The Librarians find themselves fighting a war on two fronts. First, Apep, the Egyptian God of Chaos, is released from a museum in Egypt and is revealed to be bent on releasing pure evil into the world to create a chaotic apocalypse. Naturally, the Librarians must stop him... but must do so while also avoiding the new black-ops government agency D.O.S.A. (the Department of Statistical Anomalies). D.O.S.A. s investigation of magic has the agency and their determined leader, General Cynthia Rockwell believing the Librarians are home-grown terrorists. Accordingly, the Librarians must take on the dual roles of hunter and hunted, as Flynn, Baird, Stone, Cassandra, Ezekiel, and Jenkins fight, mission by mission, to save the world... but also get one step closer to losing The Library itself. It s a conflict that forces the Librarians to confront the cost of using magic, as well as their true feelings for each other, this time, once and for all.
A mysterious villain puppeteering Gotham's most dangerous forces leads the Dark Knight into uncharted waters in Batman: Hush, the next entry in the popular series of DC Universe Movies. An adaptation of the seminal DC classic tale, Batman: Hush centres on a shadowy new villain known only as Hush, who uses Gotham's Rogues Gallery to destroy Batman's crime-fighting career, as well as Bruce Wayne's personal lifewhich has already been complicated by a relationship with Selina Kyle, aka Catwoman. Includes Mini Figure
DEATH TO THE WEAK. WEALTH TO THE STRONG. Murder goes luxe in this hilarious horror romp produced by the top tome in terror, Fangoria. From the creative pairing of renowned author Grady Hendrix (Horrorstör, My Best Friend's Exorcism) and a cast led by Rebecca Romijn (X-Men, The Librarians) and Jerry O'Connell (Billions, Piranha 3D), Satanic Panic is a delightfully camp peek into the dastardly vice of the 1%. When Sam's first day slinging pizza is a total wash-out, she decides to go against the advice of her colleagues and take one last delivery in the wealthy enclave out of town. Once again stiffed for a tip, she breaks into an imposing mansion to try to convince them to pay up. Unfortunately, she's stepped right into a Satan-worshipping, demon-summoning, virgin-sacrificing coven! The bad news just keeps coming for our hero, as these society sorcerers are down a virgin and today is sacrifice day. What ensues is a fight for survival as Sam takes on murderous babysitters, blood-crazed soccer mums and more than her fair share of lustful demons. Welcome to the 1%, where the rich get richer and the poor get offered to Baphomet. Special Features: Standard Definition DVD presentation Original 5.1 and 2.0 stereo audio Optional English subtitles for the deaf and hard of hearing Director Chelsea Stardust's video introduction to the Arrow Video FrightFest UK premiere The Making of Satanic Panic, featuring interviews with Chelsea Stardust, screenwriter Grady Hendrix and multiple cast members Girl Power members of the cast and crew discuss working on a female-driven horror movie Sam & Judi Chelsea Stardust and actors Hayley Griffith and Ruby Modine discuss two of the film's central characters Behind the scenes reel Theatrical trailer Reversible sleeve featuring two choices of artwork
Sophisticated Ray Elliott (Coogan) runs an alibi service for adulterous husbands. By getting into a tight squeeze with a new client he must rely on the alluring Lola Davis (Romijn) who gets his own heart racing...
The Man of Steel meets his ultimate match when Doomsday comes to Earth hell bent on destroying everything and everyone in his path, including the Justice League in the all-new, action-packed The Death of Superman, part of the popular series of DC Universe Movies. The Death of Superman ultimately finds Superman in a fight to the finish when the Man of Steel becomes the only hero who can stand in the way of the monstrous creature Doomsday and his unstoppable rampage of destruction. The all-star cast is led by Jerry O'Connell (Crossing Jordan, Stand By Me), Rebecca Romijn (X-Men, The Librarians) and Rainn Wilson (The Office) as the voices of Superman, Lois Lane and Lex Luthor, respectively. The potent trio is joined by the DC Universe Movies' returning voices of the Justice League: Jason O'Mara (The Man in High Castle, Terra Nova) as Batman, Rosario Dawson (Sin City, Rent, Daredevil) as Wonder Woman, Shemar Moore (S.W.A.T., Criminal Minds) as Cyborg, Nathan Fillion (Castle, ABC's upcoming The Rookie) as Green Lantern/Hal Jordan, and Christopher Gorham (Covert Affairs, Ugly Betty) as The Flash. Producer Sam Liu (Gotham by Gaslight, Teen Titans: The Judas Contract) co-directs The Death of Superman with Jake Castorena (Justice League Action) from a script by New York Times best-selling author Peter J. Tomasi (Green Lantern: Emerald Knights). Executive Producers are Sam Register and James Tucker (Suicide Squad: Hell To Pay, Justice League Dark).
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s), have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine and Anna Paquin's Rogue. There are in-jokes enough to keep comics fans engaged, but it feels more like a science-fiction movie than a superhero picture. --Kim Newman On the DVD: X-Men 1.5's two-disc set offers little more than the original X-Men release. The six extended scenes which can be incorporated into the feature on Disc 1 were already available on the initial DVD version (though they're cleaned up a bit here), and when played within the film's original cut they seem disjointed and tacked on, adding very little to the overall story. Disc 2, meanwhile, will have little appeal to any but the most diehard of fans. The X-Men 2 Sneak Peak, the X-Men 2 trailer, the Daredevil trailer and the Activision Wolverine's Revenge trailer are little more than adverts. The four-part documentary, meanwhile, is impressively interactive (with multi-angle segments and two play modes), but unfortunately it's also a bit dull and self-congratulatory. --Robert Burrow
Superman battles against an insurmountable foe named Doomsday.
When a couple bring their dead child back to life through an experimental cloning process, they're not prepared for their new, much altered son. Chilling horror starring Robert De Niro, Greg Kinnear and Rebecca Romijn-Stamos.
Godsend: Following the death of their eight-year-old son Adam devastated parents Jessie (Rebecca Romijn-Stamos) and Paul (Greg Kinnear) are desperate to do anything to resurrect their beloved child. Befriended by a doctor at the forefront of genetic research (Robert De Niro) they are offered a chance to reverse the rules of nature and clone their son. The experiment appears successful under the doctor's watchful eye and Adam grows into a healthy happy young boy. Until his e
X-Men: Born into a world filled with prejudice are children who possess extraordinary and dangerous powers - the result of unique genetic mutations. Cyclops unleashes bolts of energy from his eyes. Storm can manipulate the weather at will. Rogue absorbs the life force of anyone she touches. But under the tutelage of Professor Xavier (Patrick Stewart) these and other outcasts learn to harness their powers for the good of mankind. Now they must protect those who fear them as the nefarious Magneto (Ian McKellen) who believes humans and mutants can never co-exist unveils his sinister plan for the future... X-Men 2: The X-Men have to band together to find a mutant assassin who has made an attempt on the President's life while the Mutant Academy at Westchester is attacked by military forces prompting some uncomfortable home truths for Wolverine...
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
A young child struggling to comprehend the chasm between the living and the dead is about to discover an inescapable truth: a mother's love never dies. Never. Joanna and her husband Ben are a standstill with the adoption agency. But a blessing has arrived in Lydia a strangely sympathetic adoption agent who has sidestepped the bureaucratic red tape by placing with the couple a very special four-year-old girl named Piper. But something is just not right. A blood-chilling ghost story with more surprises than the dark Possessed by Evil gives a new and terrifying meaning to the word family.
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
By 2005 the most popular sport in the world is the ultra violent rollerball, where two teams engage in deadly hi-tech combat, watched by millions. Directed by John Mctiernan ("Die Hard"), starring Chris Klein, Jean Reno,and LL Cool J.
This box set features the following films: Tenacious D: The Pick Of Destiny (Dir. Liam Lynch) (2006): In Venice Beach naive Midwesterner JB (Black) bonds with local slacker KG (Gass) and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat so they set out to steal what could be the answer to their prayers -- a magical guitar pick housed in a rock-and-roll museum some 300 miles away. Fracture (Dir. Gregory Holbit) (2007): When Ted Crawford (Anthony Hopkins) discovers that his beautiful younger wife Jennifer (Embeth Davidtz) is having an affair he plans her murder...the perfect murder. Among the police arriving at the crime scene is hostage negotiator Detective Rob Nunally (Billy Burke) the only officer permitted entry to the house. Surprisingly Crawford readily admits to shooting his wife but Nunally is too stunned to pay close attention when he recognizes his lover whose true identity he never knew lying on the floor in a pool of blood. Although Jennifer was shot at point blank range Nunally realizes she isn't dead. Crawford is immediately arrested and arraigned after confessing - a seemingly slam-dunk case for hot shot assistant district attorney Willy Beachum (Ryan Gosling) who has one foot out the door of the District Attorney's (David Strathairn) office on his way to a lucrative job in high-stakes corporate law. But nothing is as simple as it seems including this case. Will the lure of power and a love affair with a sexy ambitious attorney (Rosamund Pike) at his new firm overpower Willy's fierce drive to win or worse quash his code of ethics? In a tense duel of intellect and strategy Crawford and Willy both learn that a fracture can be found in every ostensibly perfect facade. The Alibi (Dir. Matt Checkowski & Kurt Mattila) (2006): Ray Elliot (Steve Coogan) is an ex-con smart enough to leave the grift before the grift grifted him. Now Ray runs an alibi service for men and woman who want to spend a little quality love time away from their well... loved ones. A true cynic Ray's business is booming until Wendell Hatch (James Marsden) the pampered son of Ray's biggest client sneaks away to Santa Barbara the weekend before his wedding and accidentally strangles his bit on the side. Suddenly Ray is an accessory to murder and is being pursued by everyone from the savvy small - town cop and a heartbroken chauffeur to a holier-than-thou assassin known as 'The Mormon'. Unable to extricate himself from this tangled we Ray must at last place his trust in someone. Enter the fast-talking and extremely sexy Lola ( Rebecca Romijn). With Lola's help Ray decides to mastermind one final con that will clear his name and finally lay his ghosts to rest. But still things refuse to go to plan. And whether he likes it or not Ray is about to learn a thing or two about love and affairs of the heart - particularly his own.
A prequel to Star Trek: The Original Series, the show will follow the crew of the USS Enterprise under Captain Christopher Pike.
They are mutants, genetically gifted human beings - the worlds newest and most persecuted minority group.
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