In a gripping tale of courage resourcefulness and determination the consequences of a plane crash strip bare the morals of the survivors. The pilot of the doomed aircraft Frank Towns (James Stewart) is an aviator of the old school used to seat-of-the-pants flying distrustful of new technology. With his navigator Lew Moran (Richard Attenborough) he is piloting a cargo-cum-passenger plane high above the Arabian desert when a powerful sandstorm rises from below. Trusting his instin
The Tragedy At Marsden Manor: Poirot is called in to investigate a murder at the local hotel. The Double Clue: Four unsolved robberies are creating work for Inspector Japp who has to call in Poirot for some assistance.
A TV adaptation of Agatha Christie's whodunnit 'Death On The Nile' starring David Suchet as sleuth Hercule Poirot.
The Naked Gun series must be the only successful big-screen franchise to have been a spin-off from a spectacularly unsuccessful TV series. Although Police Squad went on to become a cult favourite, at the time the American TV network was so unimpressed they only showed four of the six episodes before cancelling it. But Leslie Nielsen's bumbling Lt Frank Drebin just wouldn't go away. Supported in masterly deadpan style by George Kennedy and Priscilla Presley, Nielsen cemented his reputation as a gifted comic actor with The Naked Gun decades after he had first become known as a minor Hollywood leading man (in 1955's Forbidden Planet for example). The first movie appeared in 1988 and spawned two sequels that replayed exactly the same routines: in The Naked Gun series sight gags (some of which are worthy of the Marx Brothers, some not) combine with excruciating puns and lots of toilet humour to follow the same hit formula as the creators' earlier slapstick masterpiece, Airplane. By the third film the formula may have become more than a little overworked, and few including the filmmakers cared much about the increasingly creaky scenarios, but Nielsen's easygoing idiotic charm goes a long way towards saving the day. There are still a lot of laughs to be found in all three Naked Gun movies, even if some of them are the unintentional result of seeing OJ Simpson before notoriety overtook his budding film career. On the DVDs: All three features are anamorphically enhanced 1.78:1 widescreen ratios, with Dolby Digital 5.1 sound. Each disc also has a jovial ensemble commentary featuring co-creator David Zucker with other producers and writers, which is only intermittently informative but is at least intermittently funny, too. --Mark Walker
Possibly the most alluring mysterious and powerful woman of all time Cleopatra (Elizabeth Taylor) changed the course of history when two of the most powerful men in Rome fell in love with her. Rex Harrison is Julius Caesar who wins the Egyptian throne for Cleopatra marries her and provides her with a child Caesarean. Upon returning to his native country Caesar is crowned Dictator of Rome but his desperate desire for even greater power causes a worried Roman Senate to fatally conspire against him on the Ides of March.
This is the life story of one of the most influential and controversial film directors in the history of Hollywood John Milius. From his childhood aspirations to join the military to his formative years at the USC Film School his legendary work on films such as ‘Apocalypse Now’ ‘Jaws’ ‘Conan The Barbarian’ ‘Dirty Harry’ and ‘Red Dawn’ to his ultimate dismissal from Hollywood due to his radical beliefs and controversial behaviour.
Part boy-scout. Part genius. All hero. Using his brain in place of a gun secret agent Angus MacGyver relies on his knowledge of science to save himself and others from jeopardy. Deploring the promotion of everyday violence MacGyver refuses to carry weapons and instead designs life-saving tools out of household staples like paper clips and duct tape. Richard Dean Anderson portrays a likeable hero of strong principals and intellect in this clever series which successfully ran for seven years (1985-1992) and continues to remain a beloved cult favourite.
Whatever became of the American dream? In Blue Collar Paul Schrader's strong directorial debut three assembly-line auto workers (Richard Pryor in one of his only serious dramatic roles Harvey Keitel and Yaphet Kotto) are equally angry and disenchanted at factory management and their own union. They are also as the film reveals in long detailed vignettes struggling just to make ends meet. As they ruminate together on their dead-end jobs and the fears of a de
A wealthy old man invites Poirot to his house as he fears for the safety of his family...
The story line of No Mercy may seem familiar: to avenge his partner's murder and uncover the killer, a tough Chicago cop comes to Louisiana and finds himself embroiled with a beautiful and enigmatic blonde and a creepy crime lord. But the way this film executes a seemingly standard plot is unique, entertaining and effective. Richard Gere as the cop Eddie Jillette is an appropriate fish-out-of-water, uncovering a complex and frightening underworld. Under Richard Pearce's skilful direction both he and Kim Basinger (as Michel Duvall) are credibly drawn to each other as they're accidentally handcuffed and running through the eerie bayou. But also credit James Carabatsos's script which appropriately captures Jillette's grief and obsession, his anger and confusion, his growing understanding and affection for Michel. There's a particularly well-done love scene, borne out of passion and desperation and the chemistry between Gere and Basinger is very evident. Good support comes from William Atherton as the fey attorney Allan Deveneux, Jeroen Krabbé as the evil Losado, George Dzundza as Captain Stemkowski, Bruce McGill as Lieutenant Hall and the late Ray Sharkey as Angles Ryan. No Mercy, like Angel Heart before it, uses its mystical, magical Louisiana setting to its best advantage; it's beautiful, yet frightening; mysterious, yet compelling--like Michel and like the movie itself. --N F Mendoza, Amazon.com
Four Men And A Prayer
Includes the following great Clint Eastwood movies: Where Eagles Dare: The mission: rescue an important US general from the hands of the German High Command. The obstacle: the most inaccessible fortress in the world. The stakes: the very outcome of World War II... City Heat: A tough cop and a wise-cracking private investigator are forced to work together on a case involving the mob. Heartbreak Ridge: Sergeant Tom Highway (Eastwood) a hardened veteran of Korea
Prolific British filmmaker Lindsay Anderson weaves this small, evocative tale of young life at the crossroads in early 1960s Northern England. A rough, sullen young man (Richard Harris) working in the local coal mines begins to make a name for himself as a star rugby player, but even as he begins to fall in love he cannot escape the harsh realities of the bleak life around him. The rugby sequences in the film are striking, but no more so than the depiction of downtrodden people living in the shadow of industry and corruption that too often crushes their spirit. Harris in one of his first roles, is remarkably effective as an unlikeable but sympathetic figure trying against hope to savour the small joys life has to offer, and the film also features the debut of renowned actress Glenda Jackson. One of a series of working-class, character-driven British imports, This Sporting Life is one of the best on the field. --Robert Lane
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
49th Parallel is a powerful and important piece of World War 2 propaganda which controversially was filmed from the point of view of a group of German soldiers. Asked to make a flag waver by the Ministry of Information the brilliantly gifted film-making team of Michael Powell and Emeric Pressburger elected to set the action in Canada. The film features a stellar cast who all waived their fees in the interests of the war. A Nazi U-boat is sunk by the Canadian Air Force and all the crew are lost except six men who had been sent ashore before the attack. They stumble across an Eskimo village where Scott Peter and his Eskimo servant Martin live. Also present is a French trapper Johnnie (played by Laurence Olivier) who panics when held at gunpoint and is shot by one of the Nazis. After this the Allies send an S.O.S. plane and it is the intention of the Nazis to hijack it and fly to neutral America. When the plane arrives there is a scuffle but they manage to take off. Will they be caught before they kill again?
Lord Edgware Dies finds Poirot (David Suchet) reopening his London office with the help of Miss Lemon (Pauline Moran) and Captain Hastings (Hugh Fraser). As they celebrate their reunion, Japp quips that there's "only one thing missing...the body". Right on cue, a corpse turns up just moments later. Most of the suspects are actors by profession, but Poirot's "little grey cells" are able to penetrate the murderer's disguise--though only after two more victims heighten the suspense. --Larisa Lomacky Moore
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
This version of the classic story picks up from where the 1976 version left off. The mighty ape is resurrected through a miracle of modern medicine and brings him together with what will be the equally terrifying love of his life: Lady Kong...
A young lad called John son of a convicted bank robber is suspicious when a prison chaplain calls at his house claiming to have heard his father's last confession. It soon becomes clear to the boy that the 'priest' is really an imposter after his father's hidden loot but terrifyingly no-one will believe him...
In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to attempt to take a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers.
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