Based on the childhood memoirs of Marcel Pagnol, author of Jean de Florette and Manon des Sources, Yves Robert's La Gloire de Mon Pre and its sequel Le Chteau de Ma Mre are two of the most loved and successful French films ever made.An adult Marcel nostalgically recalls idyllic retreats with his family to the hills of Provence. A love affair with the country began and during those perfect days he found new respect for his school-teacher father as he adapted to life away from the city, while the long journey there would soon bring its own adventures.Together these timeless classics stand as one of cinema's greatest celebrations of childhood, filled with warmth, love and a poignant nostalgia for bygone days they continue to captivate audiences.
A monastery perched in the mountains of North Africa in the 1990s. Eight French Christian monks live in harmony with their Muslim brothers. When a crew of foreign workers is massacred by an Islamic fundamentalist group fear sweeps though the region. The army offers them protection but the monks refuse. Should they leave? Despite the growing menace in their midst they slowly realize that they have no choice but to stay... come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria from 1993 until their kidnapping in 1996.
The authorities are closing in and life in District 13 is growing more uncertain. But for Damien and Leito, the real games are about to begin in "Ultimatum" - a free running epic of an action film!
Master filmmaker Bernardo Bertolucci applies his considerable talent to this haunting adaptation of the Paul Bowles novel. John Malkovich and Debra Winger play Port and Kit Moresby, characters loosely based on Bowles and his wife Jane, who flee New York for North Africa, where they hope to find mystical truths that will reignite the spark of their marriage. But instead they lose their moral bearings (with help from a friend, played by Campbell Scott, who has an affair with Kit) while travelling deeper and deeper into the Sahara. Before long, what started as a vacation at exotic lodgings has descended into a tour of hell, as they stumble farther and farther into an unknowable spiritual territory. Though long and at times slow-moving, The Sheltering Sky features marvellously nuanced acting by Malkovich and Winger and visionary filmmaking that makes the landscape at once picturesque and threatening. --Marshall Fine
Paying homage to Buster Keaton and Jacques Tati, this highly original and surreal comedy set in a colourful world, magically blends theatre, dance, mime and dialogue and will appeal to all film fans seeking out something different this summer.
Max the romantic protagonist is planning a marriage investigating a murder chasing after a lost love and getting bizarrely hooked up with a mystery girl. Switching between time women chic cafes and beautiful Parisian apartments Mimouni's film makes the most of its deliriously romantic setting whilst effortlessly unravelling an intricate and unpredictable plot which playfully ties its lovelorn characters up in knots as it races along to a heady conclusion.
District 13: It's 2013 and Parisian ghetto District 13 has become so dangerous the authorities have walled it in and left its inhabitants to rot. But when a neutron weapon is stolen by a ghetto gangmember enter super-cop Damien (Cyril Raffaelli) and wrongly-imprisoned ghetto-dweller Leito (David Belle). They're both hard-as-nails and experts in Le Parkour an extreme sport involving wall scaling roof-running and building-to-building leaping... District 13 Ultimatum: Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses before the city's secret services take drastic measures to solve the problem.
This film dramatizes the last years of a political leadership and a private life: that of Francois Mitterrand.
Acclaimed director Stephen Frears returns with a thriller set in the London of illegal immigrants, with "Amelie" star Audrey Tautou.
Explorer Paul Rose leads a team of ocean experts in a series of global science expeditions. With him maritime archaeologist Dr Lucy Blue investigates our past and our relationship with the sea exploring shipwrecks and lost civilisations; marine biologist and Oceanographer Tooni Mahto seeks the extraordinary life in our oceans today; and environmentalist Philippe Cousteau Jr looks to the future of our oceans and charts the way they're changing. Filmed in High Definition in some of the most beautiful diverse and threatened seas on our planet the team travels across the world to the Southern Ocean the Atlantic the Indian Ocean the Red Sea the Sea of Cortez the Arctic Ocean and the Mediterranean to dive the depths of the world's seas and oceans. The planet's seas are changing fast and Oceans builds up a timely global picture of our planet's most magnificent and vital asset.
At the age of 12 Antoine's life is dominated by twin passions dancing to Arabic music and getting his hair cut by the voluptuous middle-aged local hairdresser who inadvertently provides him with his first experience of the opposite sex. Antoine reaches middle age with his passion undiminished: upon meeting shy hairdresser Mathilde he is so taken by her that he proposes marriage. She accepts and he moves into her salon where they pursue their romance with an intensity that blind
Murphy's Way
An explosive love story of two women who lead a reclusive professor (Lancaster) into a complex web of sexual intrigue...
The "widow" referred to in the title of La Veuve de Saint-Pierre isn't a woman, but a mechanism--to be exact, the guillotine, (though the title does take on a second meaning in the tragic final moments of the film). We're on the island of Saint-Pierre, a tiny forgotten French colony off the coast of Newfoundland, midway through the 19th century. A senseless drunken murder is committed and the killer is condemned to death, but zut alors!, there's no guillotine on the island. So one must be requested from the slow, bureaucratic authorities in Paris and, once approved, laboriously shipped over. Meanwhile the killer, a simple-minded giant of a man, is placed in the custody of the Captain, whose beautiful wife starts taking an interest in the prisoner. Director Patrice Leconte has always had an acute feel for place and period--he directed the mordantly witty costume drama Ridicule--and La Veuve vividly captures the sense of remoteness and resentful isolation of this blizzard-swept community. The brooding landscape, all slate-blues and greys, is beautifully framed by Eduardo Serra's camera, and Leconte draws affecting performances from his central trio of actors: Daniel Auteuil, with his intriguingly lopsided face, as the Captain; Juliette Binoche, radiantly vulnerable as his wife; and, in an unexpected but remarkably successful bit of casting, Serbian film director Emir Kusturica as the condemned man. La Veuve de Saint-Pierre may be a touch over-solemn at times, and its message is hardly unexpected; but it's an intelligent, engrossing and richly atmospheric piece of filmmaking. --Philip Kemp
The world sometimes seems divided into two camps: those who recall their teenage years as having been an exhilarating dream and those who remember them as having been an infernal nightmarish hell. With all this in mind it might do to describe Passe Ton Bac D'Abord as Maurice Pialat's The Best Years Of Our Lives while bearing in mind all that such a description might suggest. It's an elastic unsparing portrait of teenage life in the suburbs of France from an era when the phrase sixteen candles still might have conjured the image of flames. A group of young actors including several local unknowns - Philippe Marlaud Bernard Tronczyk Patrick Lepczynski and Sabine Haudepin (once the little girl of Truffaut's Jules et Jim) among others - make up the cluster of friends adrift beneath the twilight of their school years. There's drama violence and pot-induced laughs - group holidays indiscriminate sex advances from teachers twenty-five years their seniors attempted moves to Paris and few prospects of passing the bac the final set of exams French students take before embarking into the world to... do what? Marking the last work of Pialat's turbulent cycle of films made in the 1970s Passe Ton Bac D'abord... is the brilliant spiritual sequel to the great filmmaker's feature-debut L'Enfance-nue - picked up again from a vantage ten years on from the lives of the earlier film's protagonists.
Grard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut - ironic, funny, unsparing - is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of the Chabrol touch. In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish Franois (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues. From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema - frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio New and improved English subtitles Original theatrical trailer A 56-minute documentary about the making of the film L'Avarice [Avarice], Chabrol's 1962 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more
Available for the first time on DVD!!! A man remembers an idyllic summer in 1958 spent on the shores of Lake Geneva in avoiding participation in the Algerian conflict during which he encountered the beguiling Yvonne and her friend Dr. Meinthe. On their first encounter he was drawn to her and they seemed destined to be together however the sun filled days of social gatherings and passionate assignations would be all too fleeting. Patrice Leconte's erotic masterpiece is available f
Grard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut - ironic, funny, unsparing - is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of the Chabrol touch. In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish Franois (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues. From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema - frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p on the Blu-ray New and improved English subtitles Original theatrical trailer A 56-minute documentary about the making of the film L'Avarice [Avarice], Chabrol's 1962 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more
A milestone film from 1971 and winner of five Academy Awards including Best Picture, Best Director and Best Actor, The French Connection transformed the crime thriller with its gritty, authentic story about New York City police detectives on the trail of a large shipment of heroin. Based on an actual police case and the illustrious career of New York cop Eddie Egan, the film stars Gene Hackman as Jimmy "Popeye" Doyle, whose unorthodox methods of crime fighting are anything but diplomatic. With his partner (Roy Scheider), Popeye investigates the international shipment of heroin masterminded by the suave Frenchman (Fernando Rey) who eludes Popeye throughout an escalating series of pursuits. The obsessive tension of Doyle's investigation reaches peak intensity during the film's breathtaking car chase, in which Doyle races under New York's elevated train tracks in a borrowed sedan--a sequence that earned an Oscar for editing and was instantly hailed as one of the greatest chase scenes ever filmed. Produced on location, The French Connection had an immediate influence on dozens of movies and TV shows to follow, virtually redefining the crime thriller with its combination of brutal realism and high-octane craftsmanship. Boosted by the film's phenomenal success, director William Friedkin took his attention towards redefining the horror genre with his next film The Exorcist.--Jeff Shannon, Amazon.com Following on from the original four years later, French Connection II takes "Popeye" Doyle to Marsailles to hunt down Alain Charnier, the "daddy" of the smuggling ring. Gene Hackman returns to revive his role as Doyle the brutal and uncompromising narcotics detective, and turns in an equally hard hitting performance to that offered in the original.
After witnessing the death of her parents at the hands of the Nazis a young Jewish girl tries to survive by taking shelter from an old friend. The gestapo soon track her down and she is forced to flee once more to the support of a childhood vacation friend who passes her off as an employee of the family business. However the girls presence soon gets her protectors into trouble themselves.
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