James Booth, Richard Briers, Julie Ege, Ronald Fraser, Originally scripted by comedy legends John Cleese and Graham Chapman, this hilarious farce was the first of only two main features from cult director (and Oscar-winning editor) Jim Clark. Starring James Booth, Richard Briers and Richard Beckinsale as three hapless private investigators, Rentadick is featured here as a brand-new remaster from original film elements in its original theatrical aspect ratio. Armitage, a rich scientist, has problems. Not only is his luscious wife being pursued (and caught) by all and sundry, but his laboratory is under threat of industrial espionage. He engages private detectives to protect both his business and his wife, but the service he receives is certainly not what he was expecting! Special Features: Fullscreen, as-filmed pre-release version Theatrical trailer Brand-new 2021 interview with Veronica Clifford Image gallery Limited edition booklet written by Adrian Smith
Tyrone Power and Betty Grable are captivating in this romantic WWII drama. When slick money-motivated pilot Tim Baker (Power) takes a high-paying job ferrying bombers across the Atlantic he meets up with Carol (Grable) an old flame who sparks enough new heat that he joins the RAF just to be near her. But Carol is also pursued by another pilot - Baker's superior officer! And when Baker must start flying bombing missions life suddenly takes on far more meaning than ever before. Featu
In a gripping tale of courage resourcefulness and determination the consequences of a plane crash strip bare the morals of the survivors. The pilot of the doomed aircraft Frank Towns (James Stewart) is an aviator of the old school used to seat-of-the-pants flying distrustful of new technology. With his navigator Lew Moran (Richard Attenborough) he is piloting a cargo-cum-passenger plane high above the Arabian desert when a powerful sandstorm rises from below. Trusting his instin
First broadcast in 1974, the ITV bedsitland sitcom Rising Damp was an instant and enduring success. It starred Leonard Rossiter as the miserly and lovelorn landlord Rigsby who is constantly needling young lodger Alan (Richard Beckinsale), a science student whose long hair and earrings are symptomatic to Rigsby of the parlous effeminacy of the modern age. He's also in love with Frances De La Tour's dowdy spinster Miss Jones, though his tentative advances are forever rebuffed. She in turn carries a torch for Philip (Don Warrington), the elegant son of an African chief who also resides at Rigsby Towers. Some aspects of Rising Damp have not aged well, principally Rigsby's stream of racist jibes at Philip. Although these were doubtless well-meant and supposed to illustrate Rigsby's foolish bigotry, you suspect that that was a convenient cover for audiences in the 1970s to enjoy racist humour. However, Rossiter's Rigsby--stuttering, stammering, bent perpetually over backwards--remains a great comic creation, embodying all the festering prejudices, small-mindedness and self-delusion of the lower middle class Little Englander. --David Stubbs
The final film by veteran director Maurice Elvey takes a wry look at gender politics in the 1950s workplace casting Adrienne Corri as a high-flying advertising executive whose career is in jeopardy after the announcement of her forthcoming marriage. A sharply intelligent long sought-after comedy that was thought lost for many years Second Fiddle is featured here in a brand-new transfer from the original film elements. Deborah and Charles young executives at the thriving Pontifex Advertising Agency are very much in love. Deborah is recognised by her employers as the most brilliant TV executive in the country while Charles is regarded as 'thoroughly reliable'. But there is one hard-and-fast rule at the agency: the board of directors will not allow any married women on their staff; as soon as a girl marries she must resign!
It's hard to know who thought it would be a good idea to make a live-action version of Disney's animated classic, 101 Dalmatians (and originally Dodie Smith's classic children's story). The one bright notion anyone had was casting Glenn Close as Disney Übervillainess Cruella de Vil; her flashing eyes and angular features are a perfect match and do credit to what is one of the most indelible animated characters Disney has ever created. The story remains essentially the same, focusing on Cruella's plot to kidnap the puppies of a young married couple (Jeff Daniels and Joely Richardson) and make them into a coat. But the dreaded John Hughes, who wrote this script, fills it with sadistic slapstick and far too few genuine laughs. The human actors work hard, but to little avail; thankfully, there's a posse of puppies to regularly steal scenes when the going gets dreary--although there are only so many laughs to be had from inappropriate dog puddles. --Marshall Fine, Amazon.com Don't be fooled by the title, there are four reasons to like 102 Dalmatians, the sequel to the successful live-action remake of Disney's 101 Dalmatians. There are the 101 spotted pooches, Glenn Close back in fine form as Cruella DeVil, Oddball--the spotless Dalmatian pup--and Waddlesworth, a parrot who thinks he's a rottweiler (and is voiced by Monty Python's Eric Idle). There are just as many reasons to be disappointed: like most sequels, the story line is virtually a rewrite of t he first; the secondary casting isn't as interesting; the dialogue merely serves to move the plot along; and the third act substitutes mean-spiritedness for comedy. After a period of rehabilitation, Cruella has returned to her old tricks. Once again, she simply must have a spotted coat and will go to any lengths to get hold of the 102 Dalmatians needed to make one with a hood. She sets her sights on the pups owned by her probation officer, Chloe (Alice Evans), and the owner of a local animal shelter, Kevin (Ioan Gruffudd). Her servant Alonso (Tim McInnerny) and flamboyant furrier Monsieur Le Pelt (Gerard Depardieu, in one ridiculous outfit after another) are drafted to aid in her quest. It should come as no surprise that Chloe and Kevin fall in love, Oddball helps to save the day and Cruella is defeated. Children should enjoy the animal high jinks, but adults are less likely to be enamoured by this perfectly competent, but relatively charmless affair. --Kathleen C Fennessy, Amazon.com.
Six episodes including the first ever of the series. The Goods decide to become self sufficient by growing their own food keeping their own livestock and bartering for anything they can't produce themselves.... Episode titles: Plough Your Own Furrow / Say Little Hen... / The Weaker Sex? / Pig's Lib / The Thing In The Cellar / The Pagan Rite.
Seven further swingingly stylish adventures with super spies John Steed and Mrs Peel! Flashback to the Sixties with the coolest duo in crimefighting! Room Without A View Steed becomes a Gourmet and Emma awakens in Manchuria. Small Game For Big Hunters In which Steed joins the natives and Emma gets the evil eye. A Touch Of Brimstone Steed joins the Hellfire Club and Emma becomes the Queen of Sin. What The Butler Saw Steed becomes a Gentleman's Gentleman and Emma faces a fate worse than death. A Sense Of History Steed dons a gown and Emma becomes a Don. How To Succeed...At Murder Steed becomes a perfect boss and Emma goes seeking charm. Honey For The Prince Steed becomes a Genie and Emma joins a harem.
In the first Prime Suspect, Helen Mirren's ballsy woman Detective Chief Inspector Jane Tennyson battled the boys club and their sexist barbs to prove herself in a chauvinist department. In Prime Suspect 2, she's assigned to head a racially charged murder investigation in a largely African/Caribbean neighbourhood. It's politics as usual in the image-conscious organization, so the superintendent adds to the team black Detective Robert Oswalde (Colin Salma), a sharp but hot-headed investigator who has just broken off an affair with Tennyson. Now Tennyson grapples with her own conflicted feelings while fighting political and public-relations battles both in the media and within the police system itself in the midst of investigating the labyrinthine case. Between the scant clues left to sift, a prime suspect on the verge of death himself and divisions in her own team that result in a devastating death, Tennyson soon begins to suspect she's been hung out to dry by the department. Screenwriter Allan Cubitt dives into the murky waters of volatile racial and social relations to create an even more complex and compelling mystery in Tennyson's second appearance and Mirren rises to the challenge to explore the contradictions of an uncompromising cop in a compromising position. --Sean Axmaker
Cup Fever Barton United's hopes of winning the Manchester junior football league receive a setback when their ground is taken over and used as a car park forcing the boys into action... Hide & Seek Keith absconds from school in the hope that his father will take him to Canada yet Keith's father seems more interested in robbing a bank...
An eighteenth century lunatic asylum whose very name arouses dread and fear. Its malevolent director Master George Sims (Boris Karloff) owes his position to the unpleasant local landowner (Billy House) and takes a keen pleasure in cruelly abusing his inmates. Lord Mortimer keeps an actress Nell Bowen (Anna Lee) on his retinue because she is pretty and entertaining but when Nell visits Bedlam and sees its barbarity she asks her Quaker friend Hannay (Richard Fraser) to try and initiate reforms. Her attempts at reform are thwarted by the evil Sims who has her committed to his 'care' in Bedlam to take her place amongst the insane...
In one of his darkest roles Richard E. Grant plays an ageing professor obsessed with his star student Polly (Fraser). Polly is trapped in a dead-end job working for intrusive Professor Julius Greengrass (Grant). Her relationship with boyfriend Chapman (Adam Fenton) is falling apart and jealous sister Jimi (Antonia Bernath) rarely leaves her side. When Polly has the chance to escape her nearest and dearest have other ideas. Alone in her flat Polly struggles to keep her grip on reality. Mysterious sounds surround her voices in the darkness whispers of deceit. Polly knows she's not cuckoo but why won't the noises go away? She turns to the one person she can trust - her boss. But Julius has a dark secret of his own. He wants Polly and he'll do anything to get her. Using oppressive cinematography and a haunting soundtrack from BAFTA nominee Andrew Hewitt writer/director Richard Bracewell whose first film was the acclaimed low-budget comedy The Gigolos carefully builds Polly's world echoing her stressed and anxious state. Expertly played by Fraser we feel Polly's sense of isolation as events unfold around her in this darkly atmospheric and compelling story of deception and intrigue.
In one of his darkest roles Richard E. Grant plays an ageing professor obsessed with his star student Polly (Fraser). Polly is trapped in a dead-end job working for intrusive Professor Julius Greengrass (Grant). Her relationship with boyfriend Chapman (Adam Fenton) is falling apart and jealous sister Jimi (Antonia Bernath) rarely leaves her side. When Polly has the chance to escape her nearest and dearest have other ideas. Alone in her flat Polly struggles to keep her grip on reality. Mysterious sounds surround her voices in the darkness whispers of deceit. Polly knows she's not cuckoo but why won't the noises go away? She turns to the one person she can trust - her boss. But Julius has a dark secret of his own. He wants Polly and he'll do anything to get her. Using oppressive cinematography and a haunting soundtrack from BAFTA nominee Andrew Hewitt writer/director Richard Bracewell whose first film was the acclaimed low-budget comedy The Gigolos carefully builds Polly's world echoing her stressed and anxious state. Expertly played by Fraser we feel Polly's sense of isolation as events unfold around her in this darkly atmospheric and compelling story of deception and intrigue.
A box set featuring some of the best British war films ever made... Zulu Dawn (1979 Dir. Douglas Hickox): (Dolby Digital 5.1 / WS 16:9) This dramatic and true story recounts the breathtaking defeat of British forces at the hands of a 25 000 strong and relentlessly determined Zulu army in 1879. General Lord Chelmsford (brilliantly portrayed by Peter O'Toole) is the man responsible for the fatal decision to split up the troops based on faulty information provided by the fake
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