1992's My Cousin Vinny is a delightful comedy-cum-courtroom drama set in Alabama. Joe Pesci stars as Vinny, the garage mechanic recently turned lawyer, who finds himself straight in at the deep end when his young cousin is unjustly arrested, along with his buddy, for the murder of a store clerk. From the opening scenes in which the hapless arrestees labour under the impression they've been booked for stealing a can of tuna, My Cousin Vinny's comedic pace never slackens, even as the drama builds. Much of the fun derives from raw, Brooklyn native Vinny's coping with the cultural backwaters of the Deep South, from its lardy grits to the 5.30 am "alarm call" of the factory horn. There's a good running gag involving retrieving $200 from a recalcitrant local redneck, while his clashes with the court judge, played by the late Fred Gwynne are priceless. Pesci goads this stickler for procedures by mumbling expletives in court, turning up in a leather jacket, then a mauve frock coat and arousing the judge's suspicions as to his bona fides. However, it's Marisa Tomei who surprisingly, but justly, took an Academy Award for her performance as tomboyish Lisa, Vinny's girlfriend. Tart rather than tarty, she more than matches Pesci for Noo Yoik sass and mechanical knowledge, delivering a court lecture on limited slip differential and independent rear suspension that oozes improbable sexiness. On the DVD: a decent presentation in 1.85:1 aspect ratio, though it's only Tomei's bizarrely eye-catching costumes which especially merit DVD enhancement. There's also a commentary by director (and co-creator of Yes Minister) Jonathan Lynn, in which--though at times seeming to struggle for interesting things to say--he reminisces on the fear in shooting the film's prison scenes adjacent to Death Row in a maximum security prison. --David Stubbs
Counter terrorism policing and the terrifying work of the Metropolitan Police Bomb Disposal Squad are the breath-taking backdrop for new high octane thriller, Trigger Point. Starring Vicky McClure and producer by Jed Mercurio. When a series of Improvised Explosive Devices (IED) are found in the City, Expo officer Lana Washington is pushed to breaking point dealing with them, as well as her feelings for her fellow officer Nutkins and the growing suspicion that the Bomber may be someone she knows.
This release contains two suspenseful horror films from the 1960s: VILLAGE OF THE DAMNED and CHILDREN OF THE DAMNED.
Marisa Tomei won an Awscah (OSCAR) for her hilarious turn as a car-savvy fish-outta-watah in this must-own comedy! When Bill and Stan (Ralph Macchio and Mitchell Whitfield) are mistakenly accused of murder on a trip through Alabama they recruit Bill's cousin Vinny (OSCAR Winner Joe Pesci) a New York lawyer who's never gone to trial to represent them before the formidable Judge Haller (Fred Gwynne). Will justice follow Vinny and his girlfriend (Tomei) south when they try to save the day? It's the most hilarious culture clash ever when they hit the road in this tried-and-true favourite.
A lawyer sends his girlfriend who cannot decide whether to marry him to a psychiatrist to help her increase her confidence. However she falls hopelessly in love with the charming psychiatrist who is uncertain of his best course of action... This delightful film features a superb score from Irving Berlin including the songs 'I Used To Be Colour Blind' 'The Yam' and 'The Night Is Filled With Music'.
Hobson's Choice (1953) and The Sound Barrier (1952) is a double bill of cleverly juxtaposed films from David Lean's early canon, demonstrating that even without the landmark epics to come, British cinema would have been an infinitely poorer place without his tremendous contribution. Both films reflect his endlessly penetrating view of human behaviour and its perseverance through obstacles great and small. And both are effectively prisms that reflect all the aspects of that view, keeping the audience's sympathies constantly on the move. Hobson's Choice, based on Harold Brighouse's eternally popular 1916 comedy, boasts fine turns from Charles Laughton--at his brilliant, physical best--as the boot-shop owner with three troublesome daughters, and John Mills as the lowly boot maker, elevated and improved by the eldest daughter Maggie in a neat inversion of the Pygmalion fable. But both are kept in their place by Brenda de Banzie's portrayal of Maggie, a performance that glows with intelligence, truth and increasing warmth. The Sound Barrier is a drama about the race for a supersonic aeroplane. Superficially, its setting is quintessential post-World War II Britain: stiff upper lips, twin beds and clipped Rattigan dialogue. But it's prescient stuff. Ralph Richardson's aircraft manufacturer, sinister in his obsession, is an ominously skilful film performance. And Lean's take on the unthinkable cost of human achievement, interwoven with some spectacular cinematography, absorbs and unsettles. It's especially poignant now that the supersonic age has been summarily ended by Concorde's retirement. On the DVD: Hobson's Choice and The Sound Barrier are both black-and-white films presented in 4:3 picture format, from reasonable prints, and with a mono soundtrack of suitably robust quality for Malcolm Arnold's inventive scores. There are no extras, apart from scene indexes. --Piers Ford
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