The incredible, untold story of the British artist Penny Slinger and the traumatic events that led to the creation of her masterpiece, the 1977 photo-romance, An Exorcism. Coming of age against a backdrop of post-war austerity and the subsequent explosion of colour that characterised the 1960s counterculture, Slinger embraced her generation's quest for personal freedom and sexual liberation, and channelled these desires into her ground-breaking collages, sculptures, and films (including collaborations with Jane Arden and Peter Whitehead). So powerful was her vision that fifty years later her work is still influencing contemporary artists. Extras High Definition presentation Original stereo soundtrack Audio commentary with director Richard Kovitch (2020) Conversations in the Desert: Q&A with Penny Slinger (2019, 50 mins): the artist in conversation with writer and critic Chris Campion, recorded in Joshua Tree, California Return to Lilford Hall (2020, 5 mins): short film by Kovitch, detailing Slinger's return to the inspiration for An Exorcism following a fifty-year absence Lizzi Bougatsos + Kim Gordon x Penny Slinger (2019, 32 mins): live improvised musical performance against a backdrop of Slinger's early experimental 16mm films, recorded at Blum & Poe, Los Angeles An Exorcism: The Final Cut (1977/2020, 21 mins): video presentation of Slinger's much sought-after collection, presented in sequential order for the first time Theatrical trailer Live from Miskatonic trailer: promo for Slinger's 2019 appearance at the Miskatonic Institute, Los Angeles Optional English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet containing new writing on the film by Chris Campion, an interview with Penny Slinger by Richard Kovitch, analyses of Slinger's works by Alissa Clarke and Patricia Allmer, and film credits Limited edition of 3,000 copies
In this 12th-century version of Who's Afraid of Virginia Woolf?, Henry II of England (Peter O'Toole) and his wife, Eleanor of Aquitaine (Katharine Hepburn), meet on Christmas Eve to discuss the future of the throne. These two are having slight marital problems, as she is kept in captivity most of the year for raising a rebellion against him, and he flaunts his young mistress. Then there are the problems raised by their three treacherous and traitorous sons. James Goldman won an Oscar for the brilliant screenplay, based on his Broadway play. It is a tad wordy, as the action is kept to a minimum, but those words are sharp as daggers. The humour is wicked and black and delivered with very dry, dead-on precision. Sparks fly and the screen sizzles whenever Hepburn and O'Toole tango, which is often. Both were nominated for Academy Awards for their vigorous performances. (She won, he didn't.) There is also an infamous homoerotic exchange between Philip of France (Timothy Dalton) and Richard the Lionhearted (Anthony Hopkins). Both actors were making their feature film debuts. --Rochelle O'Gorman, Amazon.com
It is 1795 England and the lovely Catherine (Stephanie Beacham) arrives at the foreboding manor where she is to marry Sir Charles Fengriffen (Witchfinder General's Ian Ogilvy ). Almost immediately upon arrival Catherine is set upon by a series of strange hallucinations and visions involving a severed hand as well as a creepy eyeless ghost. Catherine's sanity to say nothing of her life is threatened as she tries to uncover the source of the supernatural happenings and a sudden pregnancy only adds to the mystery as she slowly begins to find out what dark secrets really exist at Fengriffen! Peter Cushing stars in the blood-curdling tale. As with just about anything he is in Cushing doesn't just carry the film he steals it! As the 18th-century psychiatrist Dr. Pope he serves as a sort of Sherlock Holmes-ish character investigating the claims of ghosts and struggles in vain to find a way to cure with reason what he perceives as Catherine's delusions. Beacham and Ogilvy give solid genre performances but when Cushing is on screen it is simply his film. Veteran heavy Herbert Lom (perhaps best remembered for his recurring role in the Pink Panther series as Peter Sellers's psychotic boss) is chilling in a flashback appearance. Gravelly voiced beatle-browed Patrick Magee makes the most of an underwritten role while Ian (The Saint) Ogilvy and Stephanie Beacham carry the film superbly as the tormented bride and groom.
A highly personal sequel to his previous year's Tonite Let's All Make Love in London, The Fall sees British director Peter Whitehead chronicling the turbulent, world-changing events taking place in America between the autumn of 1967 and the summer of 1968. Exploring the transition from the optimism of 'flower power' to a darker more violent mood, The Fall both fictionalises and questions Whitehead's own role as a documentary filmmaker. Capturing key events of the period from anti-war protests at the Pentagon and Columbia University to the assassination of Robert Kennedy the film also features writers Arthur Miller and Paul Auster, civil rights activist Stokely Carmichael, artist Robert Rauschenberg and actress Julie Bovasso, among others; the soundtrack features original music by The Nice and soul singer PP Arnold. Considered by Whitehead to be his most significant work, The Fall is presented here in a brand-new High Definition restoration from the original film elements.
When young David Balfour arrives at his uncle's bleak Scottish house to claim his inheritance his relative first tries to murder him and then has him shipped off to be sold as a slave in the colonies. Fortunately for David he strikes up a friendship with Alan Breck (Michael Caine) and together they manage to escape. On arriving back in Scotland they set out for Edinburgh dodging the ruthless Redcoats to claim David's rightful inheritance...
A highly personal sequel to his previous year's Tonite Let's All Make Love in London, The Fall sees British director Peter Whitehead chronicling the turbulent, world-changing events taking place in America between the autumn of 1967 and the summer of 1968. Exploring the transition from the optimism of 'flower power' to a darker more violent mood, The Fall both fictionalises and questions Whitehead's own role as a documentary filmmaker. Capturing key events of the period from anti-war protests at the Pentagon and Columbia University to the assassination of Robert Kennedy the film also features writers Arthur Miller and Paul Auster, civil rights activist Stokely Carmichael, artist Robert Rauschenberg and actress Julie Bovasso, among others; the soundtrack features original music by The Nice and soul singer PP Arnold. Considered by Whitehead to be his most significant work, The Fall is presented here in a brand-new High Definition restoration from the original film elements.
The Parent Trap: (Dir. Nancy Meyers) (1998): Hallie is a cool girl from California. Annie is a fair rose from London. When the two accidentally meet at a summer camp they think they have nothing in common except they're identical twins (Lindsay Lohan). Now they're up to their freckles in schemes and dreams to switch places get their parents (Dennis Quaid and Natasha Richardson) back together and have the family they've wished for! Summer Magic: (Dir. James Neilson) (1963): When a close-knit Boston family loses their fortune they find a wealth of family secrets young love and charming summer nights in Beulah Maine. A good-natured postmaster pretentious cousin Julia and the mysterious absentee landlord Mr. Hamilton populate their new life in a charming old yellow house. Featuring an all-star supporting cast including Burl Ives Dorothy McGuire and Deborah Walley this classic and wondrous tale will delight the entire family and belongs in every Disney collection.
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