Welcome to Holmfirth, a breathtakingly beautiful village in the heart of the Holme Valley, home to our favourite idiosyncratic retired gentlemen. As they amble about the countryside, these unlikely lads are now enjoying a mischievous second childhood, devising and executing a multitude of (grey) hare-brained schemes. Which is just what you'd expect from Britain's oldest, if not wisest adolescents, and their equally eccentric fellow townspeople. Helped by a supporting band of formidable wives, hen-pecked husbands, sexually-charged mistresses, inventors, pigeon fanciers and balding lotharios, our three heroes are never far from one adventure or another. It'll end in trouble especially when the formidable Nora Batty finds out. Collecting the first ten series of one of the BBC's most popular and enduring comedies, the Early Years box set features 75 episodes, including memorable classics such as Forked Lightning where Clegg (Peter Sallis) has several extremely embarrassing accidents on his bicycle and And Who's That Dancing With Nora Batty Then? Where Compo (Bill Owen) finally gets to dance with Nora Batty, which ends after he steps on her foot.
Who is stealing virgins and turning them into shop-window mannequins? What is the meaning of the gigantic hairy finger found at the scene of the latest crime? What clues can the mad professor (Kenneth Williams) or his deathly pale and impossibly buxom sister (Fenella Fielding) provide to the hopeless Detective Bung? (Harry H. Corbett) Join the Carry On team including Charles Hawtrey Bernard Bresslaw and Joan Sims as they chill your spine in this hair raising spoof of a horror movie. Special Features: Audio Commentary Trailer
Series 29 and 30 of Last of the Summer Wine, featuring series 29 and 30.
Welcome back to sleepy Holmfirth in the lovely quiet Yorkshire Dales - the ideal place to spend a lovely quiet birthday. So how will Clegg feel when the entire village dresses up to help him celebrate his? Indeed dressing up seems to be all the rage hereabouts. There's Nora for one gone all Victorian. There's Marina the blushing bride. There's Howard in uniform. And Barry the cowboy kid. Then there's Smiler who looking for love has only gone and found himself a gold-digger called Bessie. Who could possibly dig him out of this little hole? Step forward Clegg Holmfirth's financial adviser extraordinaire...
We return to the beautiful Yorkshire village of Holmfi rth where our famous trio of troublemakers has officially become a quartet. Spreading their usual chaos and mayhem wherever they go, Clegg, Truly, Alvin, and Billy are back for more mischief. Follow the boys as they meet a stranger planning to float to Ilkley on an inflatable swan, encounter a womanising flower arranger, and come up with a devilish plan to get rid of Clegg's unwelcome cousin, Aubrey. Clegg gets stuck in a tree while trying to prove a point, and Alvin trains to become an astronaut. All this and Nora Batty goes blonde.
Get ready for big laughs on the high seas as Adam Sandler plays Shecky Moskowitz a cruise ship waiter who has his eyes on becoming the ship's comedian. Shecky notices that the ship's comedian Dickie Diamond always gets the stunningly gorgeous beauty queens on board by being the funny man. Dickie doesn't want any competition and refuses to give Shecky a chance to perform on the ship as his warm up act. As fate would have it Dickie hat is blown overboard and he gets locked in the bathroom. With the comedian presumed lost at sea and the ship in need of a comedy act Shecky is given his big break at stand up. The big question is will he sink or swim? Shecky's antics rock the boat in this hilarious sea adventure that's jam packed with hysterical comic sketches and sexy fantasy sequences.
Devoted to his work but emotionally unfulfilled Bernie achieves his romantic dream when he meets and eventually marries beautiful divorcee Liz. Their new life together with her young daughter Jane is blissfully happy until Liz is fatally stricken with cancer soon after the birth of their son. Heartbroken Bernie and eight-year old Jane struggle to come to terms with their tragic loss. Suddenly out of the blue arrives Jane's natural father an ex-convict. He demands money in exchange for giving up custody of Jane and eventually kidnaps her and flees to Mexico. Angry and desperate Bernie tracks him down and brings the traumatised girl home where they must both try and rediscover the 'Fine Things' in life.
Norman Wisdom reprises his best-loved character, the comically inept Pitkin, in 1965's The Early Bird, ably supported once again by Edward Chapman in his final appearance as Mr Grimsdale. This time around Wisdom is the only milkman working for Grimsdale's Dairy, a small business threatened by a menacing large corporation in the shape of Consolidated Dairies and their electric milk floats. Grimsdale and Pitkin must evoke the Dunkirk spirit to save their family firm from the grasp of the faceless giant. Of course, the wafer-thin plot is the merest excuse for a series of calamitous set pieces in which Wisdom wreaks havoc in his trademark bumbling manner. The best bits involve a disastrous game of golf, the usual shenanigans with a fire hose and a virtuoso tour de force opening sequence as the household struggles to wake up in the morning, all set to Ron Goodwin's tongue-in-cheek music score. --Mark Walker In Press for Time Norman Wisdom offered his version of the crusading reporter movie, though by 1966 time was running out for Norman's style of big-screen comedy. Perhaps a sign of his growing frustration with the formulaic nature of his pictures was that he stretched himself to play not just his usual underdog hero, but also his own mother and his grandfather, the Prime Minister. Wisdom also cowrote the movie in which, as a reporter in a small seaside town, he causes chaos for the council, organises a beauty parade and dresses as a suffragette. Though now nearing the end of his years as a movie star, Wisdom shows himself to still be as polished as ever at his own brand of good-natured slapstick. --Gary S Dalkin
Norman Wisdom reprises his best-loved character, the comically inept Pitkin, in 1965's The Early Bird, ably supported once again by Edward Chapman in his final appearance as Mr Grimsdale. This time around Wisdom is the only milkman working for Grimsdale's Dairy, a small business threatened by a menacing large corporation in the shape of Consolidated Dairies and their electric milk floats. Grimsdale and Pitkin must evoke the Dunkirk spirit to save their family firm from the grasp of the faceless giant. Of course, the wafer-thin plot is the merest excuse for a series of calamitous set pieces in which Wisdom wreaks havoc in his trademark bumbling manner. The best bits involve a disastrous game of golf, the usual shenanigans with a fire hose and a virtuoso tour de force opening sequence as the household struggles to wake up in the morning. Wisdom's own brand of Jerry Lewis-inspired clowning, with mugging and pratfalls aplenty, is all good clean fun with little or none of the smutty innuendo that characterised the contemporary Carry On series. He carries this film, as he does all his others, solely on the strength of his winningly naïve charm: this is innocent comedy from the days before supermarkets really did wreck all the local businesses, not to mention from the days before The Godfather gave a whole new spin on the comedy value of going to bed with your horse. On the DVD: There are no extra features on this disc at all. Given Wisdom's household-name status and the longevity of these much-loved movies, this seems like a sadly missed opportunity. The 4:3 picture has not been digitally remastered and shows its age, as does the muddy mono soundtrack. Only Ron Goodwin's wonderfully tongue-in-cheek music score comes across reasonably well. --Mark Walker
Surprisingly light-hearted and witty, Paul Rudnick's Jeffrey (based on his off-Broadway play) was one of the first films to tackle the AIDS crisis without patting itself on the back or offering everything up in a sobering movie-of-the-week scenario. The titular Jeffrey (Steven Weber) is a happy-go-lucky gay man who suddenly comes face to face with the fact that AIDS has turned sex into something "radioactive". Paranoid in the extreme, he vows to become celibate--at just about the same time that hunky Steve (The Pretender's Michael T. Weiss) saunters into his life, eyes twinkling and hormones raging. The only problem is that Steve, for all his muscles and charm, is HIV-positive, thus setting Jeffrey's deepest fears into motion. When it was written in 1995, Jeffrey struck a nerve in mining the fear that a number of gay men felt during the height of the AIDS crisis. Even just a few years later, though, Jeffrey's paranoia (what, he's never heard of condoms?) seems dated, and his behaviour more self-damaging than self-aware--basically, he needs a slap upside the head as opposed to therapy. Still, Rudnick (who went on to pen the more mainstream In and Out) is never one to pass up a witty one-liner or an opportunity to poke fun at anyone, and Jeffrey now stands as a hilarious, sometimes poignant portrait of gay single life and the perils of dating in a paranoid time. Weber's Jeffrey is simultaneously open to the possibilities of life and fearful to embrace them, and Weiss is, well... gorgeous and funny and sexy beyond belief. Still, it's Patrick Stewart, as Jeffrey's interior decorator best friend, who effortlessly steals the film with his cutting wit; in his mouth, Rudnick's lines are priceless gems. With a host of amazing cameos, including Sigourney Weaver as a conceited New Age maven, Kathy Najimy as her sad-sack follower, Christine Baranski as a high-society hostess for a roundup-themed charity dinner, and a top-form Nathan Lane as a gay priest who seems to have discovered the meaning of life--literally. --Mark Englehart, Amazon.com
Modern-day auteurs of the cinematic world the Coen Brothers have built a reputation as one of the most visionary and idiosyncratic filmmakers of the late 20th century. Combining thoughtful eccentricity wry humour arch irony and often brutal violence the films of the Coen brothers have become synonymous with a style of filmmaking that pays tribute to classic American movie genres -- especially film noir -- while sustaining a firmly post-modern feel. For the first time ever all eleven of the Coen Brothers titles available in one box set which cover the first 20 years of their output Blood Simple (1984): A rich but jealous man hires a private investigator to kill his cheating wife and her new man. But when blood is involved nothing is simple. Raising Arizona (1987): When a childless couple of ex-con and an ex-cop decide to help themselves to one of another familys quintuplets their lives get more complicated than they anticipated. Miller's Crossing (1990): Tom Reagan an advisor to a Prohibition-era crime boss tries to keep the peace between warring mobs but gets caught in divided loyalties. Barton Fink (1991): In 1941 New York intellectual playwright Barton Fink comes to Hollywood to write a Wallace Beery wrestling picture. Staying in the eerie Hotel Earle Barton develops severe writers block. The Hudsucker Proxy (1994): A nave business graduate is installed as president of a manufacturing company as part of a stock scam. Fargo (1996): Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of pregnant Marge Gunderson. The Big Lebowski (1998): 'Dude' Lebowski mistaken for millionaire Lebowski seeks restitution for his ruined rug and enlists his bowling buddies to get help O Brother Where Art Thou? (2000): Set in 1930s Deep South three stumblebum convicts escape to go on a quest for treasure and meet various characters while learning where their real fortune lies. The Man Who Wasn't There: (2001) A laconic chain-smoking barber blackmails his wifes boss and lover for money to invest in dry cleaning but his plan goes terribly wrong. Intolerable Cruelty: (2003) A revenge-seeking gold digger marries a womanizing Beverley Hill lawyer with the intention of making a killing in the divorce. The Ladykillers: (2004) An eccentric if not charming Southern professor and his crew pose as a band in order to rob a casino all under the nose of his unsuspecting landlord: a sharp old woman.
Murder mystery and suspense are rife when the son of a Japanese billionaire and his beautiful wife arrive in a small town in Pennsylvania with plans to convert an old steel mill into a huge money-making amusement park. When he is found seriously wounded no-one's surprised. None more so than former steel worker Barry who confesses to the crime. But this is no open and shut case. As the police investigate a succession of intimate lies and hidden truths unfold that exposes a bitter love triangle and leaves the town's fate in the balance. What really happened? The answer lies deep in the 'Iron Maze'. A maze of emotional deception industrial destruction and small-town prejudice.
Murder mystery and suspense are rife when the son of Japanese billionaire and his beautiful wife arrive in small town Pennsylvania with plans to convert an old steel mill into a huge money-making amusement park. When he is found seriously wounded no-one's surprised. None more so than former steel worker Barry who confesses to the crime. But this is no open and shut case. As the police investigate a succession of intimate lies and hidden truths unfolds that exposes a bitter love triangle and leave's the town's fate in the balance. What really happened? The answer lies deep in the Iron Maze. A maze of emotional deception industrial destruction and small-town prejudice.
The continuation of the Upstairs Downstairs saga which follows the lives of the two servants Thomas and Sarah. Episodes included: The Vanishing Lady Made In Heaven Alma Mater Birds Of A Feather The Silver Ghost The Biters Bit and A Day At The Metropole.
The continuation of the Upstairs Downstairs saga which follows the lives of the two servants Thomas and Sarah. Episodes included: The Poor Young Widow Of Peckham There Is A Happy Land Return To Gethyn Putting On The Ritz The New Rich and Love Into Three Won't Go.
With a title like Chopper Chicks in Zombietown, you'd be excused from any great expectations here--but you'd also be missing out on one of trash-cinema's great pleasures: catching one of Hollywoood's A-list in their pre-fame days. In this case, the catch is Billy Bob Thornton, in a brief appearance as one of the Chopper Chicks' ex-husbands. It may be a guilty pleasure, but seeing this good 'ol boy playing dumb-as-a-doorknob long before Sling Blade (or A Simple Plan) and paying his dues is still, however strangely, gratifying. As for the film itself, Chopper Chicks is no Hell Comes to Frogtown, but it comes with all of the Troma hallmarks. The requisite beheadings and low-grade effects are all present and correct, along with the so-bad-it's-really-bad dialogue (except for the occasional so-bad-it's-good one-liner). The acting is wooden, the story negligible (cycle sluts come to town, kill zombies, save a schoolbus full of blind kids), and even the appearances by Thornton and original MTV (US) VJ Martha Quinn provide only occasional relief. The DVD extras include a photo gallery of screen-stills and the original trailer. --Randy Silver
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