The finest cult film known to humanity! Camden Town the arse-end of the sixties. Two struggling unemployed actors decide some respite is in order and so depart their miserable flat for a week in the Lake District – one that will involve rain booze minimal supplies a randy bull and an even randier Uncle Monty. Based on the real-life experiences of former actor turned writer/director Bruce Robinson Withnail & I has become one of British cinema’s most fondly remembered comedies. A cult film in the truest sense that has also become a classic. Perfectly cast – with career-defining roles for Richard E. Grant Paul McGann Richard Griffiths and Ralph Brown – and crammed with irresistibly quotable dialogue Withnail & I is a sheer delight even on the umpteenth viewing. Only 2 000 are being made available in this format – Please contact me to discuss a pre-order quantity allocation. Features: New 2K restoration of Withnail & I from the original camera negative supervised and approved by director of photography Peter Hannan High Definition Blu-ray (1080p) and Standard Definition DVD Presentation of both films -Original uncompressed mono 1.0 PCM audio for both films -Optional English subtitles for the deaf and hard-of-hearing -Audio commentary by writer-director Bruce Robinson Audio commentary by critic and writer Kevin Jackson author of the BFI Modern Classic on Withnail & I Bruce Robinson’s follow-up feature How to Get Ahead in Advertising newly transferred from original film elements and approved by director of photography Peter Hannan All four original ‘Withnail Weekend’ documentaries first screened on Channel 4 in 1999 including The Peculiar Memories of Bruce Robinson which looks at the director’s career Withnail & Us which focuses on the film’s making and two shorter documentaries I Demand to Have Some Booze and Withnail on the Pier Newly filmed interviews with key members of Withnail & I’s behind-the-scenes team Theatrical trailers for both films Exclusive limited edition hardback book packaging (2 000 copies) containing new writing on the films reprints of key articles on Withnail & I deleted scenes and more across 200 pages illustrated with original production stills -More to be announced!
On a secluded country estate artist Meneer Chrome (Ewan McGregor) has come to create a masterpiece. Hired by wealthy patron Thomas Smithers (Pete Postlethwaite) he plans to create an extravagant garden carved out of the wilderness. But Chrome's true aim is to bankrupt Smithers and allow evil Fitzmaurice (Richard E. Grant) control over his beautiful wife Juliana (Greta Scacchi)... before Smithers discovers Chrome's true purpose. But what Chrome didn't count on is his passion for their beautiful mysterious daughter. Now one man's passion and another's obsession are about to collide... with the force of nature!
Van Helsing (Dir. Stephen Sommers 2004): Hunted as a murderer by those who do not understand his calling Van Helsing (Hugh Jackman) travels the globe as a fugitive. Accompanied only by Carl (David Wenham) a friar entrusted with providing Van Helsing's safety and a weapons arsenal to rival James Bond Van Helsing is despatched to the shadowy world of Transylvania. Home to the ravishing Anna Valerious (Kate Beckinsale) one of the last remaining descendents of a powerful royal family Van Helsing has been sent to terminate the evil and undefeatable Count Dracula (Richard Roxburgh) and his alluring bloodthirsty vampire brides. Herself a fearless hunter Anna joins forces with Van Helsing to confront her family's life long adversary and avenge the deaths of her predecessors. In a stunning showdown Van Helsing comes face to face with his mortal enemy but is also forced to confront his past... Bram Stoker's Dracula (Dir. Francis Ford Coppola 1992): Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)... Mary Shelley's Frankenstein (Dir. Kenneth Branagh 1994): It is the late 18th Century. After the death of his beloved mother young Victor Frankenstein leaves his father and Elizabeth the adopted sister he passionately loves to attend university. Here he becomes obsessed with the teachings of Professor Walman who believes that living creatures can actually be created from dead matter. One electrifying night Frankenstein's efforts are rewarded as his Creature struggles to life. Alone despised and driven by a rage of emotional agony it sets off to find its maker. And so begins the nightmare that will engulf Victor Frankenstein...
Toni Cocozza is a small-time Scottish Italian club singer obsessed with Frank Sinatra. In the hope of finding stardom he falls in with a group of gangsters and is soon betraying his true friends.
Standing out in the crowded field of screen adaptations of the classic Dickens novel A Christmas Carol is hard to do, but this version pulls it off. When a transparent Jacob Marley walks through Ebenezer Scrooge's apartment door, you know you're seeing something both timeless and contemporary. Other strategically placed special effects--a funnel cloud that transports Scrooge and the ghost of Christmas present, the hollow spectre of Christmas future--keep you riveted without slipping into anachronism. But, as good as the technology is, the performances are what really power this 93-minute television interpretation. Patrick Stewart brings a depth to Scrooge that allows the character to go beyond the cartoonish qualities that have made him a Christmas mainstay. That doesn't mean he's any less heartless with his hapless employee Bob Cratchit (Richard E. Grant) or any less dismissive of his well-meaning nephew. A frail-looking Joel Grey makes an excellent ghost of Christmas past, and a superb cast ably fill the remaining roles. Director David Jones, shooting on location in England and at Ealing Studios, has achieved a balance of science and sentiment that will help this version hold up for many years to come. --Kimberly Heinrichs
How To Get Ahead In Advertising
The Pimpernel makes yet another daring rescue from under the noses of the French this time saving Annette De Martignac but has to leave her aging parents behind. Phillipe Lispard a young official at the French Embassy is very taken with her and she sees that he could be very useful to her in her attempts to get her parents free...
Alistair a hair tonic salesman is not very happy about welcoming back a father who twenty-three years earlier went out to fetch some cigarettes. He decides to spy on his father and discovers that he is still the drunken disgrace that he used to be. Alistair decides that drastic action must be taken to stop this awful man....the outcome is outrageous!
The second series of the BBC's The Scarlet Pimpernel starring Richard E. Grant. Contains 3 feature length TV films on 3 discs. Episodes 1. Ennui 2. Friends And Enemies 3. A Good Name
How to Get Ahead in Advertising stars Richard E. Grant as Dennis Dimbleby Bagley a brilliant young advertising executive whose constant fretting over an inability to devise a slogan for a revolutionary new pimple cream causes a growth to appear on his neck... which soon develops into a miniature talking head. Are two heads really better than one?
The career where two heads are better than one! To hotshot advertising executive Dennis Bagley (Richard E. Grant) people are pathetic sheep to whom he can sell anything...except a brand-new pimple cream. Creatively blocked Dennis becomes so stressed that he sprouts a pimple of his own...a pimple that eventually grows intoia huge head with a mind and a voice! Before long the sassy carbuncle takes over Dennis' life revealing to him a diabolical plan to control the masses. Now Dennis must find courage deep within himself to save society and himself from the beastly blemish!
Historical drama of how Napolean fought his last and most important battle against his English imprisoners on the island of Saint Helena.
Francis Ford Coppola returns to the original source of the Dracula and fashions a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)...
Love Never Dies Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)...
Johnny Depp and Helena Bonham Carter voice this quirky animation from director Tim Burton.
Karaoke is the first of two television dramas written by the acclaimed TV playwright Dennis Potter. Having been diagnosed with terminal cancer and with less than six months to live Potter undertook a race against mortality to complete two television dramas which were uniquely to be shared between Channel 4 and the BBC. In a televised interview with Melvyn Bragg he said My only regret is if I die four pages too soon. He didn't - and the result is a fitting tribute to a life committed to the creation of some of the finest television drama ever written. Daniel Feeld (Albert Finney) is working on a fictional play for television. The play entitled Karaoke concerns a beautiful young woman working in a sleazy karaoke bar run by Arthur Pig Mallion. Fiction and reality begin to intertwine when Feeld overhears snatches of his dialogue in the world around him - and encounters real people bearing his character's names. The lines between the world he has created and the world in which he lives begin to blur - and a desperate struggle to control both becomes enmeshed in his evolving sickness and a terminal diagnosis. Re-writing his will to right wrongs leaving his body to a cryogenics laboratory and plotting to go out with a bang Daniel Feeld is about to write an ending for one world that will have great repercussions in the next.
Ben Bingham has slipped into a fossilized middle-age unlike his vibrant wife Amanda. When she finally leaves him Ben is at a loss. He drowns himself in gin and refuses to get out of his pajamas until his popular 17 year-old son Justin takes over. He updates Ben's look and pushes him out into the social scene. Before Ben knows what is happening he is the most popular single man in town pursued by his nurse his trainer and karaoke-singing twins. Things change when Justin falls in love for the first time and now finds his father's lifestyle incredibly superficial. Ben is forced to refocus recapture his humanity his heart and most importantly his wife... who is now with another man.
In this second of three adventures the Scarlet Pimpernel may have met his match when he is forced to confront Gabrielle Damiens alias Mademoiselle Guillotine the French Revolution's most feared whip-wielding killer...
In this final film of the series The Scarlet Pimpernel is drawn into a mystery which threatens to destroy the French monarchy forever whilst putting his own life in grave danger. The heir to the French throne 10 year old Dauphin is under the control of Robespierre but is kidnapped by a sinister masked character. As Sir Percy gets close to witnesses who might identify the Dauphin's kidnapper they are killed before they can reveal the truth. However all the signs point to the legend
In one of his darkest roles Richard E. Grant plays an ageing professor obsessed with his star student Polly (Fraser). Polly is trapped in a dead-end job working for intrusive Professor Julius Greengrass (Grant). Her relationship with boyfriend Chapman (Adam Fenton) is falling apart and jealous sister Jimi (Antonia Bernath) rarely leaves her side. When Polly has the chance to escape her nearest and dearest have other ideas. Alone in her flat Polly struggles to keep her grip on reality. Mysterious sounds surround her voices in the darkness whispers of deceit. Polly knows she's not cuckoo but why won't the noises go away? She turns to the one person she can trust - her boss. But Julius has a dark secret of his own. He wants Polly and he'll do anything to get her. Using oppressive cinematography and a haunting soundtrack from BAFTA nominee Andrew Hewitt writer/director Richard Bracewell whose first film was the acclaimed low-budget comedy The Gigolos carefully builds Polly's world echoing her stressed and anxious state. Expertly played by Fraser we feel Polly's sense of isolation as events unfold around her in this darkly atmospheric and compelling story of deception and intrigue.
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