Napoleonic forces are sweeping across Europe and Spain is on the brink of falling to the mighty invasion. Standing alone against the onslaught is one brave fighter and his ragtag band of guerillas. Seizing a gigantic cannon Spanish fighter Miguel (Sinatra) plans to attack Napoleon's army by battering the walls of French-occupied Avila. But because he's untrained in complex weaponry he must rely on the expertise of Captain Trumbell (Grant) a British naval officer. Allies on the
Hailed by critics and fans alike as one of the greatest films ever made, Citizen Kane continues to influence filmmakers and astound viewers 80 years later. Nominated for nine 1941 Academy Awards, with a win for Best Original Screenplay, Orson Welles' controversial masterpiece uses innovative flashbacks and ground-breaking cinematography to follow the epic rise and fall of wealthy newspaper magnate. For any fan of films, this is an essential viewing experience. 4k Ultra HD Collector's Edition Includes: Feature Film on 4k and Blu-ray 48-Page Book 20-Page Souvenir Programme Reprint of Press Release Excerpts Two-Sided Poster 5 Collectable Art Cards 3 Photo Stills Special Features on Blu-ray: Separate Commentaries by Roger Ebert and Peter Bogdanovich Interviews with Ruth Warrick and Robert Wise Opening: World Premiere of Citizen Kane Still Photography with Commentary by Roger Ebert and More
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
In May of 1941 RKO Radio Pictures released a controversial film by a 25-year-old first-time director. That premier of Orson Welles' Citizen Kane was to have a profound and lasting effect of the art of motion pictures. It has been hailed as the best American film ever made and it's as powerful a film today as it was fifty years ago. It earned eight Academy Award nominations and won the Oscar for Best Screenplay. Through its unique jigsaw-puzzle storyline inventive cinemato
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
Please wait. Loading...
This site uses cookies.
More details in our privacy policy