Features the all episodes from the BBC television comedy series which sees Tom and Barbara leave the rat-race in an attempt to live a self-sufficient life; with varying degrees of success! Episodes comprise: 1. Plough Your Own Furrow 2. Say Little Hen ... 3. The Weaker Sex? 4. Pig's Lib 5. The Thing In The Cellar 6. The Pagan Rite 7. Backs To The Wall 8. Just My Bill 9. The Guru Of Surbiton 10. Mr Fix-It 11. The Day Peace Broke Out 12. Mutiny 13. Home Sweet Home 14. Going To Pot? 15. The Early Birds 16. The Happy Event 17. A Tug Of The Forelock 18. I Talk To The Trees 19. The Wind-Break War 20. Whose Fleas Are These? 21. The Last Posh Frock 22. Away From It All 23. The Green Door 24. Our Speaker Today 25. The Weaver's Tale 26. Suit Yourself 27. Sweet And Sour Charity 28. Anniversary 29. When I'm 65 30. Silly But It's Fun
About A Boy: Will (Grant) is a 38-year old Londoner living a bachelor lifestyle on the back of royalties earned from a Christmas song penned by his father some years previously. A serial womaniser Will comes up with the idea of attending a single parents group as a new way to pick up women. Inventing a two-year old son for himself he meets lonely bullied schoolboy Marcus (Nicholas Hoult) and his depressed music therapist mother (Toni Collette). The intelligent Marcus soon learns Will's secret and so blackmails him into letting him hang out at his place and watch afternoon telly. However what starts out as an uneasy quiz show watching alliance turns into an unlikely friendship... Notting Hill: William Thacker (Hugh Grant) is the owner of a bookshop in the heart of Notting Hill in London. One day by a one-in-a-million chance the worlds most famous actress Anna Scott (Julia Roberts) comes into his shop. He watches in amazement as she leaves and he thinks he'll never see her again. But fate intervenes - and minutes later William collides with Anna on Portobello Road. So begins a tale of romance and adventure in London W11. With a little help from his chaotic flatmate Spike (Rhys Ifans) and his friends Max and Bella (Tim McInnerny and Gina McKee) William seeks the face he can't forget...
Richard Burton stars as successful novelist John Morlar who believes he has 'a gift for disaster' - the power to cause death and destruction through unconscious telekinesis. When Morlar is viciously assaulted and left for dead the night of the Moon Mission disaster and a jet crash police investigating the attack quickly turn to Morlar's mysterious therapist Zonfeld (Lee Remick) in the belief that there is a link between the assault and Morlar's disturbing complex...
You might not get a thrill from the sight of Faye Dunaway and Marlon Brando throwing popcorn into each other's mouths, but that didn't stop this movie from gaining a new lease on life thanks to cable television and home video. It's a quirky romantic comedy about a mental patient (Johnny Depp) who claims to be Don Juan, the world's greatest lover, and he gets quite a few women to believe it's true. Brando plays the psychiatrist who tries to analyze his patient's apparent delusion, and Dunaway plays Brando's wife, who wants to inject some Don Juan-ish romance into their marital routine. Walking a fine line between precious comedy, wistful drama, and delicate fantasy, the movie gets a big dose of charm from its esteemed cast, with Depp delivering dialogue that would have sounded ludicrous from a lesser actor. Don Juan DeMarco may not be a great movie, but it is guaranteed to put you in an amorous mood. --Jeff Shannon
Following on from the success of Royal Warriors, David Chung and Michelle Yeoh teamed up again courtesy of D & B Films for this much beloved kung-fu actioner inspired by the success of the Indiana Jones franchise. Michelle Yeoh stars as a daring secret agent during the Second Sino-Japanese War, who intervenes in characteristically explosive fashion to defend a remote mountain town from occupying Japanese forces. One of Michelle Yeoh's most popular titles and featuring some of her most memorable action sequences, Magnificent Warriors also stars Richard Ng, Shaw Brothers veteran Derek Yee, and Lowell Lo. Fully restored in 2K, and with the film's original theatrical ending - Eureka Classics is proud to present the film in on Blu-ray for the first time in the UK. Product Features Limited Edition O-Card slipcase featuring new artwork by Darren Wheeling 1080p HD presentation on Blu-ray of the original theatrical cut (including the films' original theatrical ending previously cut from most home video releases) from a brand new 2K restoration Cantonese and English audio options (both in their original mono presentations) Optional English Subtitles, newly translated for this release Brand new feature length audio commentary by Asian film experts Frank Djeng (NY Asian Film Festival) & Michael Worth Brand new feature length audio commentary by action cinema experts Mike Leeder & Arne Venema New interview with Richard Ng New interview with Lowell Lo Archival advert featuring Jackie Chan and Michelle Yeoh Archival interview with action choreographer Tung Wai Trailers Reversible sleeve design PLUS: A Limited Edition collector's booklet featuring new writing by James Oliver *All extras subject to change
This film, which again pairs Richard Gere and Kim Basinger (who starred in 1986's No Mercy), offers up elements of classic noir: a hapless man becomes intimately involved with a beautiful blonde who may or may not be who or what she appears to be. Dedicated psychiatrist Isaac Barr (Gere) reluctantly, and then more obsessively, becomes involved with Heather Evans (Basinger), the sister of his patient, Diana Baylor (Uma Thurman). Evans is unhappily married to a gangster (appropriately played by a muscular and menacing Eric Roberts in a trademark role). Gere and Basinger make a credible, if dangerous couple, and Thurman delivers a subtle, understated performance and demonstrates her range and potential. The thriller is appropriately shot in gorgeous San Francisco, where the literal and figurative curving and hilly roads wind throughout. Credit legendary art director Dean Tavoularis for some amazing sets and scenes, notably the elegantly cavernous restaurant where Evans and her husband have a fateful dinner. This film is, in a way, glossy director Phil Joanou's Hitchcockian tribute--as a climactic lighthouse scene best demonstrates. Final Analysis doesn't offer an intimate look at its characters, but a beautifully stylized one, moody and gloomy. The intricate plot experiments with the device of "pathological intoxication," in which the subject completely loses control after drinking alcohol. And this doesn't mean a conventional ugly drunk; it means a frightening psychotic. Good and evil, hope and despair, beauty and repulsion are often juxtaposed in the film's complex world. --NF Mendoza
Get out your handkerchiefs for this four-star weepie, a 1957 remake of the 1939 Love Affair, directed by Leo McCarey, who also made the original. Grant and Kerr are strangers on an ocean liner, involved with other people, who can't resist each other for a shipboard romance. But they decide to test whether this is the real thing by agreeing to split up, then meeting in six months atop the Empire State Building. Is there anyone who can resist that set-up or the tragic romantic mishap that nearly splits them up? Can you keep dry eyes during the famous finale? Some prefer the original (with Charles Boyer); practically no one liked the underrated 1994 remake with Warren Beatty and Annette Bening. While occasionally a shade slow, this one soars on Grant's charm and Kerr's noble suffering. --Marshall Fine, Amazon.com
After Rocky and its sequels, Sylvester Stallone cast about for another character that would bring him the same kind of box-office hit--and found it in disillusioned Vietnam vet John Rambo in First Blood, a solid little action thriller. So when all else failed, Stallone went back to the same well in hopes of recapturing the same commercial success. Which this film did. But where First Blood was a no-nonsense thriller that pitted Stallone against a worthy (and not necessarily bad) Brian Dennehy, this one is a sadistic chest-thumper in which Rambo gets to go back to Vietnam: ostensibly, he is there to rescue missing POWs, but in fact the movie was a lame excuse for him to refight the Vietnam War--and win. Audiences ate up the cruel Vietcong (and their Russian manipulators) and Stallone's bogus heroics, but it was strictly by-the-numbers action. --Marshall FineThe Rambo trilogy is also available on DVD as a complete set.
A troubled hedge fund magnate desperate to complete the sale of his trading empire makes an error that forces him to turn to an unlikely person for help.
The second most-watched mini-series (after Roots) of all time, The Thorn Birds was originally broadcast in 1983 and captivated viewers with its story of a lifelong conflict between the spirit and the flesh. Adapted from the bestselling novel by Colleen McCullough, the production stars Richard Chamberlain as a Catholic priest named Ralph de Bricassart, whose life in Australia between 1920 and 1962 is one long torment as he pines for his lover, Meggie Carson (Rachel Ward), while seeking advancement in his clergyman career. The passion and the guilt make for compelling drama, but a stellar cast of supporting players adds muscle to the proceedings: Barbara Stanwyck (who won an Emmy for her work as Meggie's tough grandmother), Jean Simmons, Richard Kiley, Christopher Plummer, Bryan Brown, and Mare Winningham. Chamberlain, who was something of the king of the miniseries form at the time, is very good in the lead, as is the often-underrated Ward. Their affair is indeed irresistible to watch, which proves to be true, too, of the story's thick weave of church politics, forbidden desire, social change over decades, and family secrets. --Tom Keogh
Jack Arnold's horror classic The Creature from the Black Lagoon spawned not one but two iconic images: the web-footed humanoid gill-man with a hankering for women and the leggy, luscious Julia Adams, the object of his desire, swimming the lagoon in a luminous white bathing suit. Not since King Kong has the "beauty and the beast" theme been portrayed in such sexually charged (though chaste) terms. Arnold turns an effectively B-movie plot--a small expedition up a remote Amazon river captures a prehistoric amphibian man, who escapes to wreak havoc on the team and kidnap his bathing beauty--into a moody, stylish, low-budget feature. The jungle exteriors turn from exotic to treacherous when the creature blocks their passage and strands them in the wilds. Much of the film is shot underwater, where the murky dark is animated by shimmering shards of sunlight, creating images both lovely and alien (the studio-built sets of the creature's underground lair are far less naturalistic, but serve their purpose). As with most of Arnold's '50s genre films, he's saddled with a less than magnetic leading man (in this case the colorless but stalwart Richard Carlson) and a conventional script, but he overcomes such limitations by creating a vivid and sympathetic monster (helped immeasurably by a marvelous suit of scales and fins) and establishing a mood thick with atmosphere. The film was originally shot in 3-D. --Sean Axmaker
With a well-established framework of back-story and an increasing list of adversaries, the third series of Stargate SG-1 was the place where casual viewers began to fall away. Unless you were taking notes it was becoming ever harder to stay on top of the Goa'uld history and their constant scheming. Fortunately by now a solid fanbase had appeared worldwide--with clubs, conventions and Web sites galore--so the ratings didn't slip even while ancient gods kept appearing and reappearing. Daniel Jackson could always be trusted to illuminate any relevant myth or legend (or find them in five minutes on the internet), while Carter's memory download from last year supplied the necessary ties with the rebellious Tok'ra. Away from the story arc the show's all-important stand-alone tales gave some thorny old subjects a new SF spin, including organised religion, the use of children in the passing on of knowledge, and leading an alternative life. O'Neill's sarcastic wit went into overdrive this year and Teal'c could be relied upon for a sneer or fish-out-of-water joke. Further comic relief came from Sam "Flash Gordon" Jones and Dom DeLuise, but perhaps the funniest thing of all was the wig Carter would apparently be wearing in an alternate universe. --Paul Tonks
Will and Jake Grimm are travelling con-artists who find themselves up against a genuine fairy-tale curse.
Best of enemies. Deadliest of friends. They are fast friends and worse foes. One is Billy the Kid (Kris Kristofferson) a law unto himself. The other is the law: Sheriff Pat Garrett (James Coburn) who once rode with Billy. Set to a bristling score by Bob Dylan (who also plays Billy's sidekick Alias) and with a `Who's Who' of iconic Western players Sam Peckinpah's saga of one of the West's great legends is now restored to its intended glory. For the first time since it left
The Cassandra Crossing is an all-star disaster spectacular telling of the terrifying odyssey of 1000 doomed passengers trapped aboard a plague infested train. A terrorist infected with a deadly virus boards the Stockholm to Geneva Express and exposes all aboard to the disease. Colonel MacKenzie (Burt Lancaster) is called into handle the situation and finds Dr. Chamberlain (Richard Harris) who is on board the train. Mackenzie decides to re-route the train to the Cassandra Crossi
Britain's best-loved outlaw gets the Hammer treatment in Robin Hood at Hammer: Two Tales from Sherwood Forest. For 1960's Sword of Sherwood Forest, Richard Greene (The Blood of Fu Manchu, The Castle of Fu Manchu) reprises the role he made famous in the classic television series The Adventures of Robin Hood. Directed by Terence Fisher (The Gorgon, The Revenge of Frankenstein), and starring Peter Cushing (The Devil's Men, Corruption) as the dastardly Sheriff of Nottingham, the film sees Robin Hood thwart a plot to assassinate the Archbishop of Canterbury (Jack Gwillm, Jason and the Argonauts, The Curse of the Mummy's Tomb). The film also boasts an uncredited early role for Oliver Reed (The System, The Damned). In 1967's A Challenge for Robin Hood, Barry Ingham (The Day of the Jackal) dons the Lincoln green as he and his merrie men hide out in Sherwood Forest after his cousin (Peter Blythe, Frankenstein Created Woman) frames him for murder. This action-packed adventure features acting support from Gay Hamilton (Barry Lyndon, The Duellists) and Leon Greene (Adventures of a Private Eye, Adventures of a Plumber's Mate). This 2-disc Limited Edition set contains a double-sided poster, an 80-page book, and extensive new and archival extra features, including the much-loved Children's Film Foundation film Robin Hood Junior (1975), starring Keith Chegwin (Multi-Coloured Swap Shop, Cheggers Plays Pop) as the diminutive hero. Product Features High Definition remasters of Sword of Sherwood Forest and A Challenge for Robin Hood Original mono audio Audio commentary on Sword of Sherwood Forest with author and critic Kim Newman (2022) Audio commentary on A Challenge for Robin Hood with film historians Kevin Lyons and Jonathan Rigby (2022) The BEHP Interview with Sidney Cole (1987): archival audio recording, made as part of the British Entertainment History Project, featuring the Sword of Sherwood Forest producer in conversation with Alan Lawson, Arthur Graham and Rodney Giesler The BEHP Interview with C M Pennington-Richards (1990): archival audio recording, made as part of the British Entertainment History Project, featuring the director of A Challenge for Robin Hood in conversation with Alan Lawson and Colin Moffat Jonathan Rigby on ˜Sword of Sherwood Forest' (2022): appreciation by the author and film historian Kim Newman on Robin Hood (2022): the author and critic surveys the many cinematic portrayals of the world-famous English outlaw Hammer's Women: Vanda Godsell (2022): profile of the British stage and screen performer Hammer's Women: Irene Lamb (2022): profile of the casting director whose career encompassed many Hammer productions, Star Wars, and the films of Sally Potter Appreciations of the Alun Hoddinott and Gary Hughes scores by David Huckvale, author of Hammer Film Scores and the Musical Avant-Garde Robin Hood Junior (1975): Children's Film Foundation spin on the folk hero starring actor and television presenter Keith Chegwin as the young outlaw Original theatrical trailers Image galleries: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 80-page book with a new essay by Frank Collins, archival interviews and articles, Jeff Billington on Robin Hood Junior, an overview of contemporary reviews, and film credits Limited edition exclusive poster UK and world premiere on Blu-ray Limited edition of 5,000 copies for the UK Extras subject to change
Give up three years of their lives or give up the life of their friend. They have eight days to decide. Tony is a successful architect ready to be married. Sheriff is a devil-may-care limo driver. Two years prior they had been in Malaysia living the high life with a third buddy Lewis. Lewis stayed on to continue their hedonistic lifestyle. His long-lost buddies don't know however that he is in prison sentenced to die because of them. If a lawyer can persuade Tony and She
It now seems clear that year five of Stargate will be remembered as the one where something went awry with Daniel Jackson. Lots of behind-the-scenes rumours fuelled the idea of cast tension, but whatever the problem, his sudden departure from the show was obviously via a hastily contrived scenario. In retrospect, there must have been a problem for some while before the weird penultimate episode ("Meridian"). Michael Shanks looks frequently bored in his rare moments of individual screen time as he infiltrates a Goa'uld meeting and even when making friends with a creature everyone else wants dead. In fact, there's only one point when everyone really seems to be having fun, and that's in the spoof 100th episode "Wormhole X-treme!" Most shows go through a run-around, skin-of-their-teeth period awaiting renewal and it certainly seems to have affected storylines this year. For example, a next generation of younger SG teams is introduced. Replacements? The most unfortunate aspect of things however was that not a single episode managed to stand alone on its own merits. Every single story was dependent on a part of the greater interwoven warring species threads. Some of the one-off tales were terrific in and of themselves, but it was as if the writers fell into the trap of having to refer to as much backstory as possible, perhaps to ensure loose ends could be easily wrapped up? Ultimately none of this mattered since the show went on for quite a while. --Paul Tonks
Little did Tom Cruise know that he would become a box-office superstar after he cranked up some Bob Seeger and played air guitar in his underwear. But there's more to this 1983 hit than the arrival of a hot young star. Making a stylish debut, writer-director Paul Brickman crafted a subtle satire of crass materialism wrapped in an irresistible plot about a crafty high schooler named Joel (Cruise) who goes into risky business with the beguiling prostitute Lana (Rebecca De Mornay) while his parents are out of town. Joel turns his affluent Chicago-suburb home into a lucrative bordello and forms a steamy personal and professional partnership with Lana, but only as long as the two can avoid the vengeful pimp Guido (Joe Pantoliano) and keep their customers happy. A signature film of the 1980s, Risky Business still holds up thanks to Cruise's effortless charm and the movie's timeless appeal as an adolescent male fantasy. --Jeff Shannon
Love is a funny thing. Especially when Harrison Ford Julia Ormond and Greg Kinnear form the warmest romantic triangle ever! Directed by Sydney Pollack Sabrina shimmers like a fairy tale come true. Ford plays Linus Larrabee a busy tycoon who has no room for love in his appointment book. But when a romance between his playboy brother (Kinnear) and Sabrina (Ormond) daughter of the family chauffeur threatens one of Linus' business deals the CEO clears his schedule for some ruthl
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