Stephen Fry's directorial debut about the young, wild, party-loving creatures of the 1930s. Sex, scandal, celebrity... Some things never change...
Matt Lucas and David Walliams reprise their roster of characters in the Christmas specials from 2006. Andy wins a trip to Disneyland but manages to recreate the opening episode of Lost Daffyd visits Myfanwy on Mykonos where she is opening a gay bar and Vicky stands trial in Thailand with her mother played by Dawn French.
British cinema icon Stanley Baker, cult favourite actor Peter Cushing and controversial actor/director Mai Zetterling feature among an impressive line-up for this British espionage thriller set in post-War Europe. The Man Who Finally Died is presented here in a brand-new transfer from the original film elements. In London, jazz musician Joe Newman receives a startling telephone call: the caller is his German father, believed to have been killed in action twenty years ago! At the same time, a ...
Whew. Linda Fiorentino is like a home-grown apocalyptic nightmare as the sizzling, sexy dame who thinks "sharing" is a dirty word. Fiorentino, a master of the double-cross, hooks up with naive Peter Berg, a nice guy desperate for a little adventure. There are endless twists to this cleverly vicious story, but the real draw is Fiorentino, whose performance is brilliant. She is the Everywoman you never want to meet: cool as ice, passionate, tough, self-satisfied, smart, and amoral. Bill Pullman is a surprise as a Machiavellian doctor who is almost her match. Definitely not a date flick, as this represents one vicious battle in the sexual wars. --Rochelle O'Gorman
The Old Curiosity Shop
Dr Dolittle (Dir. Betty Thomas 1998): Treat yourself to a healthy dose of Eddie Murphy's untamed animal magnetism in the smash hit comedy that'll make you roar howl and hoot with laughter! A successful physician and devoted family man John Dolittle (Murphy) seems to have the world by the tail until a long-suppressed talent he possessed as a child - the ability to communicate with animals - is suddenly reawakened... with a vengeance! Now every creature within squawking distance wants the good doctor's advice unleashing an outrageous chain of events that turns his world upside down! Dr Dolittle 2 (Dir. Steve Carr 2001): Eddie Murphy returns as the doctor who has now garnered some measure of fame for his communication abilities at least among the animal kingdom. Dolittle is also dealing with his rebellious teenage daughter (Raven Symone). But he drops everything when he's summoned by The Beaver the Godfather figure of the local forest to help the animals preserve their home by stopping an overly aggressive lumber company. To save the forest Dolittle has to take a trained performing bear (also an endangered species who is endearingly voiced by Steve Zahn)--and introduce him to the wild to find a mate. Dr Dolittle 3 (Dir. Rich Thorne 2006): Lisa Dolittle sends her daughter to 'Durango' a Dude Ranch to find herself. While there she must use her talent to talk to the animals in order to save Durango from being taken over by an unscrupulous neighbouring ranch... Dr Dolittle (Dir. Craig Shapiro 2008): Just like her father Maya Dolittle has the amazing ability to talk to animals and together with her loyal dog pal Lucky she must go on a heartwarming adventure of presidential proportions! Maya's dream of going to vet school is put on hold when she gets a call from the president of the United States. It seems the First Dog is out of control and the president needs Maya's help. Now it's up to Maya and Lucky to stop a canine catastrophe from becoming a major national crisis!
Edgar Allan Poe meets the Brothers Grimm in film-director Werner Herzog's probing vision of Wagner's romantic opera. Under the sensitive baton of Peter Schneider, Canadian tenor Paul Frey sings a lyrical Lohengrin, matched by Cheryl Studer's luminous, spellbound Elsa.
Shoebox Zoo fuses classic drama with state of the art CGI animation by taking viewers on a magical adventure in search of the alchemist's Book of Forbidden Knowledge lost a millennium ago in the borders of Scotland. It's the worst birthday of Marnie McBride's life. She half-heartedly blows out the 11 candles on her birthday cake and makes a wish. What she wants more than anything is for her Mom to come back. She's 11 years old today and she's never felt so lost and alone... Marni
Gay has rarely been so glamorous as in the American version of Queer as Folk. But the show's success rests on more than hard bodies and glossy, picture-perfect sex (though there's an abundance of that); this series gave its characters a multidimensional richness that rivals more high-profile programs like Six Feet Under or The Sopranos, while tackling an impressive breadth of social and political issues without ever (well, almost never) feeling preachy. Most TV series would take a topic like this last legal wrangle and stretch it over an entire season, but Queer as Folk is more ambitious. The writers recognise that the resolution of one problem is rarely the end of the story, that muddy consequences can be as dramatically compelling as head-to-head conflict. This aggressive and effective plotting, combined with the show's willingness to explore the complexities of every issue--be it assimilation or the coming out of a celebrity--results in an increasing emotional power as the series steamrolls towards its final episode. Some subplots can be silly (Brian has a ridiculous stud-off with a new hot guy in town), the dialogue can sometimes veer from wit to camp cliches, and the omnipresence of sculpted, muscular physiques is absurd and even a little alienating for some viewers, but Queer as Folk's strengths--the compassion and intelligence of the writers, the commitment and nuance of the acting--make this show a true television landmark and a pleasure to watch. And then, of course, there's all that graphic and lovingly photographed sex. --Bret Fetzer
A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can. Jane AustenCatherine Morland arrives in Bath bursting with freshness, integrity and a passion for Macabre Gothic Novels.When the romantic Henry Tilney invites her to his ancestral home, Northanger Abbey, a dark mystery starts to unfold that makes her blood run cold. Are her fantasies coming true? What does the sinister General Tilney want from her and will the truth destroy her chance of love?Lacking beauty and possessing no outstanding talents to recommend her, Catherine's endearing quality is her undoubted sincerity.
Someone to Watch Over Me is a stylish, smart film noir directed by Ridley Scott (Blade Runner). The movie stars Tom Berenger as a New York cop and family man who falls for the rich and beautiful witness (Mimi Rogers) he's assigned to protect. Scott, who always displays a distinctive eye for extraordinary art direction, does something here he should be doing a lot more often: directing contemporary noir. Berenger and Rogers rise to the occasion, seemingly aware that they're making something special. --Tom Keogh, Amazon.com
In 1957's The Naked Truth Terry Thomas plays a dodgy peer of the realm being blackmailed in the company of Peter Sellers, Peggy Mount and Shirley Eaton by a gutter press journalist, Dennis Price ("Don't try to appeal to my better nature, because I haven't one"). One fascinating element in this picture is the portrayal of those relationships that could be only suggested in a period of tighter censorship, such as Peter Sellers' TV personality and Kenneth Griffith as his dresser, whose gay relationship is only faintly etched in here. More overt is the characterisation of a masculine looking authoress, known only by her initials, but sporting Agatha Christie's hairdo. The moments of slapstick are brought off to a tee, as when the larger-than-life Peggy Mount attempts a suicide drop from her window to be saved by an awning on a shop front. On the DVD: The Naked Truth comes to DVD in 4:3 ratio and with a mono soundtrack. The only extra feature is a trailer. More TT tomfoolery can be found in the three-disc Terry Thomas Collection. --Adrian Edwards
1. Jobs For The BoysChrissie assembles an unofficial building gang but their moonlighting is being watched by the Department of Employment's investigators. A raid by the fraud squad leads to tragedy2. MoonlighterDixie father of four and once the proud foreman is working illicitly on the docks when he discovers happenings that he'd rather not see. Meanwhile after threats from the Department of Employment his wife Freda is too scared to open the door.3. Shop Thy NeighbourChrissie's dole money has been stopped pending the enquiry into the 'moonlighting' affair. With no food in the cupboard the scene is set for a showdown with his wife Angie - this after all was going to be her time4. Yosser's StoryOnce Yosser dreamt of making it big. Now his manic search for work alternates with fruitless efforts to avoid eviction and keep his three children from being taken into care.5. George's Last RideA lifetime of adversity has left George's beliefs unbroken. When the end comes Chrissie discovers a legacy and finds that something must be said.
Comedy duo Eric and Ernie become involved in the plots and counter-plots of international jewel thieves whilst trying to enjoy a quiet holiday on the Cote d'Azur...
Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial best-seller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism, and Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by satanic disfiguration. One of the most frightening films ever made, The Exorcist was mysteriously plagued by troubles during production, and the years have not diminished its capacity to disturb even the most stoical viewers. --Jeff Shannon
When the famous Pink Panther diamond goes missing the bumbling Inspector Clouseau goes on the trail of notorious jewel thief The Phantom but looks everywhere except in the right place!
An Ingrid Bergman double-bill comes to DVD with the classy pairing of Anastasia (1956) and The Inn of the Sixth Happiness (1958). In Anastasia Bergman gives one of her memorable, haunting and haunted performances as an amnesiac chosen by a White Russian general (Yul Brynner) in 1928 to play the part of the long-rumoured but missing survivor of the Bolsheviks' murderous attack on the Czar's family. The twist is that Bergman's mystery woman seems to know more about the lost Anastasia than she is told. Based on the play by Marcelle Maurette and Guy Bolton, this film--directed by Anatole Litvak (Out of the Fog)--really does get under one's skin, not least of all because of its intriguing story but more so as a result of the strong chemistry between Bergman and Brynner. --Tom Keogh The Inn of the Sixth Happiness is an epic and extraordinary true story--or, at least, an extraordinary story based on a novel (Alan Burgess's The Small Woman) based on a true story. Gladys Aylward (an improbably mesmerising Ingrid Bergman) is a British would-be missionary with an obsession about China. As she has no experience, the Missionary Society won't let her go, but she goes anyway, alone, to a remote northern province. She is hated, then loved; finally she becomes both a significant political figure and the heroine of a miraculous escape in which she shepherds 100 children to safety across the mountains just ahead of a Japanese invasion. Curt Jurgens is suitably stony as Lin Nan, the half-Dutch, half-Chinese military officer who falls in love with her, and a visibly ailing Robert Donat (who died before this, his final film, was released) is the wily local mandarin who sees and makes use of her extraordinary abilities. Directed by Mark Robson, The Inn of the Sixth Happiness is a sweeping, stirring tear-jerker, a big tale told in a big landscape with acres of orchestrated strings by Malcolm Arnold. It's a beautiful and beautifully made film that's a classic of the "everyone said I couldn't but I did it anyway" genre.--Richard Farr
To deal or not to deal: that is the question. Pusher is the story of Frank a small time drug pusher playing with the big boys. He loves the job the life and most of all the money. When a deal goes wrong Frank has 18 hours to come up with the cash or go on the run in fear of his life.
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