Too Young To Love: Based on the American play Pickup Girl by Elsa Shelley and Filmed at Beaconsfield Studios this highly moral and controversial film tells the story of a young girls slide into the world of prostitution disease and abortion and her fight to redeem her life. Originally X rated it caused an outcry for support of teenage children in Britain at the time. Frail Women: Maurice Elvey directed this 1931 Twickenham production produced by the prolific Jules Hagen. Lillian (Mary Newcomb) has an illegitimate war baby. The father a soldier unaware of the situation goes off to war. Years later the soldier now a Colonel learns of his child and offers to marry Lillian to give his daughter a name and avoid the social stigma’s of that time. Stars: Mary Newcomb Owen Nares Edmund Gwenn.
Teenagers working at the local mall sneak in supplies and wait until the mall locks up for an intimate party night. The mall has a sophisticated robot security system that goes into attack mode after a malfunction and kills the human security guards. Now the teens must run for their lives and try to find a way out of the mall using the materials they find within it...
Naschy as the Amorous Dracula sets out seduce his one great love with the help of his trio of sexy Vampiric Mistresses. This one is chock full of Naschy Eroticism and Gore.
Chaplin, Sir Richard Attenborough's biographical film of the life and times of the famous comic, is a little thin as a narrative, but it is so charmingly creative and ultimately moving that it's hard to worry about the deficits. Robert Downey Jr does an excellent job re-creating Chaplin's graceful slapstick and getting inside the silent-film superstar's head over the years of triumph, defeat, scandal, official persecution, exile and inner peace. A huge cast portray the allies, friends, lovers and enemies in Chaplin's life, including Moira Kelly as his final, long-time wife Oona, Kevin Kline as Douglas Fairbanks, Geraldine Chaplin as Charlie's mother and James Woods as a prosecutor working hard to nail Chaplin for anti-American sentiments. Attenborough declines to tell the story in a flat, linear way, employing such clever techniques as detailing one chapter in Chaplin's life as a silent comedy. The climactic scene set at an Oscar tribute for Chaplin will get the tears flowing. --Tom Keogh, Amazon.com
1. Scream Bloody Murder (Dir. Robert J. Emery 1972) 2. A Bucket of Blood (Dir. Roger Corman 1959) 3. Hell Penitentiary (Dir. Sergio Garrone 1985) 4. Hellraiser III (Dir. Anthony Hickox 1992) 5. Carnival of Souls (Dir. Herk Harvey 1962) 6. Don't Look in the Basement (Dir. S.F. Brownrigg 1973) 7. House on the Haunted Hill (Dir. William Castle 1959) 8. Ghoulies IV (Dir. Jim Wynorski 1994) 9. Don't Ring the Doorbell (Dir. Karen Arthur 1978) 10. Eat and Run (Dir. Christopher Hart 1986) 11. The Creature from Black Lake (Dir. Joy N. Houck Jr. 1976) 12. Queen of Blood (Dir. Curtis Harrington 1966) 13. Giant Spider Invasion (Dir. Bill Rebane 1975) 14. Demon Under Glass (Dir. Jon Cunningham 2002) 15. Flesh of the Beast (Dir. Terry West 2003) 16. Home Sweet Home (Dir. Netie Pena 1981) 17. Flesh Eater (Dir. Bill Hinzman 1989) 18. Night of the Living Dead (Dir. George A. Romero 1968) 19. Dead One (Dir. Barry Mahon 1961) 20. Silent Night Bloody Night (Dir. Theodore Gershuny 1974)
It isn't difficult to imagine why this 1988 retelling of the Crucifixion story was picketed so vociferously on its release in the US--this Jesus bears little resemblance to the classical Christ, who was not, upon careful review of the Gospels, ever reported to have had sex with Barbara Hershey. Heavily informed by Gnostic reinterpretations of the Passion, The Last Temptation of Christ (based rather strictly on Nikos Kazantzakis's novel of the same name) is surely worth seeing for the controversy and blasphemous content alone. But the "last temptation" of the title is nothing overtly naughty--rather, it's the seduction of the commonplace; the desire to forgo following a "calling" in exchange for domestic security. Willem Dafoe interprets Jesus as spacey, indecisive and none too charismatic (though maybe that's just Dafoe himself), but his Sermon on the Mount is radiant with visionary fire; a bit less successful is method actor Harvey Keitel, who gives the internally conflicted Judas a noticeable Brooklyn accent, and doesn't bring much imagination to a role that demands a revisionist's approach. Despite director Martin Scorsese's penchant for stupid camera tricks, much of the desert footage is simply breathtaking, even on small screen. Ultimately, Last Temptation is not much more historically illuminating than Monty Python's Life of Brian, but hey, if it's authenticity you're after, try Gibbon's. --Miles Bethany
Isaac Hayes and Yaphet Kotto star in this powerful pull-out-the-stops crime thriller from director Jonathan Kaplan. It's a gritty action-packed tale of the streets pulsating with ultra-smooth soul high-octane energy and nonstop suspence. Truck Turner (Hayes) is a footbal star-turned-bounty hunter who's tracking a sadistic pimp on the mean streets of Los Angeles. Armed with his brute strength and ace cool partner (Alan Weeks) Truck closes in on his mark. But a tragic accident s
In season 2006-2007 Celtic really were Untouchable in Scottish football! Here's the glory of Gordon Strachan's second year in charge at Celtic Park and it's a story of back-to-back titles... A league & Tennent's Scottish Cup 'double' plus a piece of European history as well! Join the boys as they surge to the top of the Bank of Scotland Premier League and threaten to win the title by Christmas! Enjoy the tenacity and flair of a team who refuse to accept that they are ever beat
A funny and compelling mini-soap set in the bedrooms of adjoining houses in an ordinary street in an ordinary London suburb 'Bedtime' peers behind the curtains and watches the night time rituals of three couples in the last half hour of their day.
Almost ten years have passed since Sarah Connor's ordeal began, and her son John, the future leader of the resistance, is now a healthy young boy.
The Terminator was the film that cemented Arnold Schwarzenegger's place in the action-brawn firmament, and both his and the movie's subsequent iconic status are well deserved. He's chilling as the futuristic cyborg that kills without fear, without love, without mercy. James Cameron's story and direction are pared to the bone and are all the more chillingly effective for it. But don't overlook the contribution of Linda Hamilton, who more than holds her own as the Terminator's would-be victim, Sarah Connor, thus creating--along with Sigourney Weaver in Alien--a new generation of rugged, clear-thinking female action stars. The film's minimalist, malevolent violence is actually scarier than that of its far more expensive, more effects-laden sequel. --Anne Hurley
Video 86 - 98 (2 Discs)
The son of Italian immigrants in Canada struggles to find the best way to reveal to his parents that he's gay.
UFC 108: Evans Vs. Silva (2 Discs)
Robocop: A sadistic crime wave is sweeping across America. In Old Detroit the situation is so bad a private corporation Omni Consumer Products (OCP) has assumed control of the police force. The executives at the company think they have the answer - until the enforcement droid they create kills one of their own. Then an ambitious young executive seizes the opportunity. He and his research team at Security Concepts create a law enforcement cyborg from the body of a slain officer. All goes well at first. Robocop stops every sleazeball he encounters with deadly piercing and sometimes gruesome accuracy. But there are forces on the street and within Security Concepts itself that will stop at nothing to see this super cyborg violently eliminated... Terminator: In 2029 giant super-computers dominate the planet hell-bent on exterminating the human race! And to destroy man's future by changing the past they send an indestructible cyborg - a Terminator - back in time to kill Sarah Connor (Linda Hamilton) the woman whose unborn son will become mankind's only hope. Can Sarah protect herself from this unstoppable menace to save the life of her unborn child? Or will the human race be extinguished by one mean hunk of mutant metal? Rollerball (1975): Set in 2018 Rollerball is a sensation glimpse of a future where the world is ruled by six giant corporations; a place where there is no war no poverty and no unrest but also no free will and no God. There is still a place for violence in this antiseptic world of plenty and mankind''s vicious and sadistic impulses are vented in the Rollerball arena a violent and deadly game broadcast world-wide to satisfy the bloodlust of millions. James Caan is outstanding as Jonathan E the game''s greatest player a man whose devastating talent threatens to make him a hero - and a threat to the Corporations'' grip on power. When Jonathan is asked to retire he refuses electing instead to captain his team to the world finals in an escalating spiral of carnage.
When James Cagney starred in the movie adaptation of The Time of Your Life in 1948, it was hotly been debated whether William Saroyans stage play was really filmable at all. Because of its small cast, because all the action takes place on a single claustrophobic set, because the "plot" consists entirely of sub-plots, and because Saroyans "dirty sentimentality" isnt to everyones taste, such doubts are still understandable today. However, accept the movie for what it is--a play in a box--and youll be captivated. The story revolves around a slightly down-at-heel bar-restaurant, where a group of disparate characters come and go as their stories gradually unfold. They include an ex-prostitute desperately seeking a new life, a dancer looking for a break into showbusiness, a down-and-out who discovers a vocation as a pianist, a beer-sodden cowboy and a villainous "stoolie" who, needless to say, gets his comeuppance. This gaggle of misfits is presided over by an enigmatic, champagne-drinking philanthropist (brilliantly played by Cagney) who gently nudges them towards their goals while indulging his own fascination with the minutiae of daily life. Throughout this quietly delightful picture the audience are not told why hes this way, but it is possible to make an educated guess. On the DVD: The Time of Your Life might be a classic, but it apparently warrants no extra features. The black and white picture is 4:3. --Roger Thomas
The Big Trees (1952): Kirk Douglas plays Jim Fallon a hard-nosed lumberjack intent on making his fortune from California's famous giant redwood trees. The territory he has designs on though is inhabited by a God-faring colony that beg him not to strip their land of the mighty sequoias. Initially undeterred he ignores their pleas but soon discovers that there are others even more ruthless than himself who also want to oust the settlers. With violent confrontation inevitable Fallen slowly comes to question his own unscrupulous nature and finally makes an unexpected alliance. The Big Lift (1950): This film is one of the best true-life adaptations of an historical event - The Berlin Airlift. It was made on location in Berlin with the full cooperation of the US Military who actually played the minor acting roles with star Montgomery Clift. The Big Lift does a good job of showing how ordinary soldiers and people can have divided loyalties and wrestle with the adverse situation that befell them in Berlin at the time. Truly a time capsule of Postwar Berlin
Tony Garnett one of British television's most controversial and celebrated figures is responsible for producing some of the most politically radical UK drama and is associated with some of the most ground-breaking work with director Ken Loach. His directorial debut Prostitute is the tale of two women - Sandra (Eleanor Forsythe) an ambitious but na''ve Birmingham working girl who moves to London with the hopes of securing wealthier patrons and Louise (Kate Crutchley) her social worker friend who is fighting to change the antiquated and hypocritical prostitution laws. As both women try to reach their goals a cold dose of reality dashes their hopes and the built-in biases against women in society are unmasked.
PSI Factor - Ser. 3 (Eps. 3.14 - 3.16)
PSI Factor - Ser. 3 (Eps. 3.20 - 3.22)
Please wait. Loading...
This site uses cookies.
More details in our privacy policy