Whilst investigating a plane crash a government official meets a strange woman but the next day the woman vanishes. Her identity is entwined with the strange object found at the crash site for which she returns only to then vanish once more...
LONG LIVE THE NEW FLESH! Combining the bio-horror elements of his earlier films whilst anticipating the technological themes of his later work, Videodrome exemplifies Cronenberg's extraordinary talent for making both visceral and cerebral cinema. Max Renn (James Woods) is looking for fresh new content for his TV channel when he happens across some illegal S&M-style broadcasts called Videodrome'. Embroiling his girlfriend Nicki (Debbie Harry) in his search for the source, his journey begins to blur the lines between reality and fantasy as he works his way through sadomasochistic games, shady organisations and body transformations stunningly realised by the Oscar-winning makeup effects artist Rick Baker. Hailed by his contemporaries John Carpenter (he's better than all of us combined) and Martin Scorsese (no one makes films like he does) as a genius, Videodrome, was Cronenberg's most mature work to date and still stands as one of his greatest.
Lowlife cable TV operator Max Renn discovers a ""snuff TV"" broadcast called Videodrome which is much more than it seems. It's an experiment that causes brain damage. Max is caught in the middle of the forces that created and the forces that want to control Videodrome his body itself turning into the ultimate weapon to fight them. Directed by David Cronenberg.
Who knows what secrets lurk in the souls of man? In 18th century Vienna one man discovers the truth-and pays the price. His patients call him a miracle worker; his colleagues dismiss him as a quack. Meet Franz Anton Mesmer (Alan Rickman Galaxy Quest Dogma Sense and Sensibility): physician hypnotist self-promoter hopeless romantic and man ahead of his time. Employing revolutionary ideas about ""animal magnetism"" and the power of suggestion Mesmer gains local acclaim by curing his disturbed young cousin. Shortly thereafter beautiful blind pianist Maria Theresa Paradies (Amanda Ooms) seeks Mesmer's aid setting in motion a dizzying doomed love affair as her cure becomes both his greatest triumph and his downfall. In this thought-provoking film from acclaimed screenwriter Dennis Potter (The Singing Detective) and director Roger Spottiswoode (Tomorrow Never Dies) everything we know-or think we know-about the nature of consciousness is called into question. As the man who scandalized Vienna and Paris and threw the medical establishment into an uproar Alan Rickman delivers a tour de force performance that won the Best Actor Award at the Montreal Film Festival. Music composed by three-time Golden Globe Nominee Michael Nyman
Lowlife cable TV operator Max Renn discovers a snuff TV broadcast called Videodrome which is much more than it seems.It's an experiment that causes brain damage. Max is caught in the middle of the forces that created and the forces that want to control Videodrome, his body itself turning into the ultimate weapon to fight them.
What oprea fan doesn't know the famous opera arias 'Our True Love' 'Make Up Your Mind Marenka' or 'I Know A Maiden Fair' ageless classics from that treasure of Czech opera Bedrich Smetana's The Bartered Bride? These outstanding singers Gabriela Benackova as Marenka Peter Dvorsky as Jenik and Richard Novak as Kecal as well as brilliant performances by the Czech Philharmonic and Prague Philharmonic Chorus conducted by Zdenek Kosler became the basis for this 1981 television programme directed by Frantisek Filip. Sets by Jan Zazvorka costumes by Lida Novotna cinematography by Ilja Bojanovsky directed by Frantisek Filip.
Adriana LecouvreurFrancesco Cilea (1866-1950)Cilea's four-act opera of jealousy and tangled love first performed in Milan in 1902 is based on the true story of Adriana Lecouvreur an 18th-Century actress at the Comedie Francaise whose rival for the love of Maurizio count of Saxony is the married Principessa di Bouillon. Unlocked from the archives of RAI television this 1989 classic recording comes from one of the world's great opera houses.
The story of the team who were picked to track down the terrorists involved in the 1972 Munich Olympics massacre. Eleven young Israeli athletes were taken hostage by terrorists and the brutal surprise attack ended in their deaths. Sword Of Gideon tells the dramatic story about the anti-terrorist commandos who vowed to avenge their murders.
Combining the bio-horror elements of his earlier films whilst anticipating the technological themes of his later work, Videodrome exemplifies David Cronenberg's extraordinary talent for making both visceral and cerebral cinema. Max Renn (James Woods) is looking for fresh new content for his TV channel when he happens across some illegal S&M style broadcasts called Videodrome. Embroiling his girlfriend Nick (Deborah Harry) in his search for the source, his journey begins to blur the lines between reality and fantasy as he works his way through sadomasochistic games, shady organisations and body transformations stunningly realised by Oscar-winning makeup effects artist Rick Baker. Hailed by his contemporaries John Carpenter (he's better than all of us combined!) and Martin Scorsese (no one makes films like he does) as a genius, Videodrome was Cronenberg's most mature work to date and still stands as one of his greatest. Product Features Brand new 4K restorations from the original camera negative by Arrow Films of both the full-length director's cut and the US theatrical cut, approved by director David Cronenberg 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original lossless mono soundtrack Optional English subtitles for the deaf and hard of hearing Audio commentary by Tim Lucas, the on-set correspondent for Cinefantastique Magazine and author of Videodrome: Studies in the Horror Film David Cronenberg and the Cinema of the Extreme, a documentary featuring interviews with Cronenberg, George A. Romero and Alex Cox on Cronenberg's cinema, censorship and the horror genre Forging the New Flesh, a documentary by filmmaker Michael Lennick on Videodrome's video and prosthetic make up effects Fear on Film, a round table discussion from 1982 with Cronenberg, John Carpenter, John Landis and Mick Garris The complete, uncensored Samurai Dreams footage with commentary by Michael Lennick Helmet-Cam Test and Why Betamax?, two featurettes by Michael Lennick on the film's effects The Making of David Cronenberg's Videodrome, a 1982 featurette by Mick Garris, with behind-the-scenes footage and interviews with Cronenberg, James Woods, Deborah Harry and Rick Baker Videoblivion, an interview with cinematographer Mark Irwin Pierre David on Videodrome, an interview with executive producer Pierre David AKA Jack Martin, an interview with Dennis Etchison, author of novelisations of Videodrome and The Fog, discussing Videodrome and his observations of Cronenberg's script Camera, Cronenberg's short film starring Videodrome's Les Carlson Pirated Signals: The Lost Broadcast, deleted and alternate scenes from the TV version Original trailers Image gallery Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx Illustrated 60-page collector's booklet featuring writing on the film by Justin Humphreys, Brad Stevens and Tim Lucas, extracts from Cronenberg on Cronenberg, and a brand new roundtable retrospective with critics Alexandra Heller-Nicholas, Cerise Howard, Josh Nelson and Emma Westwood Foldout double-sided poster featuring original and newly commissioned artwork by Gilles Vranckx Six double-sided, postcard-sized lobby card reproduction artcards
Claudio Abbado in Rehearsal has the eminent conductor rehearsing Verdi's Requiem Mass both at the La Scala Opera House and the church of San Marco in Milan where Verdi's choral masterpiece was first performed. This new performance was given in 1985 to mark the 200th birthday of the Italian national poet Alessandro Manzoni, with whom Verdi shared aspirations for a united Italy. The camera dwells a good deal on Abbado, whose concentration seems well nigh tangible as he raises his arms and throws out his chest to communicate the power of Verdi's music. Abbado takes much care with his soloists, gives strong leads, checking the reverberant acoustic of San Marco with a lift of the head during the thunderous "Dies Irae". We eavesdrop on a piano rehearsal with two of his soloists as he keeps the rather musically wayward mezzo on course and works with Samuel Ramey, his bass, to intensify his hushed delivery of "More stupebit" ("Death and nature stand aghast"). We also see Monserrat Caballe, who can float a note pianissimo like no other soprano, have an unexpected fit of the giggles when beginning her "Libera me". Some reservations in director Norbert Beilharz's treatment of the "Lux Aeterna" require comment. His concept of juxtaposing a well-dressed audience with pictures from tombstones and statues as a reminder of the transience of human life grows wearisome after a while, as does his commentary and translation of the Latin, already on screen as subtitles, which masks some of the most poignant music in the score. On the DVD: Claudio Abbado in Rehearsal has one major disappointment: the lighting. Neither the San Marco Church or the interior of La Scala is well lit. There are brief trailers for three other ArtHaus Musik productions, including a film about Callas and Abbado conducting the Mozart Requiem in a splendid baroque church in Salzburg where the brilliance of the picture, stunningly lit, really shows up the deficiencies of this film. To hear Abbado conduct the Verdi Requiem where everyone performs as though their lives depended on it, try the version he recorded with the Berlin Philharmonic in January 2001. --Adrian Edwards
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