Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Into the idyllic town of Brewster comes Whiley Pritcher an intense and enigmatic stranger who begins a public access show that asks the question What's wrong with Brewster? The question soon has neighbour turning on neighbour and before long there are some that are ready to confide in Whiley and reveal the town's darker secrets. But is it wise to talk to strangers? A winner at the Sundance Film Festival 'Public Access' was the debut film of director Bryan Singer.
New cops...a new drug...and a new way to die...
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
David O. Selznick’s production of Margaret Mitchell’s Pulitzer Prize winner Gone With The Wind is “the pinnacle of Hollywood moviemaking ”( Leonard Maltin of Entertainment Tonight) . And in Maltin’s view “it looks better than it has in years.” This sweeping Civil War-era romance won an impressive 10 Academy Awards (including Best Picture) and its immortal characters Scarlett (Vivian Leigh) Rhett (Clark Gable) Ashley (Leslie Howard) Melanie (Olivia de Havilland) Mammy (Hattie McDaniel) and Prissy (Butterfly McQueen) populate as epic story of enduring appeal across generations. Judged by many to be the greatest movie of all time Gone With The Wind is an extremely exciting DVD release!
Clark Gable Vivien Leigh Leslie Howard and Ms. de Havilland star in Gone with the Wind which for more than a half century has thrilled audiences with its eternal love affair -- set in the South against the backdrop of the Civil War -- between handsome Rhett Butler (Gable) and his sassy headstrong heroine Scarlett O'Hara (Leigh). With each new generation Gone with the Wind continues to grow in popularity as new audiences and fans discover and embrace the David O. Selznick production of Margaret Mitchell's Pulitzer Prize-winning novel.
Quentin Tarantino rocked the film world with this powerful and controversial debut movie. Set mainly in a warehouse in the aftermath of a bungled robbery the story gradually unfolds to introduce the colour-coded gangsters and the planning of the crime step by step through Tarantino's trademark flashbacks. Four have survived after a police ambush - betrayed. What went wrong and who is the betrayer? Brilliantly scripted and complemented by the 70's retro soundtrack the scenes are stylish and violent yet intelligent and full of dark humour. With stunning performances by Harvey Keitel Tim Roth Steve Buscemi and Michael Madsen 'Reservoir Dogs' is a tense and exciting examination of male ego on a collision course that results in an unforgettable climax.
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