Au Revoir Les Enfants tells a heartbreaking story of friendship and devastating loss between two boys living in Nazi-occupied France. At a provincial Catholic boarding school the precocious youths enjoy true camaraderie-until a secret is revealed. Based on events from writer-director Malle's own childhood the film is a subtle precisely observed tale of courage cowardice and tragic awakening.
White is the second of witty Polish director Krzysztof Kieslowki's "three colours" trilogy Blue, White, and Red--the three colours of the French flag, symbolising liberty, equality and fraternity. White is an ironic comedy brimming over with the hard laughs of despair, ecstasy, ambition and longing played in a minor key. Down-and-out Polish immigrant Karol Karol is desperate to get out of France. He's obsessed with his French soon-to-be ex-wife (Before Sunrise's Julie Delpy), his French bank account is frozen, and he's fed up with the inequality of it all. Penniless, he convinces a fellow Pole to smuggle him home in a suitcase--which then gets stolen from the airport. The unhappy thieves beat him and dump him in a snowy rock pit. Things can only get better, right? The story evolves into a wickedly funny anti-romance, an inverse Romeo and Juliet. Because it's in two foreign languages, the dialogue can be occasionally hard to follow, but some of the most genuinely funny and touching moments need no verbal explanation. --Grant Balfour
Bernard Coudray has a beautiful family and is happy with his life. That is until Philippe and Mathilde Bauchard move into the house next door. Bernard and Mathilde know each other they were once passionately in love but went their separate ways. Once reunited the pair starts a fervent but turbulent affair.
Master filmmaker Bernardo Bertolucci applies his considerable talent to this haunting adaptation of the Paul Bowles novel. John Malkovich and Debra Winger play Port and Kit Moresby, characters loosely based on Bowles and his wife Jane, who flee New York for North Africa, where they hope to find mystical truths that will reignite the spark of their marriage. But instead they lose their moral bearings (with help from a friend, played by Campbell Scott, who has an affair with Kit) while travelling deeper and deeper into the Sahara. Before long, what started as a vacation at exotic lodgings has descended into a tour of hell, as they stumble farther and farther into an unknowable spiritual territory. Though long and at times slow-moving, The Sheltering Sky features marvellously nuanced acting by Malkovich and Winger and visionary filmmaking that makes the landscape at once picturesque and threatening. --Marshall Fine
Director Jean-Paul Rappeneau and cowriter Jean-Claude Carriere had the brilliant idea of casting France's most lovably vulnerable hunk, the massive Gerard Depardieu, in one of French literature's meatiest roles: the sword-wielding poet Cyrano. Equipped with a massive nose and a heart to match, Depardieu soars as the heart-broken soldier who must lendhis words of love to another man to woo the woman he yearns for. Rappeneau spared no expense in taking this Edmond Rostand play into realistic locations for the battle scenes in the second act, making the film as exciting as it is romantic and funny. Depardieu attacks the role in great gulps, consuming all the oxygen in any room he enters. Macho but sensitive, he creates a larger-than-life Cyrano, whose wrenching sadness at the lack of interest from his lady love will have you reaching for the tissues. --Marshall Fine
Bertrand Tavernier directs this epic film set in 1942 Paris during the country's occupation by Germany. The French film industry during that period is the focus of the story told from the point of view of two characters: an actor and a director.
Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers that Marie-Christine Vercel, Julien's wife, was Massoulier's mistress, Julien is very suspected. But his secretary Barbara Becker, while not quite convinced he is innocent, defends him and leads her private investigations. The last film that François Truffaut ever made is an inspired dip into fresh territory for the legendary auteur as he takes on classic film noir with, at once, humorous and nail-biting effect. Read more at http://www.curzonartificialeye.com/finally-sunday/#0iPM6G7PWGzJmOo8.99
Based on Emily Bronte's classic 19th-century novel Wuthering Heights this beautiful sensual film tells the story of the tormented love affair between two childhood sweethearts Catherine a headstrong young woman and Roc a fiery young gypsy. The groundbreaking French director Jacques Rivette sets one of literature's greatest love stories in the French countryside of the 1930s.
Julien Vercel an estate agent is suspected of murdering his wife's lover. All clues point to him especially when his wife is also found dead. As Vercel is hidden in his office Barbara Becker his secretary investigates these suspicious murders. With her help the true identity of the killer is uncovered.
Film detailing the Nazi occupation of France during WWII and a catholic boarding school's mission to protect Jewish children. Based on the director's own experiences during the period the film tells the story of a bright young French boy who shares a room with a new arrival who is hiding from German soldiers
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