Peter Sellers stars as an incompetent lawyer who must defend a man accused of murdering his wife. Despite the man's insistence that he really is guilty the lawyer sees the case as his big break.
Writer-director Theodoros Bafaloukos responded to Jamaica's siren call all the way over in Greece and came to the island to make this 1977 movie about a band of Rasta men/Robin Hoods getting their own back at the expense of those perennial bloodsuckers, the "uptown top rankings", as men of money and position are called in Jamaica. The reggae star-studded cast is undoubtedly the movie's most rewarding feature, though some fans have objected to the demeaning sight of the incomparable late singer Jacob Miller threatening a friend with a knife over a purloined chicken leg or the equally great singer Gregory Isaacs exacting chump change for unlocking a tourist's rental car. However, these and other great reggae figures are also seen here in full and glorious performance at their peak. In fact, this film provides our only extended visual record of Miller's kinetic performance style and one of the best pieces of footage on Isaacs. Although Rockers doesn't approach the multi-layered complexity of The Harder They Come and it does betray a little superiority now and then to its characters, there are plenty of laughs as well as insights into life at the time for Jamaica's growing Rastafarian movement. Drummer Leroy "Horsemouth" Wallace makes an unlikely though quintessentially Jamaican leading man as he moves between wooing the rich man's virginal daughter and making pit stops at the shack he shares with his wife and children. His band of accomplices is priceless, and the scene in which each struts in his own "stylee" to Peter Tosh's "Stepping Razor" is alone worth the price. --Elena Oumano
Will Houston plays the lead role in this adaptation of Shakespeare's play....
A low-life criminal who falls in love with older ladies meets his match in Annette wiser and beautiful. Falling head over heels for her he is sucked into her world of violent crime where there are no bounds no rules and no conscience.
The savage story of a city stripped naked! Detective Dan Madigan (Richard Widmark) runs roughshod over the police rule book - and over anyone who gets in his way during an intensive 72-hour police manhunt for a hit man. His superior officer Commissioner Anthony Russell (Henry Fonda) lives by and for the book as he copes with the workday problems of police administrative work. These two men's lives come together when the psychotic is cornered in a Manhattan tenement by a police raiding squad led by Madigan and Russell - a confrontation that only one of the two men will survive.
The Avenging Conscience:Nightmarish visions of ghouls and devils highlight this D.W. Griffith silent feature based around Edgar Allen Poe's The Telltale Heart and Annabelle Lee. A young man (Henry B. Walthall) finds himself prevented from wooing the girl he loves (Blanche Sweet) due to the tyrannical edicts of his mean old uncle (Spottiswoode Aitken). The poor lad becomes haunted by a series of visions that convince him to murder this interfering relative. After the murder has been planned and executed the man finds himself haunted by still more visions this time of the fire and brimstone variety. An inquiring detective (Ralph Lewis) adds to the ever-mounting paranoia. Birth Of A Nation: The first part of the film chronicles the Civil War as experienced through the eyes of two families; the Stonemans from the North and the Camerons of the South. Lifelong friends they become divided by the Mason-Dixon line with tragic results. Large-scale battle sequences and meticulous historical details culminate with a staged re-creation of Lincoln's assassination. The second half of the film chronicles the Reconstruction as Congressman Austin Stoneman (Ralph Lewis) puts evil Silas Lynch (George Siegmann) in charge of the liberated slaves at the Cameron hometown of Piedmont. Armed with the right to vote the freed slaves cause all sorts of trouble until Ben Cameron (Henry B. Walthall) founds the Ku Klux Klan and restores order and decency to the troubled land. While The Birth Of A Nation was a major step forward in the history of filmmaking it must be noted that the film supports a racist worldview. Broken Blossoms: This strangely beautiful silent film from D.W. Griffith is also one of his more grim efforts; an indictment of child abuse and the violence of western society. An idealistic Asian (Richard Barthelemess) travels to the west in hopes of spreading the Buddha's message of peace to the round-eyed sons of turmoil and strife. Instead he winds up a disillusioned opium-smoking shopkeeper in London's squalid Limehouse District. Down the street a poor waif (Lillian Gish) suffers horrific abuse at the hands of her boxer father (Donald Crisp). When fortune delivers the battered girl into the Asian's tender care a strange and beautiful love blossoms between them a love far too fragile to survive their brutal environment. Intolerance: D.W. Griffith's biggest most ambitious spectacle uses stories from different times and places to illustrate humanity's intolerance of religious differences throughout the ages. The most visually impressive of these chronicles is the fall of Babylon for which Griffith built the largest sets in Hollywood and filled them with thousands of extras; there's also Christ's crucifixion and the massacre of the Heugenots in 15th century France. The most emotionally involving tale is the modern one about a poor girl (Mae Marsh) whose life is repeatedly ruined by the zealotry of social reformers. The image of a mother (Lillian Gish) rocking her child in a cradle links the stories. At one point angels reach down from heaven to stop soldiers in midbattle making it clear that Griffith intended this follow-up to The Birth Of A Nation as a message of global peace and love Way Down East: Innocent Anna is sent by her poverty-stricken mother to visit rich relations in Boston where she is seduced into a sham marriage by a smooth-talking scoundrel. When she becomes pregnant he abandons her; later the baby dies. Now a social outcast she changes her name and eventually finds shelter at the estate of the sternly religious Squire Bartlett. She falls in love with his handsome son but cannot divulge to him her terrible secret for fear of his father's righteous
Richard Burton Lee Marvin and Linda Evans star in this explosive drama about the Klu Klux Klan and a militant black community set in America's Deep South.
4 classic episodes from the 1955 series The Adventures Of Robin Hood with Richard Greene taking up the green tights and protecting the good people of England from the evil Sheriff Of Nottingham.
Permanent Vacation (1980): In downtown Manhattan Allie a twenty-something guy (Chris Parker) whose Father is not around and whose Mother is institutionalized is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few strange and surreal characters along the way. Stranger Than Paradise (1984): Winner of the Camera d'Or for Best First Feature at the 1984 Cannes Film Festival Stranger Than Paradise not only launched Jim Jarmusch's career but also earned him recognition from critics as one of today's more inventive and creative filmmakers. Lounge Lizard musician John Lurie stars as Willie a disenchanted New Yorker who along with his best friend Eddie (Richard Edson) and cousin Eva (Eszter Balint) decides it's time to leave behind their boring lives in search of ""paradise."" But as their unforgettable road trip to Florida unfolds they find that amidst the sunshine blue skies and palm trees their pursuit of happiness is constantly road-blocked by the very thing they can't run away from... themselves. Down By Law (1986): In one of the hippest comedies ever made three misfits find themselves thrown together in a New Orleans jail cell. There's Zach the unemployed DJ Jack the small-time pimp and Bob the crazy Italian tourist. Unavailable for many years this cult hit stars Tom Waits John Lurie and the Oscar-winning director and star of Life is Beautiful Roberto Benigni. A film that firmly established Jim Jarmusch as the coolest director on the American independent scene.
A collection of spine-tingling horror tales from the pen of bestselling horror novelist Stephen King... Salem's Lot (Dir. Tobe Hooper 1979): Ben Mears (David Soul) returns to his hometown Salem's Lot to complete work on his latest novel but finds himself increasingly disturbed by the object of his attention Mr Straker's (James Mason) mansion house which terrified Ben as a child. It seems that the residents have been acting up and some have even gone missing; all of which coincides with the arrival of Mr Straker and his mysteriously anonymous business partner Mr Barlow to Salem's Lot. Ben vows to get to the bottom of the disappearances and confront his childhood fears... It (Dir. Tommy Lee Wallace 1990): A series of murders prompts Mike Hanlon to suspect that the supernatural menace that he and a group of friends battled as children has returned. He begins to call his friends to remind them of the oath they swore: if It returned again they would come back to Derry to do battle again... Storm of the Century (Dir. Craig R. Baxley 1999): From Stephen King the best-selling novelist of all time comes the terrifying tale of a town besieged by evil. The inhabitants of a picturesque sleepy little town on a small island off the coast of Maine find themselves completely cut off from the rest of the world when they are hit by the worst storm of the century. As Snow steadily buries everything familiar terror arrives in the form of an evil stranger. As streets disappear and an eerie darkness envelops the town a series of bizarre murders creates a nightmare of fear. With no help coming from the outside world and no end to the storm in sight the towns folk are forced to take drastic action before it's too late... The Shining (Dir. Mick Garris 1997): A recovering alcoholic must wrestle with demons within and without when he and his family move into a haunted hotel as caretakers. TV miniseries remake of Stanley Kubrick's classic chilling 1980 film. Rose Red (Dir. Craig R. Baxley 2002): The chilling tale of Dr. Joyce Reardon (Nancy Travis) an obsessed psychology professor who commissions a team of psychics and a gifted 15 year old autistic girl Annie Wheaton to literally wake up a supposedly dormant haunted mansion: Rose Red. Their efforts unleash myriad spirits and uncover horrifying secrets of the generations who have lived and died there... Diary of Ellen Rimbauer (Dir. Craig R. Baxley 2003): This series is a prequel to the Stephen King mini-series Rose Red. At the turn of the twentieth century Ellen Rimbauer (Lisa Brenner) the young bride of charming Seattle industrialist John Rimbauer (Steven Brand) began keeping a remarkable diary. This diary became the secret place where Ellen could confess her anxieties about her new marriage express her confusion over her emerging sexuality and contemplate the nightmare that her life was becoming. The diary also follows the construction of the Rimbauer mansion Rose Red an enormous home that would be the site of so many horrific and inexplicable tragedies in the years ahead. Due in part so it seems to a murder that took place during its construction. After Ellen's daughter vanishes John's philandering ways and violent tendencies aggravate her desperation...
Alastair Sim Richard Attenborough Joyce Carey and Fay Compton head an all-star cast in this classic British comedy crime drama set in pre-war London and produced by the acclaimed team of Frank Launder and Sidney Gilliat. Christmas Eve 1938. The lives of all those living in a rooming house in Dulcimer Street South London are about to change forever. Young Percy Boon (Richard Attenborough) from upstairs takes his first step towards a life of crime.and down-on-his-luck fraudulent medium Henry Squales (Alastair Sim) arrives to take the basement room. The people who live in 10 Dulcimer Street are all very different - but when Percy's criminal career ends in tragedy and he is sent to the gallows they rally together as Londoners to try and get true justice.
The Nutty Professor: Eddie Murphy stars as Dr Sherman Klump a kind ""calorically challenged"" genetics professor who longs to shed his 400-pound frame in order to win the heart of beautiful Jada Pinkett. So with one swig of his experimental fat-reducing serum Sherman becomes ""Buddy Love"" a fast-talking pumped-up plumped-down Don Juan. Can Sherman stop his buff alter ego before it's too late or will Buddy have the last laugh? Nutty Professor 2: America's funniest family is back for seconds! Eddie Murphy is hilarious when he stars as the entire Klump family in this enormous comedy blockbuster sequel to the Nutty Professer. The hilarity begins when professor Sherman Klump finds romance with fellow DNA specialist Denise Gaines (Janet Jackson) and discovers a brilliant formula that reverses aging. But Sherman's thin and obnoxious alter ego Buddy Love wants out... and a big piece of the action. And when Buddy gets loose things get seriously nutty. Now it's up to Mama Papa Ernie and Granny Klump to throw their weight around and save the day in this whopping gut-busting comedy.
Dead Or Alive (2000): Welcome to Shinjuku - city of darkness and corruption and the setting for this stunning movie by Japanese director Takashi Miike. Here rapid-fire shoot-outs and twisted acts of perverse violence provide the backdrop for a vicious war between the Japanese Yakuza and the Chinese Triads and make for one of the most dizzying and spectacular openings ever committed to film. Ryuichi is a gangster who is driven by a desire for power and the memory of his deprived childhood. His younger brother Toji has just returned from studying in the U.S. Between them they are about to learn some harsh lessons about life on the wrong side of the law. Meanwhile Detective Jojima finds himself drawn deeper into the world of the Yakuza as he continues to make dirty deals he hopes will help raise the money to pay for his daughter's life-saving operation. Uncompromising and fearlessly original Takashi's 'Dead Or Alive' takes a mind-bending journey into the dark and twisted world of ruthless gangsters dealers strippers and hookers... Dead Or Alive 2: Birds (2000): With Dead or Alive the extraordinarily gifted and prolific Miike Takashi created one of the most extreme and visually stunning films of his career. With Dead or Alive 2 he pushes the boundaries further than ever before. When Otamoko (Sho Aikawa) is hired to assassinate a ruthless gangster he is surprised to find a mysterious gunman make the hit before he gets the chance to pull the trigger. Deciding to take the money for the job he failed to complete Otamoko flees the city with Japanese Yakuza and the Chinese Triads hot on his trail. Hiding out on the island where he grew up he runs into the man who killed his target; an old friend named Sawada (Riki Takeuchi). Together they plan to use their shooting skills to rid the earth of evil and set out to hit the gang bosses and drug dealers who make the world a worse place. Dead Or Alive: Final (2002): Set in a post apocalyptic Yokohama where the population is kept under rigid control by a half crazed mayor Riki Takeuchi is a hard boiled cop and Show Aikawa a mellowed out drifter that hooks up with a gang of rebels. When the gang kidnap Takeuchi's son the wheels are set in motion that leads to an inevitable showdown.
Sophia Loren (Mrs. Ponti) stars as a bored married woman who embarks upon a brief romantic fling with equally married Richard Burton. Throughout their relationship Loren and Burton are plagued by guilt; ultimately they sacrifice their potential happiness in favour of ""the right thing."" Based on the 1936 Noel Coward playlet Still Life.
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