Thriller starring Alec Baldwin. He wakes up after a fatal air crash with no memory. After flashbacks he finds himself running for his life
A Special Agent is sent way out west to round up the norotious Reno gang. He stages a fake train robbery in order to attract the evil Reno brothers and their gang in this gritty and forceful western....
He Tamed The West But Could He Tame Her? Cattle baron banker and model citizen George McLintock has the world in his hands. The only thing missing is his wife Katherine who left him two years earlier suspecting him of adultery. In an effort to get on with his life McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook welcoming both her and her two children into his home. Sparks begin to fly and McLintock's simple and serene lifesty
Street poet Jackson opens his eyes to a sea of bodies. The naked cowboy-junkie shooting up in the bathroom confirms that last night was another orgy of fun. However for Jackson the weekend has only begun! Clean-cut Derek declares that he loved Jackson from the moment he saw him. Jackson doesn't believe in love at first sight! Sam Jackson's best friend also loves Jackson - the problem is he's straight. Jackson thinks he's in love with Billy who he met at the orgy. Then Jackson's
A young soldier returns home with an older woman on his arm and announces that she is his wife. His mother bitterly disapproves of the relationship and the marriage soon fails. Before the divorce the young man is brutally murdered and his mother convinced of his wife's guilt embarks on a crusade to see justice done...
Featuring 4 classic episodes of Flash Gordon: The Claim Jumpers Akim the Terrible The Breath of Death Deadline at Noon
A group of friends decide to throw a bachelor party in the mountains; little do they know an escaped killer is on the loose ready to kill the party...
Autobiographical movies rarely get more truthfully moving than Antwone Fisher. The title is also the name of this fine drama's first-time screenwriter, a former Navy seaman who was working as a film-studio security guard when his life-inspired script was developed as Denzel Washington's directorial debut. This Hollywood dream gets better: unbeknown to the filmmakers, Derek Luke--a newcomer who won the title role over a throng of famous contenders--was also a friend of Fisher's, and the whole film seems blessed by this fortunate coincidence. Washington's sharp instincts as an actor serve him well, as both a subtle-handed director and Luke's costar playing Jerome Davenport, a Navy psychologist assigned to assess Fisher's chronic violent temper. Their therapy sessions prove mutually beneficial, as this touching true story addresses painful memories, broken desires, and heartfelt reunions without resorting to a contrived happy ending. Fisher's good life is worth celebrating, and Washington brings a delicate touch to the party. --Jeff Shannon Originally, Men of Honour was simply called Navy Diver and no doubt all involved held high hopes that it would be an award-winning biopic. Unfortunately, Carl Brashear's life as the first African-American Master Diver went through that vaguely distasteful contemporary Hollywood Marketing makeover and the result is not quite so worthy of its subject and intentions. The film's hopelessly clichéd tagline reads, "History is made by those who break the rules"; the direction is shot through with sunsets 'n' slow-mo; and the script is peppered with foreshadowing dialogue ("don't end up like me, son"). The plot devices follow a predictable arc: family poverty, a swiftly sweet romance, a shock accident, court hearing and, naturally, a grisly antagonist. It's with the last of these that the movie comes to life. We may have seen DeNiro spit nails countless times before, but his saltily intractable Master Chief is a terrific screen creation. Next to him, Cuba Gooding Jr really does shine as the endlessly persecuted Brashear. All-too brief cameos from Charlise Theron and Michael Rapaport lend sparkle too. But the film's message about how social attitudes toward race have changed is lost in a murky haze of Hollywoodisation. As one character declares, "some things just don't mix". --Paul Tonks
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! In Horror of the Blood Monsters vampires are overrunning Earth (cheaply), so John Carradine leads a space mission (rocket footage from another film) to the planet the bloodsuckers come from, and the astronauts vaguely interact with tinted black and white footage from a Filippino prehistoric epic. It makes no sense whatsoever. --Kim Newman
Rage At Dawn (1955): Detectives Stage A Fake Train Robbery To Attract The Evil Reno Brothers And Their Outlaw Gang In This Gritty And Forceful Western. Randolph Scott Takes Time Out To Romance Their Pretty Sister Played By Mala Powers Before Bringing The Gang To Justice. Judge Priest (1934): Classic John Ford Directed Americana This Movie Is Based On The Stories Of Irvin Cobb. A Small-Town Judge In The Old South Stirs Up The Place With Stinging Humour And Common-Sense Observations As He Tackles Prejudices And Civil Injustices In This Warm Affectionate And Funny Look At A Slice Of American Life. Tulsa (1949): In This Classic Western The Daughter Of A Cattle Owner Builds An Oil Empire Susan Hayward Portrays An Oil Women Who Whilst Fighting For Her Property And Staging Wildcat Drilling Strikes.
This irresistible heart-tingling story is destined to be a family entertainment classic. Tillie finds the adventure of a lifetime with none other than ""Herman"" - a fire breathing Dragon. It's a dazzling display of award winning quality animation from some of the finest artists in the American animation industry. Winner of the Best Feature Animation Award at the International Family Film Festival.
Follow the trials and tribulations of a group of Rabbit addicts as they attempt to kick their Rabbit habit!
It's a non-stop party for a group of beautiful teens living it up in a posh area of Los Angeles. And one very sexy lady M.J. has found a congenial way to capitalize on her friendships and advance her position. But when the music stops and the mad whirl starts to slow down M.J. must suddenly face up to a void in her life.
When one of Satan's messengers (Rob Lowe) is sent to Earth and falls in love with a living angel there's going to be one hell of a good time in this romantic comedy...
Storm
Bruce Willis stars as a small-town cop Jeff Talley; chief of Police in the sleepy town of Bristo Camino. Leaving behind the trauma of his career as a big city hostage negotiator Talley finds himself in a situation more volatile and terrifying than anything he could possibly imagine in his wildest nightmares... Lucky Number Slevin: A case of mistaken identity lands Slevin (Josh Hartnett) into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi (Ben Kingsley) and The Boss (Morgan Freeman). Slevin is under constant surveillance by relentless Detective Brikowski (Stanley Tucci) as well as the infamous assassin Goodkat (Bruce Willis) and finds himself having to hatch his own ingenious plot to get them before they get him! Last Man Standing: Jericho Texas 1931. A new breed of gunfighter haunts the windswept border town: tweed-suited mobsters from Chicago who control the illegal flow of liquor crossing the Mexican border. Jericho's two rival gangs have replaced civil law with civil war and Sheriff Galt is powerless to stop them. Then a mysterious stranger blows into town looking for a place to spend the night. Calling himself Smith he seems like just another drifter that is until he draws his gun. Then all hell is let loose. Soon he has been recruited by first one gang and then the other as he cleverly and deceptively betrays both sides in a war that can leave only one man standing...
George McLintock has to try and convince his wife that he has been faithful after a two year seperation with their fights the talk of the town. Matters are not helped by the extremely attractive cook Mrs Louise Warren he has hired at the ranch house... The film achieved a certain notoriety for the 'spanking' scene widely regarded as a cinematic first.
Something of a parody of the western films that had been done by Clint Eastwood (even down to shooting the cameraman right at the end!) Gone With The West stars James Caan as Jud McGraw and Stephanie Powers as Little Moon with the pair teaming up in search of revenge.
The Iron Horse was John Ford's 50th film and remains his most celebrated of the silent era. Its theme of enterprise and achievement its open-air locations and setting in a vigorous and pioneering past proved just the subject to stimulate the young director's talent. The sheer scale of the film surpassed all other Westerns of the silent era and established Ford as one of the leading directors in the industry. The film combines a conventional tale of double-dealing vengeance and romance with a poetic sense of history and an epic theme - uniting a nation by building a transcontinental railroad and a great man's dream realised by the courage skill and labour of ordinary folk. This restored version features a new score composed and conducted by John Lanchbery performed by the City of Prague Philharmonic.
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