Manga is proud to present the anime classic, Ninja Scroll on Blu-ray for the first time ever! This new HD transfer of the classic action-anime from acclaimed director, Yoshiaki Kawajiri and Madhouse Studio (Summer Wars, Redline, Animatrix). A ninja-for-hire is forced into fighting an old nemesis who is bent on overthrowing the Japanese government. His nemesis is also the leader of a group of demons each with superhuman powers.
Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust. Branagh has rounded up a mixed cast of stage vets and Hollywood stars, among the latter Denzel Washington and Michael Keaton, the latter playing a rather seedy, Beetlejuice-like version of Dogberry, king of malapropisms.--Tom Keogh
If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly 90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine
A train crossing the Rockies in 1873 is bringing relief to a diptheria-stricken fort when some unnatural deaths occur... Based on the book by Alistair MacLean.
The first and only film shot entirely in subtitled Latin, Sebastiane is Derek Jarman's first work as a director (though he shared the job with the less well-known Paul Humfress) and is a strange combination of gay nudie movie, pocket-sized Ancient Roman epic and meditation upon the image of Saint Sebastian. It opens with the Lindsay Kemp dance troupe romping around with huge fake phalluses to represent the Ken Russell-style decadence of the court of the Emperor Diocletian in AD 303, then decamps to Tuscany as Diocletian's favourite guard Sebastian (Leonardo Treviglio) is demoted to ordinary soldier and dispatched to a backwater barracks because the Emperor (Robert Medley) suspects him of being a covert Christian. The bulk of the film consists of athletic youths in minimal thongs romping around the countryside, soaking themselves down between bouts of manly horseplay or sylvan frolic. It all comes to a bad end as the lecherous but guilt-ridden commanding officer Severus (Barney James) fails to cop off with Sebastian and instead visits floggings and tortures upon his naked torso, finally ordering his men to riddle the future saint with arrows, thus securing him a place in cultural history. The public schoolboy cleverness of scripting dialogue in Latin--a popular soldier's insult is represented by the Greek "Oedipus"--works surprisingly well, with the cast reeling off profane Roman dialogue as if it were passionate Italian declarations rather than marbled classical sentences. The film suffers from the not-uncommon failing that the best-looking actor is given the largest role but delivers the weakest performance: Treviglio's Sebastian is a handsome cipher, far less interesting than the rest of the troubled, bullying, awkward or horny soldiers in the platoon. Peter Hinwood, famous for the title role in The Rocky Horror Picture Show, can be glimpsed in the palace orgy. The countryside looks as good as the cast, and Brian Eno delivers an evocative, ambient-style score. --Kim Newman
Otto (Emilio Estevez) a young L.A. punk becomes the protege of Bud (Harry Dean Stanton) a crusty car repossessor. Otto soon comes to challenge his mentor for a 20 000 repo prize - a '64 Chevy Malibu driven by J. Frank Parnell (Fox Harris) a lobotomized nuclear scientist. The Malibu is being madly pursued by ruthless government agents UFO cultists and the infamous Rodriguez Brothers. In the trunk is an unthinkable glowing object that could change the course of our civilisation -
The effects are low-tech and no longer special, but Escape to Witch Mountain still has plenty of Disney live-action charm. It's rather quaint by later standards, coming just two years before Star Wars upped the ante on movie magic, but the story's got timeless appeal as a precursor to Harry Potter's more lavish brand of kid-wizardry. Here you've got Tony (Ike Eisenmann) and sister Tia (Kim Richards), orphans unaware of their mysterious past, who are taken in by a nefarious liar (Ray Milland) seeking to exploit their supernatural powers. Populated by '70s stalwarts like Donald Pleasance and Eddie Albert (the latter playing the kids' grown-up accomplice, unwittingly rescuing them from Milland), this lightweight Disney fare is perfect for kids under 10, with such enticements as a clever cat mascot named Winky (because he winks a lot), Tony's magical harmonica... and a Winnebago that flies! With a sci-fi climax, this popular hocus-pocus spawned a 1978 sequel (Return from Witch Mountain) that proved similarly popular with kids. --Jeff Shannon
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
In the heady days of Louis XIII's France live Dogtanian and three courageous Muskehounds - Athos Porthos and Aramis. Pledged to a life of adventure they are mavericks fighting for justice despite their sometimes unorthodox methods. Chivalry honour and companionship are all upheld as they battle against the forces of evil legendary swordsmanship helping them escape danger in the nick of time... Whether overcoming the powerful Richelleu or waging war Dogtanian and The Three Muskeh
In the heady days of Louis XIII's France live Dogtanian and three courageous Muskehounds - Athos Porthos and Aramis. Pledged to a life of adventure they are mavericks fighting for justice despite their sometimes unorthodox methods. Chivalry honour and companionship are all upheld as they battle against the forces of evil legendary swordsmanship helping them escape danger in the nick of time... Whether overcoming the powerful Richelleu or waging war Dogtanian and The Three Musk
When childhood friends and army comrades Dave Robinson (Bill Rowbotham) and Ted Peters (Richard Attenborough) return home from WWII they make very different choices for their new civvy lives. Ted gets an honest job as a taxi driver and saves for his wedding to childhood sweetheart Joy (Sheila Sim). Dave however wants easy cash and soon becomes involved with a gang. When Dave runs into money troubles with the mob boss a henchman is sent to finish him off. Stumbling from his gun wounds he seeks shelter in the back of Ted’s empty taxi and collapses lifeless. Suspicions fly as Scotland Yard investigate the murder. The police suspect Dave’s underworld connections. The mob suspects that Ted knows their guilt. And Ted himself suspects who the real killer might be… Set in London this riveting crime drama has its roots firmly in the American gangster films of the 1930s – a must watch for genre lovers.
The true story of an eleven year old boy Gregory Kingsley who made history when he became the first American boy to divorce his parents.
A ninja-for-hire is forced into fighting an old nemesis who is bent on overthrowing the Japanese government. His nemesis is also the leader of a group of demons each with superhuman powers.
Sean Penn wrote and directed The Crossing Guard, a character-driven drama about a divorced couple (Jack Nicholson and Anjelica Huston) whose relationship never recovered following the death of their daughter at the hands of a drunk driver (David Morse). When the latter's character, a deeply regretful and changed man, gets out of jail, Nicholson, as the vengeful dad, decides to go after him. As a director, Penn is not so good with fluid storytelling and camera clichés, but he is amazing as an actor's director. The onscreen re-teaming of former real-life lovers Nicholson and Huston is more than just a voyeuristic exercise: Penn ingeniously uses the duo's palpable friction to bring a horrifying reality to the pain of a dead relationship. --Tom Keogh, Amazon.com
Add The Man from Elysian Fields to the list of essential movies about the pains of writing. This wry comedy-drama charts the frustrations of a financially strapped novelist (Andy Garcia) as he desperately and secretly agrees to be an "escort" for ladies who need, err, escorting. This leads him into a Faustian bargain to help a beautiful client (Olivia Williams) whose husband, a once-great, now-dying writer (a mighty James Coburn), is struggling with a final work. Of course the fact that the men are sharing a project and a woman complicates matters--and Garcia's loyal wife (Julianna Margulies) is curious about all these nights spent away. The movie explores different levels of compromise and betrayal, yet it remains tartly amusing throughout. And it has a glorious casting inspiration: the director of the mysterious escort service is played by Mick Jagger, looking decadently elegant and purring like a vaguely satanic Siamese cat. --Robert Horton
Aramis is elegant and chivalrous. Athos is calm and aristocratic. Porthos is strong and impatient. Together they form an invincible team in the service of the King of France; they are the finest swordsmen in the country they are the amazing Three Muskehounds! This unforgettable series relates the adventures of Dogtanian a brave and stubborn youngster who dreams of joining the revered royal guard. With the help of his trusty horse Sandy and his friend Pip he proves that some swords
The Parent Trap: In The Parent Trap Hayley Mills plays identical twins Sharon McKendrick and Susan Evers who unknown to their divorced parents meet at summer camp. They soon realise that they are in fact twin sisters and become great friends who plot to switch places to meet the parent they never knew. Fed up with being the products of single parent households they plan to reunite their parents in the hope that this will bring their family back together. They encounter a maj
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