Winner of seven Academy Awards including Best Picture, Director, and Screenplay, this critical and box-office hit from 1973 provided a perfect reunion for director George Roy Hill and stars Paul Newman and Robert Redford, who had previously delighted audiences with Butch Cassidy and the Sundance Kid in 1969. Set in 1936, The Sting features a pair of Chicago con artists (Newman and Redford) who find themselves in a high-stakes game against the master of all cheating mobsters (Robert Shaw) when they set out to avenge the murder of a mutual friend and partner. Using a bogus bookie joint as a front for their con of all cons, the two feel the heat from the Chicago Mob on one side and encroaching police on the other. But in a plot that contains more twists than a treacherous mountain road, the ultimate scam is pulled off with consummate style and panache. It's an added bonus that Newman and Redford were box-office kings at the top of their game, and while Shaw broods intensely as the Runyon-esque villain, The Sting is further blessed by a host of great supporting players including Dana Elcar, Eileen Brennan, Ray Walston, Charles Durning, and Harold Gould. Thanks to the flavourful music score by Marvin Hamlisch, this was also the movie that sparked a nationwide revival of Scott Joplin's ragtime jazz, which is featured prominently on the soundtrack. One of the most entertaining movies of the early 1970s, The Sting is a welcome throwback to Hollywood's golden age of the 30s that hasn't lost any of its popular charm. --Jeff Shannon, Amazon.com
From the Maysles brothers (The Rolling Stones' Gimme Shelter (1969) Grey Gardens (1975)) comes this landmark American documentary Salesman - a fascinating non-narrated account of four Boston bible hawkers as they struggle to stay afloat in the cutthroat world of door-to-door sales. Capturing the remarkable detail of a bygone era the film documents their carefully delivered spiel to bored housewives widows immigrants and distracted blue-collar workers. The salesmen wheedle connive and cajole their way toward the Holy Grail but as the pressure of the job bears down one of the salesmen begins to crack exposing the dark and lonely underside of the American Dream. The salesmen each nicknamed according to their different selling style follow up leads of family names from the church. Motivated by the head of the company (who argues that the more sales they generate the stronger the faith) the salesmen sell their gold-embossed expensive Bibles to low-wage families who cannot afford them applying pressure simply by pointing out that 'they come recommended by the church'. Focusing on Paul 'The Badger' Brennan traveling with his colleagues 'The Gipper' 'The Rabbit' and 'The Bull' from their home territory of wintry Boston to the sunshine of Opa-Locka district Florida together they exchange the days highs and (mostly) lows in lonely motel rooms in between calls home. In today's society saturated with reality TV and lame documentaries Salesman stands tall as one of the first non-fiction films to show the lives of ordinary people in-depth without judgement or narration. The Library of Congress honoured Salesman in 1992 as one of the 25 best American films ever made
Winner of 7 Academy Awards®, including Best Picture, The Sting stars Paul Newman and Robert Redford as two con men in 1930s Chicago. After a friend is killed by the mob, they try to get even by attempting to pull off the ultimate sting. No one is to be trusted as the twists unfold, leading up to one of the greatest double-crosses in movie history. The con is on! Special Features The Art of The Sting: 3-Part Documentary on the creation of the film, featuring Interviews with Robert Redford, Paul Newman and many more 100 years of Universal: Restoring the Classics 100 years of Universal: The 70s 100 years of Universal: The Lot
A look at the lesbian experience over different decades and social climates in America told through three stories of love. An elderly woman 'widowed' when her companion of 50 years dies in 1961; a feminist co-ed discovering her attraction to an outsider in 1972; a loving couple eager to experience parenthood in 2000: three couples three different decades. 'If These Walls Could Talk 2' is an honest portrayal of women in three very different times all searching for love and acceptance.
Frustrated with the stuffy Midwest four college girls go on the road to seek fun in the sun of Fort Lauderdale during their spring vacation. But can they find happiness and romance while avoiding the pitfalls that await young ladies travelling alone?
Jaded cynical edgy. Burt Reynolds is Lt. Phil Gaines a case-hardened Los Angeles detective who finds himself drawn into a dark complex puzzle that involves the death of a teenage girl. Complicating his investigation is his sizzling relationship with an icy hooker (Catherine Deneuve) who has a dangerous connection to the case - one of her high-powered clients (Eddie Albert) is a main suspect. Moreover the victim's unstable father (Ben Johnson) blurs the focus of Gaines' investigat
All it takes is a little Confidence. After the huge success of Butch Cassidy And The Sundance Kid George Roy Hill re-teamed with Hollywood stars Robert Redford and Paul Newman for this dazzlingly inventive tale about revenge in 1930s Chicago. The Sting is one of the most popular and critically acclaimed films of all time. Set in the 1930's this intricate comedy caper deals with an ambitious small time crook (Robert Redford) and a veteran con man (Paul Newman) who seeks revenge on the vicious crime lord (Robert Shaw) who murdered one of their gang. How this group of charlatans puts the sting on their enemy makes for the greatest double-crosses in movie history complete with an amazing surprise finish... The Sting was nominated for ten Oscars collecting seven on the night: Best Art Direction (Henry Bumstead James W. Payne) ; Best Costume Design (Edith Head); Best Director (George Roy Hill) ; Best Editing (William Reynolds) ; Best Score (Marvin Hamslich); Best Picture (Tony Bill Michael Phillips Julia Phillips); Best Screenplay (David S. Ward).
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