Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire. Special Features: Audio Commentary by George Lucas, Carrie Fisher, Ben Burtt and Dennis Muren Archival Audio Commentary by the Cast and Crew Episode IV: A New Hope Bonus Disc Conversations: Creating A Universe Discoveries From Inside: Weapons & The First Lightsaber Anatomy Of A Dewback Star Wars Launch Trailer Archive Fly-Through Tatooine Overview Mark Hamill Interview Anthony Daniels Interview Aboard The Death Star Overview Carrie Fisher Interview The Battle of Yavin Overview Tosche Station Old Woman On Tatooine Aunt Beru's Blue Milk The Search For R2-D2 Cantina Rough-Cut Stormtrooper Search Darth Vader Widens The Search Alternate Biggs And Luke Reunion Landspeeder Prototype Model Millennium Falcon Prototype Model R2-D2 Tatooine From Orbit Matte Painting Jawa Costume Tusken Raider Mask Ketwol Mask Death Star Prototype Model Holo Chess Set Bridge Power Trench Matte Painting Luke's Stormtrooper Torso X-wing Fighter Model - Prototype X-wing Fighter Model - Final Y-wing Fighter Model - Prototype Y-wing Fighter Model - Final TIE Fighter Model - Prototype TIE Fighter Model - Final Darth Vader's TIE Fighter Model X-wing Pilot Costume with Helmet Death Star Laser Tower Model Yavin 4 Matte Painting
One of the key movies of the 1970s, when exciting, groundbreaking, personal films were still being made in Hollywood, Milos Forman's One Flew over the Cuckoo's Nest emphasised the humanistic story at the heart of Ken Kesey's more hallucinogenic novel. Jack Nicholson was born to play the part of Randle Patrick McMurphy, the rebellious inmate of a psychiatric hospital who fights back against the authorities' cold attitudes of institutional superiority, as personified by Nurse Ratched (Louise Fletcher). It's the classic antiestablishment tale of one man asserting his individuality in the face of a repressive, conformist system--and it works on every level. Forman populates his film with memorably eccentric faces, and gets such freshly detailed and spontaneous work from his ensemble that the picture sometimes feels like a documentary. Unlike a lot of films pitched at the "youth culture" of the 1970s, One Flew over the Cuckoo's Nest really hasn't dated a bit, because the qualities of human nature that Forman captures--playfulness, courage, inspiration, pride, stubbornness--are universal and timeless. The film swept the Academy Awards for 1976, winning in all the major categories (picture, director, actor, actress, screenplay) for the first time since Frank Capra's It Happened One Night in 1931. --Jim Emerson
Hayley Mills brings a joyful enthusiasm to this nostalgic musical and bighearted adventure. When a close-knit Boston family loses their fortune they find a wealth of family secrets young love and charming summer nights in Beulah Maine. A good-natured postmaster pretentious cousin Julia and the mysterious absentee landlord Mr. Hamilton populate their new life in a charming old yellow house. Featuring an all-star supporting cast including Burl Ives Dorothy McGuire and Deborah Walley this classic and wondrous tale will delight the entire family and belongs in every Disney collection. Available for the first time on DVD!
Peggy (Judy Geeson) is recovering from a nervous breakdown when she is attacked by an unseen assailant. As she struggles to break free, her attacker's artificial arm comes loose and Peggy blacks out in sheer terror. Peggy and her new husband Robert (Ralph Bates) spend their honeymoon at the country school where Robert is a teacher. The school is eerily deserted, except for the headmaster Michael (Peter Cushing) and his wife Molly (Joan Collins). Returningto her cottage, Peggy is once more attacked by a man with one arm. Robert goes to London on behalf of the headmaster, but leaves his shotgun behind to reassure Peggy. Michael visits Peggy at the cottage late at night, and she notices for the first time that he has only one arm. Terrified, she reaches for the gun Fear in the Night was the last, and one of the best, of the suspense thrillers that Hammer produced alongside the better-known Gothic horrors. The film was also the Hammer swansong of director and co-writer Jimmy Sangster, who had joined the company in 1949 and helped create its groundbreaking style. EXTRAS: NEW FEATURETTE - End of Term: Inside Fear in the Night ORIGINAL TRAILER
Directed by William Friedkin this cult classic stars William Petersen as Chance the risk-seeking maverick Secret Service agent and Willem Dafoe as the slick and stylish yet truly psychopathic Rick Masters. Chance's partner Jack who is near to retirement is close to completing a case against Rick Masters a ruthless ex-con and expert counterfeiter who has been selling millions worth of almost undetectable fake currency to support his weird fetishes. Unfortunately Jack gets a l
Harry holds the key to the secrets, and trusting his natural instincts uses his connections to seek the truth, but will his personal relationships end up compromising the lives of those around him?
THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART takes audiences on a unique cinematic journey through the brotherhood of the Bee Gees and their ever-enduring musical accomplishments. The story of Barry, Maurice and Robin is one of phenomenal success, of loss and heartbreak, and a continual spirit of creative reinvention. From the award-winning producers behind The Beatles: Eight Days A Week and Sinatra: All Or Nothing At All, How Can You Mend A Broken Heart features newly shot interviews, rarely seen archive and remastered performances across the Bee Gees' five-decade long career.
Four-disc set includes: Episode IV, A New Hope (Special Edition)--with commentary by George Lucas, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Episode V, The Empire Strikes Back (Special Edition)--with commentary by George Lucas, Irvin Kershner, Lawrence Kasdan, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Episode VI, Return of the Jedi (Special Edition)--commentary by George Lucas, Lawrence Kasdan, Ben Burtt, Dennis Muren and Carrie Fisher; Easter egg: credit roll (2 min) Bonus disc: all-new bonus features, including the most comprehensive feature-length documentary ever produced on the Star Wars saga, and never-before-seen footage from the making of all three filmsSubitles (all material across all four discs): English, Danish, Finnish, Norwegian, Swedish Click here to see detailed information on the special features included on the bonus disc. Amazon.co.uk Review George Lucas's original Star Wars trilogy is a clever synthesis of pop-cultural and mythological references, taking classic fairy-tale themes, adding more than a dash of Arthurian legend, and providing cinematic high adventure inspired as much by Kurosawa's Samurai epics as by Flash Gordon and Buck Rogers. As a result, audiences of all ages can find something to identify with in Luke Skywalker's journey from disaffected teenager dreaming of adventure to Jedi Knight and saviour of the galaxy. He not only rescues a Princess, but discovers she's a close relative. And if there's a lesson to be gleaned from the Skywalker clan, it's that no matter how bad things get in the average dysfunctional family, it's never too late for reconciliation. Originally released in 1977, Star Wars, the first film, was made as a standalone. Perhaps that's why Obi-Wan Kenobi seems a tad inconsistent in his attitude towards his old pupil Anakin Skywalker, and perhaps also why Luke is allowed to develop a guilt-free crush on Princess Leia. Lucas's story, told from the point of view of the two bickering droids (a device taken from Kurosawa's Hidden Fortress), also borrows freely from Errol Flynn's Robin Hood, as does John Williams's seminal Korngold-inspired music score. Thanks in equal part to Leigh Brackett's screenplay and Irvin Kershner's direction The Empire Strikes Back (1980) is the most grown-up instalment in the series. The basic fairy-tale is developed and expanded, with the principal characters experiencing emotional turmoil--blossoming romance, mixed feelings and confused loyalties--amid a very real threat of annihilation as Darth Vader's motivations become chillingly personal. Luke's quasi-Arthurian destiny is complicated still further by the half-truths of his wizardly mentors; and swashbuckler Han Solo finds the past catching up with him, quite literally in the form of bounty hunter Boba Fett. The film is graced by more fabulous landscapes (ice, forest, clouds), more unforgettable new characters (Yoda), more groundbreaking special effects (the asteroid chase), and John Williams's finest score. The difficult third film, 1983's Return of the Jedi, seems schizophrenic in its intentions, hoping to please both the kiddies who bought all the toys and an older audience who appreciated the narrative's epic and mythological strands. The result is a film that splits awkwardly into two. One thread, which might be subtitled "The Redemption of Anakin Skywalker", pursues the story of the Skywalker family to a cathartic conclusion. The other thread, which might be described as "The Care Bears Go to War", attempts to say something profound about primitivism versus technological sophistication, but just gets silly as furry midgets doing Tarzan whoops defeat the Emperor's crack legions. In 1997 Lucas re-released the three original films in digitally remastered "Special Edition" versions, in which many scenes have been restored and enhanced (some would say "unnecessarily tinkered with"). Despite loud and continued criticisms from fans, these Special Editions are now considered definitive, if only by Lucasfilm. --Mark Walker
Jodie Foster won her first Oscar for her role in The Accused (1988), based on an actual incident. While out for a night of fun at a poolroom, before her character knows what's happening she finds that the men she's been flirting with have pinned her down for a gang rape. The story centres on the efforts of a district attorney (Kelly McGillis) to press her case, in spite of a wall of silence by the participants--and then to take the unusual step of going after the witnesses as accomplices. Foster is outstanding as a tough, blue-collar woman who persists in what seems like an unwinnable case, despite the prospect of character assassination for standing up for herself. --Marshall Fine
Love is a weakness to be exploited and betrayed. Starring Bob Hoskins Michael Caine and Cathy Tyson 'Mona Lisa' is a classic drama written and directed by Neil Jordan about a driver (Hoskins) who falls for his employer - high-class prostitute Simone (Tyson).
Wax up your boards and hang 10 (or whatever) where the big waves come crashing in: off the English coast at Cornwall. Huh? No endless summer? No two girls for every boy? No, but in Blue Juice one can see what most of us probably never even thought about: the British Isles are indeed islands and, not incongruously, there's a considerable surfing culture with a handful of home-grown legends. One of the latter is JC (Sean Pertwee), a skilled surfer so driven by the challenge and so dedicated to his mates that it threatens his meandering romance with the long-suffering Chloe (Catherine Zeta-Jones). The two have planned an extensive, around-the-world trip as a kind of prelude to discussing marriage, but the arrangement is threatened when three of JC's old childhood chums arrive from London. One of them (played by Steven Mackintosh) is a famous record producer who has sold his soul (in every sense) to reap profits from fashionable electronica. Another (Ewan McGregor) is a chronic screw-up resorting to hustling junk to unsuspecting customers. The last (Peter Gunn) is an anxious sort, terrified of marrying his long-time girlfriend. Together, these four guys look like a pack of nowhere men and they know it: while the story largely focuses on JC and Chloe, there's plenty of material for the supporting characters to indulge in mucho self-loathing. The film never quite jumps off the screen and the script may be hampered by too many layers of character eccentricity, but this is still an enjoyable piece with some fine comic performances. --Tom Keogh, Amazon.com
It's clear that Quentin Tarantino is a huge fan: he cast Grier in the title role of his direct homage Jackie Brown, while the one-woman revenge scenario that fuelled the Kill Bill films didn't just come from the Far East. When Foxy Brown's undercover-agent boyfriend is gunned down on the orders of evil drug kingpins, she stops at nothing to exact a thrillingly brutal revenge. This is one of the all-time great blaxploitation films, pulling out all the stops at a time long before anyone thought of inventing political correctness. Pam Grier was given the role of a lifetime as the street-smart yet intensely sexy Foxy, modelling a stupendously varied range of Seventies threads while righteously kicking villainous white butt at every opportunity. She's also given sterling support from Antonio 'Huggy Bear'Fargas as her no-good younger brother and a memorably funky soundtrack. Special Features: Restored High Definition Blu-ray presentation (1080p) Optional English SDH subtitles for the deaf and hard of hearing Audio commentary with director Jack Hill From Black and White to Blaxploitation - Actor Sid Haig speaks about his long and influential friendship with Jack Hill A Not So Minor Influence - An Interview with Bob Minor, the first African-American member of the Stuntman's Association, and co-star of Foxy Brown Back to Black - Legendary actors Fred 'The Hammer' Williamson (Black Caesar) and Austin Stoker (Sheba Baby, Assault on Precinct 13), alongside Rosanne Katon (Ebony, Ivory, and Jade) and film scholar Howard S. Berger speak about the enduring popularity of the Blaxploitation film Photo gallery of behind-the-scenes and publicity images Original Theatrical Trailer Trailer Reel - Trailers for all the major works by Jack Hill including Foxy Brown, Coffy and Switchblade Sisters Reversible sleeve artwork featuring original and newly commissioned artwork by The Red Dress Collector's booklet featuring new writing on the film by Josiah Howard, author of Blaxploitation Cinema: The Essential Reference Guide, a new interview with Pam Grier by Jack Hill biographer Calum Waddell, illustrated with original archive stills and posters
The acclaimed BBC adaptation of the Charles Dickens classic, Barnaby Rudge (1960) is now available to own on DVD for the first time. Starring John Wood (War Games) , Barbara Hicks (Brazil), Timothy Bateson (Harry Potter and the Order of the Phoenix) and BAFTA-nominee Joan Hickson. On a stormy night in 1775 a ragged stranger (Nigel Arkwright) wanders into the Maypole Inn. Edward Chester (Bernard Brown), whose horse is lame, leaves the inn on foot to meet his beloved Emma Haredale (Eira Heath) at a masked ball. Joe Willet (Alan Hayward), quarrels with his father, Maypole landlord John (Arthur Brough), and joins the army, only saying goodbye to Dolly (Jennifer Daniel), the pretty daughter of locksmith Gabriel Varden (Newton Blick). Varden s household includes his formidable wife (Joan Hickson) and dithering maid Miss Miggs (Barbara Hicks). Simple-minded Barnaby Rudge (John Wood) wanders in and out of the story, chattering with his pet raven Grip. Barnaby s mother Mary (Isabel Dean) is visited by the stranger, and feels compelled to protect him. As the stories interweave, Barnaby is caught up in the Gordon Riots, a violent demonstration against Catholics. Jailed with the ringleaders, will he hang for their actions? Michael Voyseys 1960 BBC adaptation remains the only TV portrayal of Dickens tantalizing gothic drama.
When a landlord is forced to pay a year's back rent ASAP he has to maintain a high turnover of tenants. To do this he has to be creative in 'disposing' of clients...
A nice rest in a state mental hospital beats a stretch in the pen right? Randle P. McMurphy (Nicholson) a free-spirited con with lightning in his veins and glib on his tongue fakes insanity and moves in with what he calls the ""nuts"". Immediately his contagious sense of disorder runs up against numbing routine. No way should guys pickled on sedatives shuffled around in bathrobes when the World Series is on. This means war! On one side is McMurphy. On the other is soft-spoken Nurse Ratched (Louise Fletcher) among the most coldly monstrous villains in film history. At stake is the fate of every patient on the ward...
Brilliant brain surgeon Banzai has just made scientific history. Shifting his Oscillation Overthruster into warp speed he's the first man ever to travel to the Eight Dimension...and come back sane! But when his sworn enemy the demented Dr. Lizardo devises a plot to steal the Overthruster and bring an evil army of aliens back to destroy Earth Buckeroo goes cranium to cranium with the madman in an extra-dimensional battle that could result in total annihilation of the universe.
A big Oscar winner in 1975, One Flew Over the Cuckoo's Nest still holds up remarkably well. Ken Kesey's novel, an allegory of repression and rebellion set in a mental hospital in the early 1960s, is cannily adapted by Czech director Milos Forman into a comedy drama with a cool, unassuming, near-documentary look. Jack Nicholson has his most jacknicholsonian role as Randle P McMurphy, a livewire troublemaker who unwisely cons his way out of prison and into a mental institution without realising he has switched from serving a sentence with a release date to being committed until adjudged sane by the same people he is winding up on a daily basis. Louise Fletcher, in a career-defining turn, is Nurse Ratched, the soft-spoken sadist who represents the worst type of matronly authoritarianism and clashes with Randle all down the line. Taking another look at the picture after all these years, it's a surprise that all the unknown actors who seemed like real mental patients have graduated to becoming prolific character actor stars: Danny DeVito, Christopher Lloyd, Vincent Schiavelli, Brad Dourif, the late Will Sampson, Sidney Lassick, Michael Berryman. Unlike many Best Picture Oscar winners, this deals with profound subject matter without seeming self-important: Forman's approach and all-round great acting make it play as a small character story as well as a Big Statement about the human condition. Full marks also for Jack Nitzsche's musical saw-based score. On the DVD: One Flew Over the Cuckoo's Nest comes to DVD in a two-disc special edition with a great-looking anamorphic 1.85:1 print and 5.1 Dolby Digital soundtrack, plus tracks in French and Italian and optional subtitles in half a dozen languages. Disc 2 has the trailer, about 13 minutes of deleted scenes (mostly from the first third of the film, and all pretty good) and a making-of retrospective documentary with interesting material from producers Michael Douglas (who inherited the rights from Kirk) and Saul Zaentz, Forman, screenwriter Bo Goldman and many cast-members (though not Nicholson). There's also a commentary track by Forman, Douglas and others which repeats a few things from the documentary but also goes into more scene-specific detail about the development and shooting. --Kim Newman
This box-office hit from 1969 is an important pioneer of the American independent cinema movement, and a generational touchstone to boot. Peter Fonda and Dennis Hopper play hippie motorcyclists crossing the Southwest and encountering a crazy quilt of good and bad people. Jack Nicholson turns up in a significant role as an attorney who joins their quest for awhile and articulates society's problem with freedom as Fonda's and Hopper's characters embody it. Hopper directed, essentially bringing the no-frills filmmaking methods of legendary, drive-in movie producer Roger Corman (The Little Shop of Horrors) to a serious feature for the mainstream. The film can't help but look a bit dated now (a psychedelic sequence toward the end particularly doesn't hold up well) but it retains its original power, sense of daring and epochal impact. -- Tom Keogh, Amazon.com
Very few films achieve subliminal greatness with cross-cultural impact, but Walkabout is one of those films--a visual tone poem that functions more as an allegory than a conventionally plotted adventure. Considered a cult favourite for years, Nicolas Roeg's 1971 film centres upon two British children who are rescued in the Australian outback by a young aborigine. Through exquisite cinematography and a story of subtle human complexity, the film continues to resonate on many thematic and artistic levels. Just as Roeg intended, it is a cautionary morality tale in which the limitations and restrictions of civilisation become painfully clear when the two children (played by Jenny Agutter and Roeg's young son, Lucien John) cannot survive without the aborigine's assistance. They become primitives themselves, if only temporarily, while the young aborigine proves ultimately and tragically unable to join the "family" of civilisation. With its story of two worlds colliding, Walkabout now seems like a film for the ages, hypnotic and open to several compelling levels of interpretation. --Jeff Shannon, Amazon.com
Sean Pertwee, Catherine Zeta-Jones and Ewan McGregor star in this British drama set in Cornwall. As he approaches his thirties skilled surfer JC (Pertwee) considers settling down with his girlfriend, Chloe (Zeta-Jones), who has ambitions to own a cafe. However, the arrival of his friends from London prompt him to take on more surfing challenges and relive his hedonistic days of youth. But will his relationship with Chloe survive if this behaviour continues?
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