Fast paced and edgy this mini-series (first shown on BBC3) alternates between the gripping love triangle involving the young Casanova Henriette and her husband Grimani and the swan song of the world's most notorious lothario! Written by Russell T. Davies creator of 'Queer As Folk' and the scribe behind the new 'Doctor Who'.
Three-part BBC television miniseries about the notorious 18th century lothario, written by Russell T. Davies and starring David Tennant and Peter O'Toole. The aged Casanova (O'Toole) is living out his days as the custodian of a library in Bohemia when he meets young serving girl Edith (Rose Byrne). He begins to tell her about his infamous escapades as a young man (played by Tennant), when he scandalised Europe and was exiled from his native Venice for crimes against the government and church. Wandering through Enlightenment Europe, Casanova reinvents himself constantly as a poet, philosopher, spy, black magician, petty conman and, of course, lover, eventually incurring the wrath of the Venetian ambassador to Britain, Grimani (Rupert Penry-Jones), after he falls in love with his wife, Henriette (Laura Fraser). Wounded in a duel with Grimani, Casanova returns home but is unable to forget the one woman he truly loves.
Debts will be paid. The Lannisters' control over the Iron Throne remains intact, but can they survive with the ongoing threats around them? While an unshaken Stannis continues to rebuild his army, a more immediate danger comes from the South as Oberyn Martell, the Lannister-loathing Red Viper of Dorne, arrives at King's Landing. At the Wall, the Night's Watch seems overmatched against Mance Rayder's army of wildlings. Daenerys, accompanied by her fierce trio of dragons, is poised to liberate Meereen, which could provide her with an imposing force to execute her plan of reclaiming the Iron Throne. Special Features Includes over 2 hours of bonus features
SHE who must be obeyed! ...SHE who must be loved! ...SHE who must be possessed! A Cambridge professor and his friends hear tales whilst travelling in Palestine of a lost city in deepest Africa ruled by a beautiful woman seeking her one true love. Intrigued by the legends they set off across the desert in search of the strange land: however little do they know they are being led into a trap of the immortal She the cold blooded queen Ayesha who is pining for the return of the lover she murdered long ago.... A spectacular adaptation of H. Rider Haggard's classic fantasy novel.
Big Breadwinner Hog: The rise of a vicious young thief Hog to the top of the London criminal fraternity Spindoe: A brash cockney gangster is shipped off to prison picking up on his criminal activities when he go out.
When Robin of Loxley transformed into Robert of Huntingdon in the third series of Robin of Sherwood, many viewers were understandably confused. Michael Praed left the series for reasons that never really became apparent while Jason Connery clearly wasn't a replacement chosen for similar looks or performance. Across the 13 episodes of the third series, Connery's choice became slowly apparent. The magical stories frequently dipped into darker territory as much as they aimed for uplifting humour. The new Hood was at ease with both, while reuniting the merry band and ultimately wooing the fair Marion all over again. Connery turned in a very confident embodiment of the character, clearly bonding well with the established team of actors. Guest stars lined up to contribute alongside him. Memorable appearances include those of Richard O'Brien, David Rappaport, Matt Frewer, Patricia Hodge, Ian Ogilvy and Lewis Collins. (It's fascinating to speculate how different things could have been if the close-second casting choice of Neil Morrissey had been pursued.) The strangest aspect of the series, however, is knowing in retrospect that everyone's confidence and merriment was for nothing. Scripts were written in readiness for the fourth series, but then the studio went bankrupt. Cliffhangers therefore remain that will confuse viewers far more than the lead's replacement. --Paul Tonks
All 28 episodes of the crimefighting drama series about an elite branch of Interpol agents who take on the cases no-one else can solve. A trio of ace investigators led by suavely assured novelist Jason King (Peter Wyngarde), hard-nosed professional Stewart Sullivan (Joel Fabiani) and coolly efficient computer expert Annabelle Hurst (Rosemary Nichols) try to outdo each other as they seek to solve the cases baffling police forces throughout Europe. Episodes comprise: 'Six Days', 'The Trojan Tanker', 'A Cellar Full of Silence', 'The Pied Piper of Hambletown', 'One of Our Aircraft Is Empty', 'The Man in the Elegant Room', 'Handicap Dead', 'Black Out', 'Who Plays the Dummy', 'The Treasure of the Costa Del Sol', 'The Man Who Got a New Face', 'Les Fleurs Du Mal', 'The Shift That Never Was', 'The Man from 'X', 'Dead Men Die Twice', 'The Perfect Operation', 'The Duplicated Man', 'The Mysterious Man in the Flying Machine', 'Death On Reflection', 'The Last Train to Redbridge', 'A Small War of Nerves', 'The Bones of Byrom Blain', 'Spencer Bodily Is Sixty Years Old', 'The Ghost of Mary Burnham', 'A Fish Out of Water', 'The Soup of the Day', 'A Ticket to Nowhere' and 'The Double Death of Charlie Crippen'.
Brad Pitt and Orlando Bloom star in this jaw-dropping epic about the famous siege of the ancient city of Troy.
TV detective fans rejoice: Peter Falk's rumpled and infallible Lt. Columbo joins the DVD precinct with a five-disc set that features the detective's first nine appearances for NBC. Though Falk as Columbo (no first name) made his TV debut in 1967, the detective had actually first appeared on an episode of the 1960-61 Chevy Mystery Show (Bert Freed played the role) written by veteran TV scribes Richard Levinson and William Link (The Fugitive, Alfred Hitchcock Presents). The pair turned the episode into a stage play titled Prescription: Murder, which was adapted into a TV movie in 1967 with Falk in the lead. NBC greenlit a two-hour Columbo pilot (Ransom for a Dead Man) in 1971, and the series was launched that fall as part of the NBC Sunday Mystery Movie, a rotating 90-minute program that alternated Columbo with episodes of MacMillan and Wife and McCloud (another Levinson/Link creation). Viewers were quickly won over by Falk's shrewd performance as he matched wits with a host of exceptional guest stars (including Gene Barry, Patrick McGoohan, and others), all of whom assumed that the disheveled detective would never figure out their "perfect crimes"; the popularity and quality of the original series allows Falk to continue to don the trenchcoat some 30 years later for occasional Columbo TV movies. All seven 90-minute episodes of the 1971-72 debut season are included here, along with Prescription: Murder and Ransom for a Dead Man; unfortunately, as the lieutenant himself would say, "Oh, just one more thing"--no extras are included in the set, but having these fine TV mysteries in one set should be reward enough for armchair sleuths. --Paul Gaita
Handling cases that are too baffling to be solved by normal police routine - It's all in a day's work for Department S - a shadowy Interpol department that specialises in the inexplicable and the illogical. Its small core of operatives include flamboyant novelist Jason King (Peter Wyngarde) who uses his overactive imagination and droll wit to help solve the most difficult of cases Stewart Sullivan (Joel Fabiani) a man of action who's not afraid to get his hands dirty and Annabelle Hurst (Rosemary Nicols) as the gorgeous computer expert with an eye for detail. This box set contains all 28 episodes.
Roman Polanski adapted Thomas Hardy's novel Tess of the D'Urbervilles and came up with this moody, haunting film starring Nastassia Kinski as the farm girl who is misused by the aristocrat for whom she works and who is then caught in a marriage where her initial happiness soon turns to grief. Fans of the novel may feel unpersuaded by Polanski's effort to marry Hardy's Dorset vision with his own fascination with psychosexual impulses toward survival, but the film is an often stunning thing to see, and Kinski's sensitive, intelligent performance lingers in the memory. --Tom Keogh
Mozart in Turkey is a feature-length 88-minute hybrid BBC co-production which interleaves making-of documentary footage (24 minutes) and filmed highlights (64 minutes) from Mozart's opera Die Entführung aus dem Serail ("The Abduction from the Seraglio"). Working to their pre-recorded performance of the complete opera conducted by leading Mozartian Sir Charles Mackerras with the Scottish Chamber Orchestra and Choir, we see the cast mime to playback key arias, duets and quartets from Mozart's gorgeous work. The story of a Spanish noble woman, Konstanze (soprano Yelda Kodalli), her English maid, Blonde (soprano Désirée Rancatore), fiancé, Belmonte (tenor Paul Groves) and his servant, Pedrillo (tenor Lynton Atkinson) in the Turkish Harem of Pasha Selim (Oliver Tobias in a speaking role) is beautifully filmed in the famous Topkapi Palace in Istanbul. The documentary sections offer a brief, rather superficial look at Mozart's writing of the opera and the ideas that influenced it and are expressed within the drama. The music-making is hardly to be faulted and the staging is ravishing. Unfortunately the whole seems like an over-length DVD extra that should accompany a complete film of the opera--the very thing that is mysteriously missing from this release. On the DVD Mozart in Turkey is presented anamorphically, enhanced at 16:9 for widescreen televisions, with a virtually flawless picture taken, presumably, from digital tape. If the programme is watched complete the sound is stereo only and the music sometimes sounds harsh. If music highlights are selected, sound is available in stereo or a much fuller and more rounded Dolby Digital 5.1. There are optional subtitles in English, German, Spanish, French and Dutch, but if any of these is selected it is imposed over the English-language documentary sections as well as the German-language opera scenes. When playing music highlights there are rather abrupt and unmusical fades in and out between scenes. The menu is awful, offering the option either to play all or select a given track, but not to play from a particular scene onwards. Switching subtitles on or off, or changing audio tracks, entails returning to the main menu then starting the programme afresh. There is no resume play facility and there are no extras. --Gary S Dalkin
This Time The Terror Comes From Below. A heart-stopping edge-of-your-seat thriller with a hot cast of rising stars 'Phantoms' is the latest from Master of Suspense Dean Koontz. Five lone survivors in a devastated town must face the unthinkable: a ferocious force of evil lying below the earth for centuries has surfaced with the power to destroy every human being! Left behind are two sisters the town sheriff his deputy and a noted tabloid journalist. You're in for a pulse-pounding experience as the survivors must race to stop this terrifying threat before it wipes mankind off the face of the earth!
Britten's opera recorded live at the Teatro Del Liceu in April 2004.
The complete third season of the quirky U.S. drama series created by 'American Beauty' writer Alan Ball. One of the most acclaimed shows on TV Six Feet Under takes a darkly comic look at a dysfunctional L.A. Family running an independent funeral home. This season thanks to the financial contributions of their mortician Frederico Fisher & Sons has become Fisher & Diaz and the Fisher family members face major adjustments as they open a new chapter in their professional and perso
The hit of the 1969-1970 season, Department S was an attempt on the part of television company ITC to create a "with-it" follow-up to the The Saint and Man in a Suitcase series which were starting to look staid by then. The department of the title is notionally part of Interpol, a group managed by the first of many black TV top cops (here Denis Albana Peters), and assigned all the bizarre cases The Avengers hadn't handled. Often they would come up against modern variations on the classic "locked-room" or "paradox" mysteries so favoured in crime fiction, mysteries which verge on the sort of phenomena The X Files would later specialise in (except no aliens appear in Department S). The supposed leads are Action-Man-type Stewart Sullivan (Joel Fabiani) and English-rose computer whiz Annabelle Hurst (Rosemary Nichols), but the break-out character is the flamboyant Jason King (Peter Wyngarde), a mystery writer and puzzle-solver notable for his Fu Manchu facial hair and an enormous wardrobe of safari suits, ruffled shirts, flared trousers and velvet jackets. King was the only male character on TV to be as fashion-conscious as the Avengers girls, and his preening peacock attitudes--along with the scripts' above-average mysteries--made this essential viewing for the Age of Aquarius. Volume One includes the following episodes: "Six Days", in which a missing airliner turns up but the passengers have no idea that they've lost six days, with Peter Bowles; and "The Trojan Tanker", in which a mystery woman is found in a luxury suite concealed inside an oil tanker, with Simon (Doomwatch) Oates. --Kim Newman
From Europe's grandmaster of gore Lucio Fulci comes one of his rarely seen genre masterpieces 'House Of Clocks'. Lucio Fulci is recognized the world over as the sultan of splatter and creator of countless Euro-horror classics. A gang of ruthless thugs intent on robbery prey upon a seemingly harmless elderly couple Vittorio and Sara. The simple plan turns into a terrifying nightmare as Vittorio's antique clock collection mysteriously turns back time. Now the hunters become the
The sunny streets of Brooklyn, just after World War II. A young would-be writer named Stingo (Peter MacNicol) shares a boarding house with beautiful Polish immigrant Sophie (Meryl Streep) and her tempestuous lover, Nathan (Kevin Kline); their friendship changes his life. This adaptation of the bestselling novel by William Styron is faithful to the point of being reverential, which is not always the right way to make a film come to life. But director Alan J. Pakula (All the President's Men) provides a steady, intelligent path into the harrowing story of Sophie, whose flashback memories of the horrors of a Nazi concentration camp form the backbone of the movie. Streep's exceptional performance--flawless Polish accent and all--won her an Oscar, and effectively raised the standard for American actresses of her generation. No less impressive is Kevin Kline, in his movie debut, capturing the mercurial moods of the dangerously attractive Nathan. The two worlds of Sophie's Choice, nostalgic Brooklyn and monstrous Europe, are beautifully captured by the gifted cinematographer Néstor Almendros, whose work was Oscar-nominated but didn't win. It should have. --Robert Horton, Amazon.com
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