The Big Lebowski, a casually amusing follow-up from the prolifically inventive Coen brothers (Ethan and Joel), seems like a bit of a lark and the result was a box-office disappointment. It's lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hair-netted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. --Jeff Shannon
""Sometimes there's a man well he's the man for his time and place. He fits right in there. And that's the Dude. The Dude from Los Angeles. And even if he's a lazy man - and the Dude was most certainly that. Quite possibly the laziest in all of Los Angeles County which would place him high in the runnin' for laziest worldwide. Sometimes there's a man sometimes there's a man. Well I lost my train of thought here. But... aw hell. I've done introduced it enough."" - The Str
From the Academy Award®-winning° Coen brothers, The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named The Dude. Jeff The Dude Lebowski doesn't want any drama in his life heck, he can't even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude in the #1 cult film of all time! (The Boston Globe)
From the outset, Star Trek: Deep Space Nine was about conflict. Producers Rick Berman and Michael Piller challenged the utopian ideals of Gene Roddenberry's Star Trek universe to create something totally different from its predecessors. That meant no familial camaraderie, squeaky-clean Federation diplomacy, or beige décor. Instead they wanted interpersonal friction, ruthless enemies (Gamma Quadrant Imperialists--The Dominion) and rebellion at every turn. The DS9 concept was originally facilitated by introducing the Cardassian/Bajoran war during The Next Generation's final days. After a muted first reception fans gradually came to accept the new look, but no one liked Star Trek without a starship and eventually the producers capitulated to viewers' wishes by introducing the USS Defiant (an apt name) in Season 3. Relying far less on technobabble than TNG, DS9 was unafraid to focus on matters of the spirit instead, demonstrating a ballsy independence from its parent shows. Taking up the gauntlet thrown down by Babylon 5, improved CGI space battles also became a fan favourite. Throughout the increasingly serialised story arc there were rebellious factions within the different establishments: Kira had belonged to the Shakaar resistance cell; the Maquis was Starfleet vs Cardassians; section 31 was a secret Starfleet group; the True Way was a Bajoran group opposed to peace; the Cardassians had their Obsidian Order and the Romulans their Gestapo-like Tal Shiar. Yet for all its constant bickering and espionage (even Bashir got to be James Bond), there was always some contemporary social commentary lurking: the Ferengi were used as a comedic foil to frown on materialistic greed; drugs were looked at via the Jem'Hadar foot soldiers' addiction to Ketracel White. Perhaps Sisko summed up the real heart of things: "Bajor doesn't need a man, it needs a legend". A future vision that retains a place for religion and spirituality turned out to be Deep Space Nine's first best destiny. --Paul Tonks
Michael Caine stars as Graham Marshall a career-minded business-man passed over for promotion by a younger man. In anger he discovers that he has the power to kill any person who gets in his way....
The Big Lebowski (Dir. Joel Coen 1998): 'The Dude' Jeff Lebowski (Jeff Bridges) is unemployed and as laid-back as they come. That is until he becomes a victim of mistaken identity when two thugs break into his apartment with the errant belief that they're strong-arming Jeff Lebowski - the Pasadena millionaire. In the hope of getting a replacement for his soiled carpet 'the Dude' pays a visit to his wealthy namesake... It's not long before 'The Dude' and his psychopathic buddy Walter Sobchak (John Goodman) are drawn into a labyrinthine plot of extortion embezzlement sex dope German Nihilists White Russians mysterious cowboys Shomer Shabbos bowling and severed toes... Envisaged as a homage to the musicals of Busby Berkley Robert Altman's The Long Goodbye (adapted from Raymond Chandler's novel) and the ritual of bowling The Big Lebowski has developed a massive cult-following with its hilarious dialogue and quirky characters. Apparently the script was written with Jeff Bridges John Goodman and Sam Elliott in mind... Jeff Bridges even went as far as to say he could have turned out like 'The Dude' had he not been born into the movie business... Sounds good to us man! The Moguls (Dir. Michael Traeger 2005): In a nothing bar in a small nowhere industrial town sits Andy - a nice guy down on his luck. Jobs have come and gone. Crazy moneymaking enterprises have crumbled to dust. His ex-wife has married a rich guy who can buy his only son all the things that Andy can't afford. All Andy's got is a bunch of loving loser friends and a desire to do something to change his destiny. Staring morosely at the small ads in the town paper it comes to him in a flash - he'll make a porno film - with his friends!
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