Where the rubber meets the road and the bad guys meet the badge - that's where you'll find California Highway Patrol motorcycle officers Jon (Larry Wilcox) and Ponch (Erik Estrada). Set in the sun-drenched sprawl of Los Angeles CHiPs combines action heroics and fun in 22 Season One episodes whose event-packed storylines range from freeway gridlock (let's use a circus elephant to tow that broken axled-truck!) to wild roadway pursuits (who's that beautiful woman lead-footing a Rolls
When three fugitives fresh off a casino heist stop for gas at the Six Corners Cafe in Death Valley they encounter an unexpectedly hostile breakfast crowd. Gunshots erupt. An explosion destroys the gas station. As the fire burns down people are missing. Only six seem to have survived - a sheriff and his son two of the criminals a female doctor and a young waitress. It's a volatile and eclectic combination of survivors - the Godd the Bad and the Cute. The fire department never arrives. The highway is deserted. No one comes to help. No one living that is. The survivors discover they are trapped in an in between world in a supernatural plane between night and day light and dark the living and the dead. And they are not alone. Horribly mutilated dead people mysteriously appear and warn of an inescapable killer - an evil trailing a sickening force of decay and rot. In order to see another day the survivors must unite set their differences aside and combine their skills and resources to fight off the source of these deaths - the soul collecting terrifying killing machine known as the Reeker.
Star TrekJ.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg). The action and visuals make for a spectacular big-screen movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi Star Trek Into DarknessA good portion of Trekkies (or Trekkers, depending on one's level of Star Trek obsession) have special affection for episodes of the original TV series that related to Earth and other-Earth cultures visited by the crew of the Enterprise, version 1.0. Some of the shows unfolded in distorted forms of the past, some in the present day of Star Trek's future reality. Director J.J. Abrams recognised the importance of this relationship in his origin-story reboot of the franchise in 2009, and in Star Trek Into Darkness he has made it an even greater touchstone to the roots of Star Trek creator Gene Roddenberry's defining philosophy from nearly 50 years ago. The human home world is key to the plot of this spectacularly bold leap into Star Trek lore, which cleverly continues along the alternate path that was established as separate from the "original" Star Trek universe in Abrams's first whiz-bang crack at advancing the mythology. But it's not just Earth that is cool and imperiled in this rendering of adventure in the 23rd century; Into Darkness also plays with the original conceit that Earthlings were member to a multi-species United Federation of Planets ruled by a "Prime Directive" of noninterference with other civilisations. The conflict comes when rogue elements in the Earth-based Starfleet Command hunger to shift focus from peaceful exploration to militarisation, a concept that is anathema to the crew of the Enterprise and her ongoing mission. The new cast is again inventively reunited, each of them further investing their characters with traits that reveal novel acting choices while staying true to the caricatures that are ingrained in our popular culture. The interplay between Chris Pine as Kirk and Zachary Quinto as Spock is deeper, and Zoe Saldana as Uhura is a solid third in their relationship. John Cho (Sulu), Simon Pegg (Scotty), Anton Yelchin (Chekov), and Karl Urban (McCoy) all have standout roles in the overall ensemble mystique as well as the plot-heavy machinations of this incarnation's narrative. Fortunately, the burdens of the story are well served by some important additions to the cast. Benedict Cumberbatch's Shakespearean aura, ferociously imperious gaze, and graceful athleticism make him a formidable villain as the mysterious Starfleet operative John Harrison. Harrison has initiated a campaign of terror on Earth before leading the Enterprise to even greater dangers in the enemy territory of Klingon-controlled space. That his background may make dedicated Trekkies/Trekkers gasp is just one acknowledgment of the substantial and ingrained legacy Star Trek has borne. There are many references, nods and winks to those with deep reverence for the folklore (some of them perhaps a little too close to being inside-baseball), though the fantastical and continually exciting story stands as an expertly crafted tale for complete neophytes. Another new face is Peter Weller--iconically famous in sci-fi-dom as RoboCop--here playing a steely, authoritative Starfleet bigwig who may also be following a hidden agenda. Not only is he running a covert operation, he's also at the helm of a fearsome secret starship that looms over the Enterprise like a shark poised to devour its prey. Which brings us to the awesome CGI effects driving the dazzling visual style of Into Darkness and the endlessly fascinating cosmos it makes real. The wow factor extends from the opening set piece on an alien world of primitive humanoids, garish vegetation, and a roiling volcano to the finale of destruction in a future San Francisco that is elegantly outfitted with gleaming-spired skyscrapers and all manner of flying vehicles. (London also gets a breathtaking 23rd-century makeover). With a coolness that glistens in every immaculately composed shot, the movie never forgets that humanism and creativity make the myriad design details and hyper-technology pop out as much more than eye candy. The biggest achievement of Star Trek Into Darkness is that it hews to the highest standard of a highly celebrated tradition. Though Kirk and co. may bend it a little, the Prime Directive remains unbroken. --Ted Fry
Two of the world's top secret agents are best friends who never let anything come between them - until they inadvertently fall for the same woman.
Based on William Joyce's the Guardians of Childhood book series, Rise of the Guardians is a gorgeously animated film about Boogeyman Pitch Black's attempts to spread darkness and fear throughout the world and the guardians' attempts to foil him. Charged with the duty of watching over the children of the world, guardians Sandman, North, Tooth, and E. Aster Bunnymund are loved by children everywhere. When the Man in the Moon appoints Jack Frost to be the newest guardian, the other guardians doubt that Jack can be of much help against Pitch, especially considering that the children don't even believe in Jack Frost's existence. But when Pitch prevents Tooth from collecting the children's teeth, keeps E. Aster Bunnymund from hiding eggs on Easter, and turns the children's happy dreams into nightmares, the guardians realise that they're going to need all the help they can get. The children stop believing in the guardians one by one, and the question that remains is what can one fun-loving, somewhat immature boy with the power to freeze everything he touches possibly do to counteract the fear and darkness enveloping the world? The animation effects are excellent in this film--especially the images of frost and ice spreading across ponds and windowpanes. The characters are interestingly quirky, the action is constant and well paced, and the considerable voice talent includes Alec Baldwin, Chris Pine, Jude Law, Isla Fisher, and Hugh Jackman. A familiarity with the books aids deeper understanding of characters like North and Sandman, but viewers unfamiliar with the books will have no problem enjoying this film. (Ages 7 and older) --Tami Horiuchi
Star TrekJ.J. Abrams' 2009 feature film was billed as "not your father's Star Trek," but your father will probably love it anyway. And what's not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they'll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who's prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg). The action and visuals make for a spectacular big-screen movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, "Damnit, man, I'm a doctor, not a physicist!" An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. --David Horiuchi Star Trek Into DarknessA good portion of Trekkies (or Trekkers, depending on one's level of Star Trek obsession) have special affection for episodes of the original TV series that related to Earth and other-Earth cultures visited by the crew of the Enterprise, version 1.0. Some of the shows unfolded in distorted forms of the past, some in the present day of Star Trek's future reality. Director J.J. Abrams recognised the importance of this relationship in his origin-story reboot of the franchise in 2009, and in Star Trek Into Darkness he has made it an even greater touchstone to the roots of Star Trek creator Gene Roddenberry's defining philosophy from nearly 50 years ago. The human home world is key to the plot of this spectacularly bold leap into Star Trek lore, which cleverly continues along the alternate path that was established as separate from the "original" Star Trek universe in Abrams's first whiz-bang crack at advancing the mythology. But it's not just Earth that is cool and imperiled in this rendering of adventure in the 23rd century; Into Darkness also plays with the original conceit that Earthlings were member to a multi-species United Federation of Planets ruled by a "Prime Directive" of noninterference with other civilisations. The conflict comes when rogue elements in the Earth-based Starfleet Command hunger to shift focus from peaceful exploration to militarisation, a concept that is anathema to the crew of the Enterprise and her ongoing mission. The new cast is again inventively reunited, each of them further investing their characters with traits that reveal novel acting choices while staying true to the caricatures that are ingrained in our popular culture. The interplay between Chris Pine as Kirk and Zachary Quinto as Spock is deeper, and Zoe Saldana as Uhura is a solid third in their relationship. John Cho (Sulu), Simon Pegg (Scotty), Anton Yelchin (Chekov), and Karl Urban (McCoy) all have standout roles in the overall ensemble mystique as well as the plot-heavy machinations of this incarnation's narrative. Fortunately, the burdens of the story are well served by some important additions to the cast. Benedict Cumberbatch's Shakespearean aura, ferociously imperious gaze, and graceful athleticism make him a formidable villain as the mysterious Starfleet operative John Harrison. Harrison has initiated a campaign of terror on Earth before leading the Enterprise to even greater dangers in the enemy territory of Klingon-controlled space. That his background may make dedicated Trekkies/Trekkers gasp is just one acknowledgment of the substantial and ingrained legacy Star Trek has borne. There are many references, nods and winks to those with deep reverence for the folklore (some of them perhaps a little too close to being inside-baseball), though the fantastical and continually exciting story stands as an expertly crafted tale for complete neophytes. Another new face is Peter Weller--iconically famous in sci-fi-dom as RoboCop--here playing a steely, authoritative Starfleet bigwig who may also be following a hidden agenda. Not only is he running a covert operation, he's also at the helm of a fearsome secret starship that looms over the Enterprise like a shark poised to devour its prey. Which brings us to the awesome CGI effects driving the dazzling visual style of Into Darkness and the endlessly fascinating cosmos it makes real. The wow factor extends from the opening set piece on an alien world of primitive humanoids, garish vegetation, and a roiling volcano to the finale of destruction in a future San Francisco that is elegantly outfitted with gleaming-spired skyscrapers and all manner of flying vehicles. (London also gets a breathtaking 23rd-century makeover). With a coolness that glistens in every immaculately composed shot, the movie never forgets that humanism and creativity make the myriad design details and hyper-technology pop out as much more than eye candy. The biggest achievement of Star Trek Into Darkness is that it hews to the highest standard of a highly celebrated tradition. Though Kirk and co. may bend it a little, the Prime Directive remains unbroken. --Ted Fry
Inspired by actual events, Unstoppable is an adrenaline rush fuelled by director Tony Scott's signature mark of propulsive action rooted in the reality of ordinary people placed in extraordinary circumstances. A veteran train engineer (Denzel Washington) and a young conductor (Chris Pine) race the clock to stop an unmanned runaway train - effectively a missile the size of a skyscraper - and prevent disaster in a heavily populated area.
In this animated musical-comedy, Asha, a sharp-witted idealist in the kingdom of Rosas, makes a powerful wish that's answered by Star, a ball of boundless energy. Soon, Asha and Star must face a formidable foethe ruler of Rosasto save her community and prove that when one brave human connects with the magic of the stars, wondrous things happen.Product FeaturesSing Along With The MovieFeaturette: Once Upon A Studio (Beloved characters from Disney Animation's 100 Years come together for an unforgettable reunion)100 years in the making (The Inside story of making Wish)Featurette: Wish De-classifiedFeaturette: OuttakesFeaturette: Deleted scenesSong Selection (jump to your favourite musical moments, with on-screen lyrics)
CHiPs or California Highway Patrol followed the daily adventures of two state motocycle patrolmen as they patrol the freeway system around Los Angeles. Officer Jon Baker is the serious officer while Frank ""Ponch"" Poncherello is the more loose and free of the two. In each episode humorous criminal and tragic incidents keep the pair busy as well as social engagements to provide some light-hearted entertainment.
4 X SHARPER THAN HD From Director Justin Lin and Producer J.J. Abrams comes one of the best-reviewed action movies of the year. Dispatched on a rescue mission to the farthest reaches of space, the USS Enterprise is ambushed by Krall, a ruthless enemy sworn against the Federation. Crash-landing on an uncharted hostile world, Captain Kirk, Spock and the crew are separated with no means of escape. Only Jaylah, a rebellious alien warrior, can help them reunite and find a way off the planet in a race against time to stop Krall's deadly army from triggering all-out galactic war. DISC ONE: 4K ULTRA HD MOVIE DISC TWO: BLU-RAY⢠MOVIE + BONUS FEATURES Deleted Scenes Beyond the Darkness: Story Origins Enterprise Takedown: Destroying an Icon Trekking in the Desert: On Location in Dubai To Live Long and Prosper: 50 Years of Star Trek For Leonard and Anton AND MORE!
Following a one-off Christmas special in 1986, Gareth Hale and Norman Pace's first foray into the sketch series format was instantly successful and instantly controversial. Keeping just the right side of Broadcasting Standards, the two former teachers enjoyed phenomenal ratings over a decade of quick-fire, occasionally notorious comedy sketches, winning the Silver Rose at Montreux and becoming one of the most mimicked comedy acts in television history.Presented here is the first series, complete and uncut, featuring legendary bodyguards the Two Rons (later to enjoy fame on their own terms in spin-off series The Management), detectives Stubble and Crockery, horticul-tural heroes Wheelbarrow and Bibbler, regular guests Ainsley Harriott and Annette Badland... and that sketch featuring the cat and the microwave.Also included is the 1986 Christmas special, featuring the immortal Status Quo, Harry Enfield and saxophonist Courtney Pine.
Two of the world's top secret agents are best friends who never let anything come between them - until they inadvertently fall for the same woman.
A novice vintner from California tries to create the perfect California Chardonnay, while a struggling wine seller from Paris thinks of a way to help his business. Little did they realize they were about to change the history of wine forever.
From producer J.J. Abrams come the third instalment to the new Star Trek films, with all of the main crew returning (Chris Pine, Simon Pegg, Anton Yelchin) with the additions of Idris Elba and Sofia Boutella. The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test. Click Images to Enlarge
A successful, ego-maniacal architect who has spent a lifetime bullying his wife, employees and mistresses wants to make peace as his life approaches its final act. A Master Builder unites Academy Award-winning director Jonathan Demme with two of American theatre and cinema's most ingenious provocateurs: Andre Gregory and Wallace Shawn. It is based on Gregory's near-legendary theatrical production of Shawn's adaptation of Ibsen's Master Builder Solness; a production that was worked on over a 14-year period. Intense, intimate and painful, A Master Builder is a witty, mystical and psychologically complex interpretation of Ibsen's masterpiece.
Set in the Korean war in 1950 and based on a 1949 World War II novel of the Normandy campaign 'Day without End' by Van Praag. On September 6 1950 at the beginning of the Korean War Lt. Benson and his platoon are stranded on a hillside unable to contact division headquarters on their radio and unable to advance because their truck is beyond repair. Lieutenant Benson (Robert Ryan) is leading his platoon in enemy held territory after a retreat. They are joined by Sgt Montana (Aldo Ray) who's only concern is looking after his catatonic colonel (Robert Keith). Benson and Montana loath each other but must work together to get the men to hill 465 where they hope a division is waiting - but the harrowing march is filled with danger. Directed by Anthony Mann (El Cid and Fall of the Roman Empire).
Unstoppable: Inspired by actual events, Unstoppable is an adrenaline rush fuelled by director Tony Scott's signature mark of propulsive action rooted in the reality of ordinary people placed in extraordinary circumstances. A veteran train engineer (Denzel Washington) and a young conductor (Chris Pine) race the clock to stop an unmanned runaway train - effectively a missile the size of a skyscraper -- and prevent disaster in a heavily populated area. Man On Fi...
Two of the world's top secret agents are best friends who never let anything come between them - until they inadvertently fall for the same woman.
From producer J.J. Abrams come the third instalment to the new Star Trek films, with all of the main crew returning (Chris Pine, Simon Pegg, Anton Yelchin) with the additions of Idris Elba and Sofia Boutella. The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test. Features: Model Replica of the USS Franklin, as featured in Star Trek Beyond Beyond the Darkness (9:49) Trekking in the Desert (2:59) For Leonard and Anton (2:32) Music Video - Sledgehammer (3:56) Trailer 1, Trailer 2, Trailer 3 Deleted Scenes: Kirk & Scotty in the Terminal, Scotty Gets a Bib and Tucker, Beyond the Darkness, Enterprise Takedown, Divided and Conquered, A Warped Sense of Revenge, Trekking in the Desert, Exploring Strange New Worlds, New Life, New Civilisations, To Live Long and Prosper, For Leonard and Anton Gag Reel
This is a riveting thriller involving a young girl called Kim who is staying alone in a friend's house in Los Angeles. While watching an old black and white film on television she notices that the film is being intercut by a sequence in colour of a man and woman making love. The sequence ends with the man suffocating the woman with a pillow and then bundling her into a plastic bag. Confused and shocked it is only the next day that Kim realises for certain what has happened when a friend informs her that there has been a series of murders in Los Angeles with women found in green plastic bags. As the scenes continue Kim alerts the police and word leaks out to the media of Kim's discovery and the picture is being picked up by a neighbouring scanning TV dish of videos made by the murderer for his own use. Kim's role changes from spectator to victim. As the killer's face is never seen any man becomes a nightmare as she misinterprets friendly gestures from teachers to delivery men. When we think it's all over she gets a phone call. Is the game over yet?
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