Bridget Mordaunt a young woman in 1880s Britain inherits a factory from her father and wins respect from the workforce as she turns it into a solid business yet all the while a dark cloud looms on the horizon...
This zany sequel stars George Clooney in one of his earlier roles and is brought to you by the team that gave us 'Attack of the Killer Tomatoes'. It is 20 years on from the Great Tomato Wars and red skins are still banned. But Professor Gangrene has made a fiendish discovery - how to turn tomatoes into perfect replicas of men and women. These tomatoes are really stewed and dangerous! Just when you thought it was safe to go back into the greenhouse the vegetable of doom returns!
The women are still imprisoned and this camp is on the site of a former prison. Many of the group have died morale is low and rumours abound. Christina sees a disturbing document in Yamauchi's office and the women arm themselves in case of attack... Featurng Episodes 1-5 of the third series.
Based on the series of novels written by Dorothy L Sayers in the 1920s and 30s, Lord Peter Wimsey was dramatised for TV by the BBC between 1972-5. Ian Carmichael, veteran of British film comedy, played the genial, aristocratic sleuth; Glyn Houston was his manservant Bunter. The pair are similar to PG Wodehouse's Jeeves and Bertie Wooster (whom Carmichael played in an earlier TV adaptation) though here the duo are equal in intelligence, breezing about the country together in Wimsey's Bentley and stumbling with morbid regularity upon baffling murder mysteries to test their wits. Those for whom this series forms hazy memories of childhood might be surprised at its somewhat stagy, lingering interior shots, the spartan paucity of music, the miserly attitude towards locations, especially foreign ones, and the rather genteel, leisurely pace of these programmes, besides which Inspector Morse seems like Quentin Tarantino in comparison. It seems that initially the BBC was reluctant to commission the series and ventured on production with a wary eye on the budget. The Britain depicted by Sayers is, by and large, populated by either the upper classes or heavily accented, rum-do-and-no-mistake lower orders, which some might find consoling. However, the acting is generally excellent and the murder mysteries are sophisticated parlour games, the televisual equivalent of a good, absorbing jigsaw puzzle. There were five feature-length adaptations in all. "Clouds of Witness" sees Wimsey investigate the death of his brother the Duke of Denver's fiancée. --David Stubbs
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