (Daniel Auteuil) by her mother (Virna Lisi), while she is, in fact, in love with another (Vincent Pérez). Despite the bond that grows between the reluctant couple, plots are hatching all over the castle against the royals. Adventurous, exciting, erotic and given strong artistic credibility through its outstanding cast, the film is enthralling and visually sumptuous. Directed by Patrice Chereau, less known outside of France than is the film's producer, Claude Berri (director of Jean de Florette and Manon des Sources). --Tom Keogh
Over the years, many film directors have attempted to tell the story of legendary 15th-century heroine Joan of Arc, a simple country girl who claimed she was inspired by God to lead the French troops in a victorious assault on the mighty English army. Luc Besson's 1999 epic might not be the best version of her life, but it's certainly the biggest. The movie cost a reported $60 million. Even if you are terminally unimpressed by the scale of such recent blockbusters as Gladiator, your eyes will pop out at the sheer number of bodies (living and dead) that Besson has assembled for the dynamic battle scenes. The lavish sets and costumes are almost equally gobsmacking, though neither will show to maximum advantage on the small screen. That's a pity because size is the only thing Joan of Arc really has going for it--as a human drama, it falls completely flat.The historical Joan was eventually made a saint by the Catholic Church, and earlier biopics tended to treat her celestial visions as literal fact. It was probably a mistake for Besson and his co-screenwriter Andrew Birkin to take a more psychological approach and present them as figments of her hysterical imagination. It makes it hard to work up the necessary empathy when the spectacle revolves around a confused and neurotic babe who couldn't organise a Tupperware party, let alone a vast military campaign. Milla Jovovich (the star of Besson's previous The Fifth Element and formerly his wife) doesn't help matters with her shrill and amateurish performance. But a couple of the supporting players are passably amusing--John Malkovich camps it up energetically as Charles, the dispossessed French king whom Joan reinstates, while Faye Dunaway wears outlandish headgear and carries on like a science-fiction creation in the role of his scheming mother-in-law. (The less said the better about Dustin Hoffman's pompous turn as Joan's personified conscience.) Besson keeps to the same glossy visual style even when the Maid is burning at the stake, but it isn't enough to prevent this empty shell of a movie from being a colossal yawn. --Peter Matthews
Celebrated writer-director Mia Hansen-Løve (Things to Come, Father of My Children) makes a wise and wistful return with ONE FINE MORNING, a profoundly moving portrayal of love, loss and contemporary womanhood, featuring a career-best performance from Léa Seydoux. Set in Paris, Seydoux plays Sandra - a young, widowed mother who juggles her job as a translator with caring both for her young daughter and elderly father. Sandra's life is further complicated when she embarks on a passionate affair with Clement, an old friend in an unhappy marriage. Also starring Melvil Poupaud and Pascal Gregory, this Cannes Film Festival award-winner is a gently poignant romantic drama shot through with the director's characteristically charming touch.
Marion Cotillard takes the lead in this long awaited biopic of the legendary French chanteuse Edith Piaf - La Vie en Rose.
In this French drama a group of mourners travel from Paris to Limoges to attend the funeral of a tyrannical painter they all knew.
A gifted pianist is given a second chance to shows her musical sensitivity in this French drama.
Recently divorced Marion decides to spend the end of summer in the family beach house on the Normandy coast. She takes her young cousin Pauline who is delighted to prolong her holidays along with her. At the beach they meet up with Pierre Marion's ex-lover who introduces his friend Henri. While at the local casion Pierre confesses his love to Marion but she is now attracted to Henri. Meanwhile Pauline has met Sylvain...
A mesmerising adaptation of the last two volumes of Prousts monumental
Gabrielle is Patrice Chreau's stunning adaptation of the short story ""The Return"" by Joseph Conrad. Recreating turn-of-the-century France with superb attention to detail Chreau casts an unrelenting gaze on the marital breakdown that overwhelms a middle-aged bourgeois couple played with chilling precision by Isabelle Huppert and Pascal Greggory. As wealthy Parisian Mr. Hervey (Greggory) descends from a train into the teeming bustle of the city. While on his way home he reflects on the sturdiness and success of his life and the fortress of security he has built around himself. It is not long before his self-satisfaction is rudely shattered when he discovers a letter from his wife Gabrielle (Huppert) waiting for him on his sideboard. The contents of the message will crumble that security and plunge him into newfound feelings of vulnerability abandonment and betrayal. The couple soon finds themselves engaged in a parry-and-thrust of emotions that change mid-sentence and stretch their ability to function and live in the same house.
In 1429, a teenage girl from a remote village stood before the world and announced she would defeat the world's greatest army and liberate her country.
A notorious kingpin of the Albanian Mafia Abedin Nexhep (Angelo Infanti) faces trial over the kidnapping of young women who were put to work selling their bodies on the streets of Western Europe. Laborie (Nadia Fars) a beautiful high-flying officer in the French Special Forces is charged with escorting him to the court and faces the monster with grim determination. Abedin has many dangerous enemies and even more dangerous friends who will risk everything to halt his capture. W
Headstrong Sabine (Beatrice Romand) who is working on her thesis in Art History has tired of affairs with married men such as Simon (Feodor Atkine). Playing cupid her best friend Clarisse (Arielle Dombasle) introduces her lawyer cousin Edmond (Andre Dusollier) to Sabine. Encouraged by Clarisse Sabine impetuously decides that she will marry Edmond and tells her mother (Thamila Megrah) and sister Lise (Sophie Renoir). When confronted by Sabine Edmond is forced to explain why he is
In wartime France, Raymond Samuel is captured after attending a meeting of the Resistance. His wife Lucie goes to extraordinary lengths, at great personal risk, as she attempts to rescue him before he is executed...
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