Celebrate 25 years of midnight movie madness! The Rocky Horror Picture Show is an ""erotic nightmare beyond any measure."" Relive Richard O'Brien's sinfully twisted salute to horror sci-fi B-movies and rock music - a ""sensual daydream to treasure forever"" - starring Tim Curry (in his classic gender-bending performance) Barry Bostwick and Oscar winner Susan Sarandon. Do the ""Time Warp"" and sing ""Hot Patootie"" with Meatloaf again...and again...and again...at home or in a movie theater
The Power Game's Clifford Evans gives a strong performance as a man on the run in this suspenseful wartime drama co-starring Patricia Roc, David Farrar and William Hartnell. Written and directed by Lawrence Huntington, Suspected Person is presented here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.After a $50,000 heist in New York, two of the suspected robbers walk free from the courtroom and they waste no time in heading to London in search of the missing loot. This means bad news for their former accomplice Jim Raynor, who has the money hidden away not least because they're not the only ones on his tail; Scotland Yard is also on the case...SPECIAL FEATURE:Image GalleryOriginal script PDF
Before Hollywood had entirely typecast Alfred Hitchcock as the master of suspense, with Mr & Mrs Smith he was allowed to fashion an elegant romantic trifle starring Robert Montgomery and Carole Lombard. It probably won't replace Rear Window or Psycho in your affections, but the film is more than a curious footnote to the director's career. The two leads play David and Ann Smith, a devoted but endlessly squabbling couple who discover their three-year marriage isn't legal. When he unexpectedly hesitates to arrange a second wedding, she storms out in a huff and soon begins dating his solid, dependable business partner Jeff (Gene Raymond). The rest follows the formula laid down by such previous screwball comedies as The Awful Truth (1937) and Bringing Up Baby (1938): David employs fair means or foul to win back Ann's heart, causes all sorts of complicated mischief, then... well, three guesses what happens in the end. The intriguing thing about the movie is how Hitchcock takes Norman Krasna's paper-thin script and adds sly undercurrents of menace. You may note, for instance, that the ostensibly happy Smiths treat each other with subtle sadism right from the start, and that David's tactical pursuit of his ex-wife (spying on her and deliberately offending Jeff's parents) involves them both in humiliations that are really quite sinister and ugly. Violence seems about to erupt in the recurring scenes where Ann shaves her husband (suggestively holding a razor up to his throat)--and make what you will of our hero's symbolic nosebleeds. There's a touch of Vertigo in one scary moment when a jammed amusement park ride leaves two characters dangling helplessly high above the ground--and a touch of shall we say relief for Hitchcock's well-known love of toilet humour in another oddball sequence. Montgomery and Lombard keep the mood acceptably frivolous, while indicating the flawed nature of the marital relationship. From the evidence of this one-off, Hitchcock might have been among the best comedy directors in the business, had he so wished. --Peter Matthews
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