The mystical tale of a World War One veteran (Matt Damon) and championship golfer who returns to his sport with the aid of his caddy (Will Smith) who teaches him how to master any challenge in life.
Richard Burton stars in Alexander the Great, a middling entry in the 1950s CinemaScope epic cycle. The film boasts excellent production values and a fine cast--including Frederic March, Claire Bloom, Harry Andrews, Stanley Baker, Peter Cushing and Michael Hordern--but it rarely comes to life other than as a big fat ancient Greek wedding of the talents of Burton and Bloom. They strike real dramatic sparks together, so much so they would be reunited in Look Back in Anger (1958) and The Spy Who Came in from the Cold (1965). The film's failures must be laid at the feet of writer, director and producer Robert Rossen, who never before or after helmed anything remotely on this scale; his best work would follow with the intimate The Hustler (1961). Rossen simply shows little sensibility for the epic, staging lavish but brief and rather pedestrian battles and somehow drawing from the usually mesmerising Burton a performance lacking the charisma essential to a great military commander. Burton fans can enjoy him at his epic best as Marc Anthony in Cleopatra (1963). On the DVD: Alexander the Great is presented anamorphically enhanced at 2.35:1, although the picture is still obviously cropped at either side of the screen throughout. The print is very variable, in places quite grainy and soft with some serious flickering blotchiness, but otherwise it has strong colours, detail and contrast. The sound is primitive stereo. The only extra is the theatrical trailer, effectively presented in anamorphic 2.35:1. --Gary S. Dalkin
The unforgettable adventure of Man from the Creation! The greatest stories of the Old Testament are brought to the screen with astounding scope and power in this international film which depicts the first 22 chapters of Genesis. This is the spectacular story of man's creation his fall his survival and his indomitable faith in the future. Matching the epic scale of the production are performances by George C. Scott as Abraham Ava Gardner as Sarah and Peter O'Toole as the ha
The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), but the movie itself is one of the weaker ones of the Sean Connery phase of the 007 franchise. The story concerns an effort by the evil organisation SPECTRE to start a world war, but the not-so-super villain behind the plot is the awfully civilised Donald Pleasence. The thin script is by Roald Dahl (shouldn't we have expected a better Bond nemesis from the creator of mad genius Willy Wonka?), and direction is by British veteran Lewis Gilbert (Alfie). But the movie can't hold a candle to Dr. No, From Russia with Love, or Goldfinger. --Tom Keogh, Amazon.comOn the DVD: This was another troubled production according to the insightful "making of" documentary: director and producers luckily avoided boarding a plane out of Tokyo that crashed and killed everyone on board; the Japanese actresses couldn't speak English and one threatened suicide if she was dropped from the part; and the aerial cameraman filming the helicopter fight had his leg sliced off by a rotor blade. Maurice Binder's evocative main title designs are the subject of the second documentary, "Silhouettes", in which his colleagues voiceboth their admiration of his art and frustration at his chaotic working practices. The commentary is another edited selection of interviews with principal cast and crew. An animated storyboard sequence, trailers, radio spots and a handsome booklet add up to another winning entry in this series. --Mark Walker
The exciting saga of ambitious men tempestuous women and stormy seas! Set in England in the 1860s when British naval strength was the envy of Europe this saga charts the fortunes of an ambitious clever and determined ship owner whose private life is more tempestuous than the seas he sails. James Onedin (Peter Gilmore) is the son of a waterside shopkeeper who has died and left him with no inheritance. All James has is a legacy of 25 franks and a shrewd business mind. Despite his scheming sister and her husband who run a rival shipping company he is resolute in his attempt to start a shipping line in a changing world. Onedin is ruthless but farsighted and with steam a possibility for the future he swiftly embarks on his rise from impoverished seaman to wealthy ship owner and founder of The Onedin Line. Episodes Comprise: 1. The Wind Blows Free 2. Plain Salling 3. Other Points of the Compass 4. High Price 5. Catch as Can 6. Salvage 7. Passage to Pernambuco 8. The Homecoming 9. When My Ship Comes In 10. A Very Important Passenger 11. Mutiny 12. Cry of the Blackbird 13. Shadow of Doubt 14. Blockade 15. Winner Take All
Featuring a collection of Peter Sellers' best films. Includes: 1. Heavens Above! (Dir. John Boulting & Roy Boulting 1963) 2. I'm Alright Jack (Dir. John Boulting 1959) 3. Only Two Can Play (Dir. Sidney Gilliat 1962) 4. Very Best Of Peter Sellers
Carry On Don't Lose Your Head parodies the adventures of the Scarlet Pimpernel, with crinkly cackling Sid James as master of disguise the Black Fingernail and Jim Dale as his assistant Lord Darcy. He must rescue preposterously effete aristocrat Charles Hawtrey from the clutches of Kenneth Williams' fiendish Citizen Camembert and his sidekick Citizen Bidet (Peter Butterworth). The Black Fingernail is assisted in his efforts to thwart the birth of the burgeoning republic by the almost supernatural stupidity of his opponents, who fail to recognise the frankly undisguisable Sid James even when dressed as a flirty young woman. What with an executioner who is tricked into beheading himself in order to prove the efficacy of his own guillotine, it's all a little too easy. As usual, no groan-worthy pun is left unturned, or unheralded by the soundtrack strains of a long whistle or wah-wah trumpet. This is pretty silly stuff even by Carry On standards, with most of the cast barely required to come out of first gear and an overlong climactic swordfight sequence hardly raising the dramatic stakes. Most of the humour here resides neither in the script nor the characterisation but in the endlessly watchable Williams' whooping, nasal delivery (occasionally lapsing into broad Cockney) and the jowl movements of the always-underrated Butterworth. --David Stubbs
The Innocents tells of an impressionable and repressed governess Miss Giddens (Deborah Kerr) who agrees to tutor two orphaned children Miles (Martin Stephens) and Flora (Pamela Franklin). On arrival at Bly House she becomes convinced that the children are possessed by the perverse spirits of former governess Miss Jessel (Clytie Jessop) and her Heathcliffe-like lover Quint (Peter Wyngarde) who both met with mysterious deaths.
From yet another derivative science fiction novel by Michael Crichton comes Sphere, an equally derivative and flaccid movie, in which three top Hollywood stars struggle to squeeze tension and excitement out of material that doesn't match their talents. You're supposed to find awe and mystery in Crichton's story about a team of scientists and scholars who discover a 300-year-old alien spacecraft deep on the ocean floor, but mostly you feel that this is all much ado about nothing. The exploration team consists of a psychologist (Dustin Hoffman), mathematician (Samuel L Jackson), biochemist (Sharon Stone), and an astrophysicist (Live Schreiber), and when they enter the alien ship they discover a mysterious sphere inside. What they don't know is that the sphere has the power to manipulate their thoughts and perceptions, and before long the scientists' undersea habitat is a veritable haunted house of frightening visions and creeping paranoia. Who can be trusted? What is the sphere's purpose, and why is it on the ocean floor? Sphere makes some attempt to answer these questions, but the film is a mess, and it leads to one of the most anticlimactic endings of any science fiction film ever made. There are moments of high intensity and psychological suspense, and the stellar cast works hard to boost the talky screenplay. But it's clear that this was a hurried production (Hoffman and director Barry Levinson made Wag the Dog during an extended production delay), and as a result Sphere looks and feels like a film that wasn't quite ready for the cameras. Though it's by no means a waste of time, it's undeniably disappointing. --Jeff Shannon, Amazon.com
This tense action-thriller explodes with nonstop excitement and riveting star performances! Sylvester Stallone stars as Freddy Heflin, the sheriff of a place everyone calls Cop LandĀ a small and seemingly peaceful town populated by the big-city police officers he's long admired. Yet something ugly is taking place behind the town's peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols...and upholding the law! Robert DeNiro (Heat ), Harvey Keitel (Pulp Fiction) and Ray Liotta (GoodFellas) head an incredible cast in this critically acclaimed and unforgettable motion picture! Feature Commentary with Writer/Director James Mangold, Producer Cathy Konrad, Sylvester Stallone and Robert Patrick Cop Land: The Making of an Urban Western Deleted Scenes Storyboard Comparison
Relive the adventures of The Transformers on this triple DVD set containing the first half of Season 2. Episode comprise: 1. Autobot Spike 2. Changing Gears 3. City of Steel 4. Attack of the Autobots 5. Traitor The Immobilizer 6. The Autobot Run 7. Atlantis Arise 8. Day of the Machines 9. Enter the Nightbird 10. A Prime Problem 11. The Core 12. The Insecticon Syndrome 13. Dinobot Island (Part 1) 14. Dinobot Island (Part 2) 15. The Master Builders 16. Auto Berserk 17. Microb
Time Flight: The Doctor finally manages to deliver Tegan to Heathrow Airport where he gets drawn into investigating the in-flight disappearance of a Concorde. Following the same flight path in another Concorde with the TARDIS stowed in the hold he discovers that it has been transported back millions of years into the past through a time corridor. Arc of Infinity: An antimatter creature has crossed into normal space via a phenomenon known as the Arc of Infinity but needs to bond physically with a Time Lord in order to remain stable. A traitor on Gallifrey has chosen the Doctor as the victim.
Highly acclaimed eleven-part series directed by Edgar Reitz, originally produced for German television over a two-year period at the beginning of the 1980s. The series chronicles over 60 years of turbulent German history from 1919 to 1982, including the economic meltdown that followed World War 1, the rise and fall of the Nazis and World War 2, and the subsequent rebuilding of Germany in two halves, East and West. The tale unfolds in a small fictional rural village and follows the fortunes of a woman called Maria (Marita Breuer) who at the start of the series is a young girl, and by the end is an old woman who has lived to tell the tale of some of history's harshest moments. The series won the International Critics' Prize at the 1984 Venice Film Festival.
A team consisting of a physicist his wife a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove or disprove survival after death. Previous visitors have either been killed or gone mad and it is up to the team to survive a full week in isolation and solve the mystery of Hell House...
Christmas in Holmfi rth is always full of festive fun as these cracking Christmas Specials spectacularly show. Here we see Compo feeling a little frosty having trouble scraping enough together to buy his beloved Nora the perfect present – could Auntie Wainwright have the answer? Howard has a problem too: he’s got a present to give to Pearl and keep from Marina all at the same time. But the lack of wise men is more than made up for with a surplus of Santas. There’s one on the rooftops four on the doorstep and one very sozzled one enjoying a silent night locked in a pub. That’s what you call a very merry Holmfi rth Christmas.
Bridget Gregory (Linda Fiorentino) is a woman who knows what she wants and will stop at nothing to get it: including murder. After a drug deal goes wrong she cons her ineffectual husband Harlan (Bill Pullman) out of seven hundred thousand dollars. She hides in a small town where she takes up with young dumb lover Swale (Peter Berg) but soon Harlan is on her trail and he means business. John Dahl's modern take on the classic film noir is packed full of double-crosses sexual tensi
Since it's first publication in 1908 Kenneth Grahame's THE WIND IN THE WILLOWS has become a best-seller throughout the world. In this unique film the award-winning animators of Cosgrove Hall have brought Grahame's characters Badger Mole Ratty and the flamboyant Toad of Toad Hall magically to life in a beautiful Edwardian country scene. Join these four lively characters in a wonderful production that captures all the fun and enchantment of a fairy tale adventure.
Transformers' have been a favourite for children and adults alike since its launch over 17-years ago and now for the first time in the UK 'Transformers - Takara' is available to take home! Four Soldiers From The Sky: The evil Decepticons led by Galvatron decide to take control of the Sigma computer which will finally lead them to victory. To this end they launch a vicious attack on Cybertron. As the Autobots fight back a mysterious ship appears... but are those on board friend or foe? The Tale Of The Master Star: While the fighting continues on Cybertron Optimus Prime makes his way to the Sigma computer and is protected by the shadow of an old friend. Meanwhile Billy of the Autobots and Soundwave of the Deceptions engage in a deadly battle. The Birth Of A New Leader: Rodimus Prime and Optimus Prime come together to battle Galvatron and to protect the Sigma computer. But despite all efforts the Autobots suffer a severe blow and Galvatron discovers a weakness in the computer. The Resurrected Billy Against The Decepticons: The Autobots decide to rebuild Billy while the Decepticons make the same choice with Soundwave. But when new Soundwave and Blaster (formerly Billy) meet again who will be victorious this time? The Revolt On Planet Pistol: The Decepticons have invaded the peaceful planet of Pistoll and have turned its own people against each other. It's up to the Autobots to stop the Deceptions and to return Pistoll to peace but there appears to be spies everywhere. The Evil Meteor: A meteor is heading straight for the planet Sidnea and the Autobot headquarters. With Sparkle injured it is only his son Danny who can save the Autobots from destruction. But Danny is only a boy...
Six Feet Under is not just a smartly written, sublimely acted soap that happens to be set in a funeral home; it's a profound mixture of emotional truths and whimsical black comedy that uses its setting to comment upon the way we live, with the omnipresent spectre of death throwing life's problems into sharp relief. Creator Alan Ball (American Beauty) understands modern neuroses more than most, it seems, and his rich sense of the absurd is given added potency, not to say piquancy, by the sometimes comically ridiculous juxtaposition of life and death. The first series introduces the Fisher family, whose already weighty emotional baggage is bolstered by the sudden demise of their patriarch, who has willed the family funeral home to his two initially hostile sons, wayward Nate (Peter Krause) and in-the-closet David (Michael C Hall). Teenage younger sister Claire (Lauren Ambrose) and repressed mother Ruth (Frances Conroy) have their own problems, as does put-upon mortician Federico (Freddy Rodriguez). The first year's unfolding story arc includes the family's resistance to a hostile big corporation, Nate's budding romance with wild card Brenda (stunningly good Rachel Griffiths), David's attempts to reconcile his Christian faith with his homosexuality, Claire's self-destructive boyfriend trouble and Ruth's gradual realisation that, although she was a wife and is a mother, she's entitled to have a life too. On the DVD: Six Feet Under, Series 1 spreads 13 episodes across four discs. Care has been taken to reflect the show's stylish look in everything from the novel external packaging to the menu layouts. Picture is good, but only standard 4:3 ratio, though sound is vivid Dolby 5.1. The bonus features include two episode commentaries from creator Alan Ball, who happily chats about the pilot and the season finale, both of which he wrote and directed. There's a 22-minute "Behind the Scenes" featurette--standard HBO fare with cast interviews. More interesting is "Under the Main Titles", which explores Digital Kitchen's creation of the fascinating opening title sequence and talks to genius composer Thomas Newman about his theme music. The music can also be heard in an audio-only track as well as in Kid Loco's "Graveyard" remix. Text biographies, episode synopses and Web links complete the extras. One minor niggle: there's no "Play All" facility, so you can't indulge the luxury of watching uninterrupted episodes back-to-back. --Mark Walker
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