Four different perspectives of a train disaster are told through a quartet of short stories.
Ealing Comedy--cosy, gentle and whimsical, right? In this case, think again. Alexander Mackendrick was always the most politically aware of the Ealing directors, and in The Man in the White Suit he takes the studio's favourite theme of the little man up against the system and gives it a sharp satirical twist. Sidney Stratton (Alec Guinness at his most unworldly), a maverick scientist working in a Northern textile mill, invents a fabric that never gets dirty and never wears out. He's hailed as a genius--until management and unions alike realise what his brainwave implies. Mackendrick's humour is exact and pointed, and the satire turns savage as a lynch mob of bosses and workers hunt Sidney down through dark narrow streets. Mackendrick's disenchanted view of hidebound, class-ridden British society still rings horribly true, and he draws note-perfect performances from the cream of British character actors: Cecil Parker as the liberal mill-owner (based it's said, on Ealing boss Michael Balcon); Ernest Thesiger as the evil old godfather of the industry; and, wittily sensual as Sidney's confidante, the ever-wonderful Joan Greenwood. Plus, listen out for the "voice" of Sidney's bizarre apparatus, the funniest and most unforgettable sound effect ever devised. --Philip Kemp
The unending battle of the city streets. When PC George Dixon is shot whilst on duty the Paddington Green police investigate the West London underworld to bring the culprit to justice...
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
This is a double-feature of two British crime classics, The Blue Lamp (1949) and The Nanny (1965). The Blue Lamp is the film that introduced PC George Dixon, played by Jack Warner, later immortalised in the BBC's long-running Dixon of Dock Green (1955-76). Here Dixon's murder is the catalyst for an exciting London manhunt, shot largely on location in a fast-moving, starkly efficient style showing the influence of The Naked City (1948). The war-damaged East End and the car chases through almost vehicle-free streets offer a documentary-like vision of a London now long gone, and a young Dirk Bogarde makes a serious impact in an early starring role. In contrast, The Nanny has a superstar, the imported Hollywood legend Bette Davis, in the declining years of her career. Just one of three psychological thrillers Hammer produced in 1965 (the others were Frantic and Hysteria), the film capitalises on the popularity of Davis's Whatever Happened to Baby Jane? (1962) with a comparable mix of hateful insanity and paranoia. The screenplay skilfully juggles the audience's sympathies between a superb Davis and the dysfunctional family of which she becomes a part, developing a powerful sense of dread which shows such clichéd later fare as The Hand That Rocks the Cradle (1992) how to do this sort of thing with real class. On the DVD: The Blue Lamp and The Nanny are presented in black and white with adequate mono sound. The Blue Lamp is in its original 4:3 ratio; The Nanny is cropped from its theatrical 1.85:1 to 4:3, though it's only in a few shots that it becomes obvious that information is missing at the sides of the screen. The print of The Blue Lamp is soft and grainy, while The Nanny is grainy with a considerable amount of flicker. There are no extras. --Gary S. Dalkin
A collection of eight classic Ealing studio British comedies comprising: Hue And Cry: A group of criminals use a boy's paper as a means of messages and information. This ploy is discovered by a group of East End boys who take exception to the crooks use of their favourite read! Kind Hearts And Coronets: Sir Alec Guinness gives a virtuoso performance in his Ealing comedy debut playing all eight victims standing between a mass-murderer and his family fortune. Considered by some to be Ealing's most perfect achievement of all the Ealing films. The Ladykillers: Alexander Mackendrick's third Ealing farce is the final comedy produced by the famous British studio and one of its most celebrated. The Lavender Hill Mob: Mr. Holland (Alec Guinness) has supervised the bank's bullion run for years. He is fussy and unnecessarily overprotective but everyone knows he is absolutely trustworthy. And so on the day the bullion truck is robbed he is the last person to be suspected. But there is another side to Mr. Holland; he is also Dutch the leader of the Lavender Hill Mob. The Magnet Centred on Johnny Brent (James Fox) a boy who fleeces a younger child out of his beloved magnet. In its place he offers an 'invisible' timepiece and there begins the chain of chaos in which the young swindler absconds from his home with the mistaken belief that he has somehow caused the young child's death. Unbeknownst to him he has become the town hero and as the unsung victor remains on the run the community are left to make sense of the goings on from speculation and gossip... The Man In The White Suit: Sidney Stratton (Alec Guinness) works quietly at Michael Corland's textile mill until his mysterious costly lab experiment is discovered. sacked Stratton takes a menial job at Alan Brinley's mill in order to continue his work on the sly. When Daphne Corland's fianc''e and Birnley's daughter discovers his secret she threatens to expose Stratton. The desperate scientist reveals to Daphne that he has invented an indestructible cloth that never gets dirty... Passport To Pimlico: An archaic document found in a bombsite reveals that the London district of Pimlico has for centuries technically been part of France. The local residents embrace their new found continental status seeing it as a way to avoid the drabness austerity and rationing of post-war England. The authorities do not however share their enthusiasm... The Titfield Thunderbolt: When an antiquated railway line is threatened with closure the villagers decide to run it themselves and enter into frenzied competition with the local bus route with hilarious consequences!
Meet Mr Malcolm (1954)Celebrated crime writer Colin Knowles (Richard Knowles) finds himself at the centre of a baffling real-life mystery when his estranged wife Louie (Sarah Lawson) asks for his help. Her new boss has gone missing at his grand country home - and when his body is found the hunt is on for a devious and twisted murderer. Sinister letters from London refer to a 'double crime'. Who will be the killer's next victim? Directed by Daniel Birt (The Interrupted Journey She Shall Have Murder) at Viking Studios and featuring a delightful guest appearance by renowned stage and radio comedy star Claude Dampier Meet Mr. Malcolm is a gripping Agatha Christie-style country house whodunnit with a fiendish twist! I'm A Stranger (1952)George Westcott (Patrick Doonan) arrives in London from India to claim a sizeable inheritance only to discover his grandfather's will is missing. A film star (Greta Gynt) a window cleaner (James Hayter) and a police inspector (Hector Ross) help him defeat the disinherited branch of the family and find the will but is George all he seems...
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