"Actor: Peter Norman"

• Inspector Morse - Disc 13 And 14 - The Sins Of The Fathers / Driven To Distraction | DVD | (15/07/2002) from £6.54   |  Saving you £8.45 (56.40%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 7 And 8 - Last Bus To Woodstock / The Ghost In The Machine | DVD | (24/06/2002) from £6.66   |  Saving you £8.33 (125.07%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 29 And 30 - The Way Through The Woods / The Daughters Of Cain | DVD | (30/09/2002) from £3.72   |  Saving you £11.27 (302.96%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Safe | DVD | (14/02/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  A typically bored affluent Californian housewife's world of domestic oblivion careers off its axis when she develops a mystery illness that puts her at odds with every aspect of the world around her - cars dry cleaners hair perms and even the new couch! Gradually she develops nosebleeds vomiting and breathing problems and finally collapses. In a desperate search for what is 'safe' she opts for virtual isolation in a porcelain igloo in the Texas desert where the inhabitants drag round oxygen cylinders and the therapists act like evangelical preachers. Injected with horror comic touches and psychological suspense Safe is a visionary tale of the future. Has Carol brought her sickness upon herself or is she made vulnerable by a world that is more dangerous than we or she understands?

• Inspector Morse - Disc 23 And 24 - The Death Of The Self / Absolute Conviction | DVD | (12/08/2002) from £5.38   |  Saving you £9.61 (178.62%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 31 And 32 - Death Is Now My Neighbour / The Wench Is Dead | DVD | (30/09/2002) from £11.71   |  Saving you £3.28 (28.01%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Jean Renoir - La Bete Humaine, La Grande Illusion, Le Crime De Monsieur Lange | DVD | (06/09/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £29.99

  Includes the classic Renoir films La Bete Humaine La Grande Illusion and The Crime Of M. Lange. La Bete Humaine A mad train driver falls in love with a married woman. They plot to kill the wife's husband... La Grande Illusion One of the very first prison escape movies Grand Illusion is hailed as one of the greatest films ever made Jean Renoir's antiwar masterpiece of French soldiers held in a World War I German prison camp and Erich von Stroheim as the unforgettable Captain von Rauffenstein. Le Crime De Monsieur Lange Told in flashback this dramatic story revolves around the author Lange who is exploited by his ruthless boss who eventually may cause the downfall of his publishing house but disaster is averted by Lange's talent and the political will of the workforce who form a cooperative...

• Inspector Morse - Disc 1 And 2 - The Dead Of Jericho / The Silent World Of Nicholas Quinn | DVD | (20/05/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  Two episodes from the popular TV detective series. The Dead Of Jericho Morse who never quite finds romance thinks that at last things will turn out differently when he meets beautiful Anne Stavely. But it is a love destined not to be when Anne is found hanging from a beam in mysterious circumstances. Morse suspects murder and sets out to discover the truth. Joining him is Sergeant Lewis and their investigation into 'The Dead Of Jericho' is the beginning of a lasting partn

• Inspector Morse - Disc 17 And 18 - Fat Chance / Who Killed Harry Field | DVD | (15/07/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Sherlock Holmes - The Devil's Foot / Silver Blaze | DVD | (09/06/2003) from £5.98   |  Saving you £4.01 (67.06%)   |  RRP £9.99

  The Devil's Foot: While recuperating in Cornwall Holmes becomes involved in the tragedy of the Tregennis family. Silver Blaze: A kidnapped racehorse poses particular problems for Holmes and Watson.

• Frankenstein And The Monster From Hell | DVD | (09/06/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  Doctor Helder (Briant) is sent to an asylum for experimenting on cadavers. There he is rescued by Doctor Carl Victor (Cushing) the original Doctor Frankenstein now living under a new identity who learns that a new monster is set to walk the earth...

• Inspector Morse - Disc 25 And 26 - Cherubim And Seraphim / Deadly Slumber | DVD | (09/09/2002) from £6.40   |  Saving you £8.59 (134.22%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 9 And 10 - The Last Enemy / Deceived By The Flight | DVD | (24/06/2002) from £9.98   |  Saving you £7.00 (87.61%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 27 And 28 - Day Of The Devil / Twilight Of The Gods | DVD | (09/09/2002) from £9.99   |  Saving you £5.00 (50.05%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Just Can't Get Enough | DVD | (11/02/2002) from £21.95   |  Saving you £-13.96 (-174.70%)   |  RRP £7.99

  The dramatised true story of the rise and fall of the Chipendales nightclub the last true bastion of Sodom and Gomorrah fuelled by a lethal cocktail of sex booze and money. Soundtrack includes music by Kool And The Gang The Weather Girls and Ultravox.

• Inspector Morse - Disc 5 And 6 - Last Seen Wearing / The Settling Of The Sun | DVD | (20/05/2002) from £11.98   |  Saving you £5.00 (50.05%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - Disc 11 And 12 - The Secret Of Bay 5B / Infernal Serpent | DVD | (24/06/2002) from £4.98   |  Saving you £10.01 (201.00%)   |  RRP £14.99

  When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford

• Inspector Morse - The Dead Of Jericho / Mystery Of Morse | DVD | (14/09/1998) from £6.38   |  Saving you £13.61 (213.32%)   |  RRP £19.99

  John Thaw created one of Britain's most-loved TV detectives in this pilot episode that started the long-running Inspector Morse series, based on the novels by Colin Dexter. The brilliant, somewhat elitist police inspector who loves crosswords, classical music and the more-than-occasional pint of ale clumsily romances a woman (Gemma Jones) from his choir. When he finds her hanged in her apartment on the eve of their big recital, he suspects murder and muscles his way in on the investigation. The assigned investigators are convinced it's suicide except for the eager Sergeant Lewis (Kevin Whately), and they reluctantly team up to sort out a mystery tangled in blackmail, adultery, peeping neighbours (former Doctor Who Patrick Troughton) and mistaken identities. With his snooty temperament and lone-wolf lifestyle, the white-haired, Oxford-educated bachelor is a wonderful mismatch with the younger Lewis, a married man with a family and a rather less classical background (Whatley is a Geordie, though Lewis was a Brummie in the book). There's a quiet undercurrent of affection and respect almost from their first meeting that builds with each continuing Inspector Morse mystery, as well as an air of melancholia and loneliness beautifully developed in the script by future Oscar-winning writer/director Anthony Minghella (The English Patient). Morse's initial theories may be washouts (a series hallmark), but his relentless sleuthing, eye for clues and mind for puzzles dredges up the answer in the end, even as he loses the girl. --Sean Axmaker, Amazon.com

• Nighthawks | DVD | (08/08/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  After the end of his workday staid schoolteacher Jim explores the disco's and secret meeting places of London's gay underground unable to reconcile his sexual identity with the rest of his life - until the strain of living a lie threatens to take its toll at last.

• Victim | DVD | (26/01/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  Victim is quite simply a watershed moment in cinema history. The first mainstream film to portray sympathetically and realistically homosexual society, it did so at a time when homosexuality was still a crime in Britain. Janet Green and John McCormick's screenplay makes Dirk Bogarde's Melville Farr a deeply conflicted man; married and in love with his wife, he also has relationships with men; while as a lawyer he is bound to uphold the law, even as he is compelled to break it. When Jack Barrett (a young Peter McEnery) commits suicide to avoid the consequences of blackmail, Farr sees this as murder, and decides to end the extortion even if it costs him his career. Rather more skilfully plotted than it initially appears, Victim generates considerable tension, and boasts fine performances from an ensemble cast including Sylvia Syms as Farr's wife, Norman Bird, Donald Churchill and John Barrie. Basil Dearden, who memorably featured Bogarde in an early role in The Blue Lamp (1950), directs with professional assurance. Not just a historical document--though the location footage of central London circa 1961 is fascinating in its own right--Victim was instrumental in changing attitudes, which led to the decriminalisation of homosexuality. A turning point for Bogarde too, the film marked a move from matinee idol to the more serious fare of The Servant (1963) and Darling (1965). On the DVD: Victim is presented in an anamorphically enhanced 16:9 transfer, which beautifully captures the noir-ish black-and-white cinematography of Otto Heller. There is occasional print damage, but it is minimal and doesn't distract from the film. The mono sound is very good. The disc also includes the original trailer, an annotated gallery of production photographs and a 28-minute television interview with Dirk Bogarde. This excellent feature was filmed in the actor's house just prior to the release of Victim and finds him discussing his career with particular reference to Hunted (1952), the Doctor comedies, Song Without End (1960) and his latest, "bitterly controversial" picture, which he says couldn't have been made even two years earlier. --Gary S Dalkin