Richard Ayoade returns for more awkward holidays with celebrity comedians in his offbeat travel show, to experience the most efficient 48-hour city break possible. First broadcast on Channel 4 in 2016. Ayoade explores Vienna in the company of his IT Crowd co-star Chris O'Dowd. They sample the city's finest sausages, cakes, spirits, cafes and sewers. Ayoade suffers an allergic reaction and Chris breaks something valuable. Mel Giedroyc joins Ayoade at the top of Montparnasse Tower to experience the best view of Paris, before indulging in calf's head casserole, obligatory snails, green fairy' absinthe, cookery school and an art tour. Noel Fielding shares a 48-hour break with Aoyoade in Copenhagen, where they cycle around the city, savour stunning sandwiches and Danish pastries and down pints at the Carlsberg Brewery. Greg Davies is Ayoade's travel companion in Moscow, where their appreciation of the Kremlin, St Basil's and Lenin's tomb is rudely interrupted by tanks. After eating space food at the Cosmonaut Museum they visit one of the strangest circuses on earth. Winner: Best Factual Programme RTS Midlands awards, 2017, 2016, 2015 Nominated: BATFA for Best Features, 2017
Celebrating the 25th anniversary of the worldwide phenomenon, Mighty Morphin Power Rangers! After 10,000 years of imprisonment, the evil sorceress Rita Repulsa and her loyal minions are freed when astronauts on a routine mission in space accidentally open her dumpster prison on the Moon. Filled with rage, Rita decides to conquer the nearest planet: Earth. But her arch nemesis the heroic sage Zordonhas been patiently waiting in preparation for this day. With the assistance of his wisecracking robotic sidekick Alpha 5, Zordon recruits a team of five ˜teenagers with attitude' Jason, Zack, Kimberly, Billy, and Trini-to receive superpowers beyond their wildest dreams and defend the Earth as the Mighty Morphin Power Rangers. Aided by giant robotic vehicles modeled after dinosaurs called Zords, the Power Rangers fight back the evil alien hordes of Rita Repulsa.
Young farm boy Luke Skywalker is thrust into a galaxy of adventure when he intercepts a distress call from the captive Princess Leia. The event launches him on a daring mission to rescue her from the clutches of Darth Vader and the Evil Empire
Two detectives one from New York the other from Long Island join forces to track down a bizarre serial killer. Convinced of a beautiful suspect's innocence the New York detective starts an affair with her despite hard evidence linking her to the murders.
Can this one-joke spoof possibly be from the same man who gave us The Producers, Blazing Saddles and Young Frankenstein? Sadly, the answer is yes. Mel Brooks treads water shamelessly with Robin Hood: Men in Tights and the few laughs to be had depend almost entirely on mocking Kevin Costner's earnest blockbuster Robin Hood: Prince of Thieves from two years earlier ("Unlike some other Robin Hoods, I can speak with an English accent", boasts Cary Elwes' Robin). Not only is this far too easy a target for a skit, but the single-film parody concept is stretched way too thin over an entire movie (Brooks elected to repeat the trick with 1995's Dracula: Dead and Loving It). Elwes models his portrayal on Errol Flynn, but only infrequently gets to have fun with the legend: in the climactic sword fight, for example, the shadow play of Flynn and Basil Rathbone's sheriff is affectionately parodied, but such moments are few and far between. Brooks regular Dom DeLuise chips in with a Marlon Brando impersonation, but everyone else is simply taking off characters from the Costner movie: Patrick Stewart even gives us his best Sean Connery impression as a Scottish Richard I. Brooks himself does his stock Jewish act, this time as Rabbi Tuckman; Isaac Hayes has a small cameo in the Morgan Freeman part but seems to think Jerusalem is in Africa; while his on-screen son (David Chappelle) makes the mistake of reminding the audience of what they are missing: "A black sheriff? Why not, it worked in Blazing Saddles". Indeed it did. On the DVD: Precious few extras here, just a small behind the scenes feature and trailer. But the anamorphic picture looks good. --Mark Walker
Written by Graham Linehan (Father Ted Black Books) and produced by Ash Atalla (The Office) The IT Crowd centres on the worlds of Roy Moss and Jen who make up the IT department of Reynholm Industries. While their social betters work upstairs in fantastic surroundings the IT dept. work in a horrible dark basement underneath it all... The IT Crowd will strike a chord with everyone who dreads getting stuck in a corner with the IT boys at the office party or who's ever phoned their IT deptartment only to be asked Have you tried turning it off and on again? Filmed on location and in front of a live studio audience The IT Crowd is a surreal look at the underclass of a company.
With his uniquely chaotic blend of fluffed magic and lame jokes, Tommy Cooper was a constant and instantly recognisable presence on television for four decades. A firm favourite with the public, his variety shows were always eagerly awaited - Eric Sykes hailed Tommy Cooper as the funniest man in the world , so it's hardly surprising that it was noted he only had to walk on stage to cause hysterics ! Cooper appeared in many series and specials on television over four decades and this special set contains all the existing shows he made for the ITV regions. They feature a veritable galaxy of guest stars, including Richard Briers, Arthur Lowe, Warren Mitchell, June Whitfield, Patricia Hayes, Bernard Cribbins, Patrick Cargill, Michael Bentine, Thora Hird, Diana Dors, Eric Sykes, Liz Fraser and Ronnies Barker and Corbett!
The brainchild of Charlie Brooker and Chris Morris Nathan Barley is their latest comedy assault on society; a satirical parody of the Hoxton-finned style obsessed world of the new media. Nathan Barley is 26. He is a webmaster guerrilla filmmaker screenwriter DJ and in his own words a ""self-facilitating media node"". He is convinced he is the epitome of urban cool and therefore secretly terrified he might not be which is why he reads Sugar Ape Magazine - his bible
Being a teenage girl is tough. Being an uncool 15 year old lesbian who's completely infatuated with the most outrageous and popular girl in school is downright unfair! Sugar Rush explores the world of Kim and her earth-shattering lust for the gorgeous and sassy Maria Sweet otherwise known as Sugar. And if Sugar wasn't enough to blow Kim's mind there's also her dysfunctional embarrassing family; a mini-freak for a brother an obsessively house-proud dad and a
A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes movie-making back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marvelling at the glory that was Rome, when you're not marvelling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a Colosseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart, Amazon.com
Celebrating the 25th anniversary of the worldwide phenomenon, Mighty Morphin Power Rangers! Tired of Rita Repulsa'sfailure to dominate the Earth, her boss Lord Zedd steps in to take matters into his own hands. Determined to rid the universe of the Power Rangers once and for all, Zedd has at his disposal an entire arsenal of monsters created with his own personal touch, and inspired by Earthly plants and animals. To battle this new villain who is twice the evil tyrant Rita was, the Power Rangers are imbued with new and greater powers, along with new Zords modeled after mythological creatures the Thunder Zords. The Power Rangers are joined by new friends and new Rangers, including the powerful White Ranger, a ferocious hero armed with Saba, the talking sword, and the mighty White Tiger Zord. Logline: The evil Lord Zedd arrives on the Moon, intent on conquering Earth. To protect the world, the Power Rangers will need new Thunder Zords, new ˜teenagers with attitude,' and the help of the brand new White Ranger and his ferocious White Tiger Zord.
Upon the sudden death of Roman emperor Marcus Aurelius, his trusted and successful general Narcissus Meridas is unlawfully imprisoned and condemned to the gladiator games by Marcus's twisted son Commodus.
A New York restaurant owner falls for a young woman chef. When she reveals a dark secret about herself, their relationship takes on deeper meaning.
If there's an undersea adventure with high-tech equipment, macho posturing, and lots of underwater photography, you know James Cameron must be swimming around the vicinity. Add the fact that Sanctum was released to theaters in 3-D, and it's clinched. Cameron served as executive producer to this crazy tale of a cave-diving expedition forced to improvise when a typhoon inundates their New Guinea location. (The film, shot in Australia, is allegedly based on a true event by co-screenwriter Andrew Wight, but it might be safe to conclude that the original incident was a jumping-off point for the high melodrama on display here.) A globetrotting billionaire (Ioan Gruffudd, of Fantastic Four) is underwriting this exploration of a hidden cave maze, which explains why he gets to bring his girlfriend (Alice Parkinson) along. As a measure of their thrill-seeking habits, we are told they met on an Everest climb. The cave-diving boss is a crusty old pro (Richard Roxburgh), who is rough on his underlings and even rougher on his teenage son (Rhys Wakefield); naturally, the cataclysm that follows will be an occasion for some extreme father-son fence mending. As cornball as these elements are, and as generally toneless as director Alister Grierson's ear is with the dialogue scenes, Sanctum does work up some bona fide thrills: the sheer power of water is unleashed at a few memorable spots, as is the panic of losing an oxygen tank at a crucial moment. It's also pretty brutal, with a steep body count and a few grotesque bits of bodily injury. It ought to be easy to dismiss Sanctum as a silly piece of boy's adventure, but--curse you, Cameron!--one must admit that the thing is awfully effective. --Robert Horton
Alice In Wonderland (1933)
Yes, The Five Doctors is the one that gathers together Hartnell, Troughton, Pertwee, Baker and Davison, dumps them on some moorland and lets some of the Doctor's greatest enemies take potshots at them. Except, of course, that William Hartnell had sadly passed on by the time this series was made in 1983 (although his replacement Richard Hurndall does an excellent job) and Tom Baker was only featured as a patched-in cameo, apparently prevented from joining in by a temporal thingummy. However, this kind of creakiness comes with the territory and is soon forgotten. The assorted incarnations of the Doctor (together with a scattering of assistants) are drawn together through time and space to battle Daleks, Cybermen, Yeti--those weird androids which keep jumping into the air and disappearing--and many other old foes. They realise that they're on their home planet of Gallifrey and must eventually deal with the legacy of Rassilon, founder of the Time Lords. It's all great fun, of course, and the excellent chapter points on this DVD compensate for the rather self-indulgent lack of editing. --Roger Thomas
This DVD set contains Series 1, Series 2, The Christmas Special and The Royal Wedding Special. Get ready for a right royal riot with The Windsors, the outrageous and side-splitting satirical comedy series from Channel 4 which imagines the royal family as you've never seen them before, drawing on real life events and creating hilarious fictional fun. Featuring an all-star comedy line-up including the inimitable Harry Enfield (Harry Enfield and Chums) as Prince Charles, Haydn Gwynne (Drop the Dead Donkey) as Camilla, Morgana Robinson (Morgana Robinson's The Agency) as Pippa, Hugh Skinner (W1A) as William, Louise Ford (Crashing) as Kate, Richard Goulding as Harry and Kathryn Drysdale (Benidorm) as Meghan, with Katy Wix (Not Going Out) as Fergie. Join the Windsors in their everyday lives; for a family Christmas at Sandringham; and again to celebrate Harry and Meghan's nuptials.
Episodes include: The Man From Nowhere: A stranger enters Jean's flat and claims to be her husband... When The Spirit Moves You: Marty demonstrates how a ghost detective can sometimes do better than his mortal counterparts... Somebody Just Walked Over My Grave: Marty finds himself accusing his partner of seeing things! Could You Recognise the Man Again? Jeff and Jean are non-plussed to find a dead body in the back seat of their car...
The Knights of Can-a-Lot is a 45-minute never-televised adventure starring Bob the Builder, otherwise dubbed "Sir Fix-a-Lot". When Bob's dad, also called Bob, arrives for an unexpected visit, a simple case of mistaken identity lands Bob junior and his crew a big job restoring a crumbling castle--under the leadership of Bob senior. Problem is, Bob's dad isn't quite up to the role of foreman, nor are Bob and Wendy comfortable taking orders from him. Naturally, the construction crew steps up to the challenge, assuming names like "Sir Roll-a-Lot" and "Lady Dump-a-Lot" and learning all about medieval castles and legends as they work. When Bob and his Dad get locked in the dungeon, they have a heart-to-heart discussion that reveals the importance of honesty and teamwork. After the restoration is complete, Bob's mum joins her family, the construction crew and the historical society for a celebratory medieval pageant. This Bob the Builder episode is rich in history and construction fun. --Tami Horiuchi
Hobson's Choice (1953) and The Sound Barrier (1952) is a double bill of cleverly juxtaposed films from David Lean's early canon, demonstrating that even without the landmark epics to come, British cinema would have been an infinitely poorer place without his tremendous contribution. Both films reflect his endlessly penetrating view of human behaviour and its perseverance through obstacles great and small. And both are effectively prisms that reflect all the aspects of that view, keeping the audience's sympathies constantly on the move. Hobson's Choice, based on Harold Brighouse's eternally popular 1916 comedy, boasts fine turns from Charles Laughton--at his brilliant, physical best--as the boot-shop owner with three troublesome daughters, and John Mills as the lowly boot maker, elevated and improved by the eldest daughter Maggie in a neat inversion of the Pygmalion fable. But both are kept in their place by Brenda de Banzie's portrayal of Maggie, a performance that glows with intelligence, truth and increasing warmth. The Sound Barrier is a drama about the race for a supersonic aeroplane. Superficially, its setting is quintessential post-World War II Britain: stiff upper lips, twin beds and clipped Rattigan dialogue. But it's prescient stuff. Ralph Richardson's aircraft manufacturer, sinister in his obsession, is an ominously skilful film performance. And Lean's take on the unthinkable cost of human achievement, interwoven with some spectacular cinematography, absorbs and unsettles. It's especially poignant now that the supersonic age has been summarily ended by Concorde's retirement. On the DVD: Hobson's Choice and The Sound Barrier are both black-and-white films presented in 4:3 picture format, from reasonable prints, and with a mono soundtrack of suitably robust quality for Malcolm Arnold's inventive scores. There are no extras, apart from scene indexes. --Piers Ford
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