A heartfelt epic from Irish director Neal Jordan (The Crying Game, Interview with the Vampire), Michael Collins is the biography of the charismatic and controversial Irish rebel leader who led the fight for independence from Britain. Among the most beautiful and atmospherically photographed movies of the 1990s, Michael Collins is also a rich and intelligent study of the nature of politics and leadership: the IRA spokesman, full of fiery convictions, eventually gives way to the more mature negotiator who strives to reach a compromise solution and is politically undone in the process. Liam Neeson gives a grand and towering performance as Collins, but for all the character's legendary, heroic, or otherwise larger-than-life attributes, Jordan and Neeson also keep him human. This is sweeping historical filmmaking of the kind we haven't seen since the heyday of David Lean, but with Jordan's characteristic touches of complexity and ambivalence. --Jim Emerson
Both a critical and ratings success on its original ITV transmission The Sandbaggers was lauded in 2003 by the New York Times as being ""The best spy series in TV history"". 'The Sandbaggers' is a nickname for the Special Section of the British Secret Service - a team of special agents who were deployed during the Cold War. Run by the dour single-minded Neil Burnside (Roy Marsden) the 'Sandbaggers' are headed by the brash but conscientious Willie Caine (Ray Lonnen). In a game of cat-and-mouse between foreign powers the stakes are high and the chances of a Sandbagger being killed in action is not small. An ex-Sandbagger himself Burnside must try to keep his operatives alive while contending with the political machinations and dictates of the government. Features the complete third series. Episodes Comprise: 1. All In A Good Cause 2. To Hell With Justice 3. Unusual Approach 4. My Name Is Anna Wiseman 5. Sometimes We Play Dirty Too 6. Who Needs Enemies 7. Opposite Numbers
See and hear The Sound of Music in a whole new way! A timeless cinematic treasure soars to new heights in this 45th anniversary edition. Digitally remastered for spectacular sound and pristine picture quality you've never seen or heard The Sound Of Music like this before! Julie Andrews lights up the screen as Maria a spirited young woman who leaves the convent to bring love and music to the home of Captain von Trapp (Christopher Plummer) and his seven children.
If this Blu-Ray contained any more adventure it would have a snake in it. South America Special: The Director's Cut: What happens when you take a tall man in jeans a small man dressed as Ray Mears and a shaggy haired man with the most ridiculous tool belt you've ever seen and you drop them deep in the Amazon rain forest? Well either you don't see them again until some proper explorers find their still-screaming skeletons. Or as actually happened you let them take along a trio of temperamental 4x4s and set them off on a 1000 mile journey through forest over mountains and across deserts in what turns out to be Top Gear's most exciting dramatic and visually stunning adventure to date. Romania & Bonneville: The Director's Cut Romania: When the Top Gear team received whisper that deep within Romania lurked one of the world's best driving roads they had no option but to seek it out. And to do so they got hold of three superb convertible supercars in what became an incredible Eastern European adventure. From a noise test underneath the world's heaviest building and James's romantic encounter with the Dacia Sandero to a small accident with the locals and Jeremy in a silly hat this trip has everything. And best of all it culminates with three wonderful cars enjoying absolute petrolhead nirvana. Bonneville USA: Jeremy Richard and James head to the United States to see if the Americans still make any good cars. Unfortunately there's a small error with their visas and the US immigration authorities will only let them in if they promise not to do anything entertaining. So with serious faces on they set off on a proper old fashioned muscle car road trip to the amazing Bonneville salt flats. Along the way Richard becomes an amateur aerodynamicist Jeremy discovers a strange security problem with one of their cars and Captain Slow discovers a hitherto hidden love of fast driving in what turns out to be a dusty dirty slice of pure car lover's heaven.
Zombies! Werewolves! Atomic Mutation! Intergalactic Avians! Let this quartet of classic terrors take you back to the golden age of B-Movie Monsters! A mob boss hires an ex-Nazi scientist to reanimate his dead thugs in Creature with the Atom Brain. An auto-accident survivor is used as an experimental subject to create a vaccine for nuclear fall-out with hair-raising side-effects in The Werewolf. Treasure hunters get more than they bargained for in the search for a cargo of diamonds that went down with a sunken ship when they discover the zombified crew members are guarding the loot in Zombies of Mora Tau. Meanwhile, an enormous bird from outer-space descends to chow down on the people of planet Earth in The Giant Claw! Four fantastic feature presentations from prolific producer Sam Katzman with a bounty of brand new extras and a raft of new writing by a range of respected raconteurs. These Cold War Creatures are coming for you! Special Features: High Definition Blu-ray (1080p) presentations of all 4 films Original uncompressed mono audio for all films Optional English subtitles for the deaf and hard of hearing Fully illustrated 60-page collector's book featuring extensive new writing by Laura Drazin Boyes, Neil Mitchell, Barry Forshaw, Jon Towlson and Jackson Cooper 80-page collector's art book featuring reproduction stills and artwork from each film and new writing by historian and critic Stephen R. Bissette 2 double-sided posters featuring newly commissioned artwork by Matt Griffin Reversible sleeves featuring original and newly commissioned artwork for each film by Matt Griffin Disc 1 - Create with the Atom Brain Brand-new introduction by historian and critic Kim Newman Brand-new audio commentary by critic Russell Dyball Sam Katzman: Before and Beyond the Cold War Creatures, a brand-new feature-length illustrated presentation on the life, career and films of Sam Katzman by historian and critic Stephen R. Bissette Condensed Super 8mm version of Creature with the Atom Brain, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 2 - The Werewolf Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Lee Gambin Beyond Window Dressing, a brand-new visual essay exploring the oft-overlooked role of women in the films of Sam Katzman by historian and critic Alexandra Heller-Nicholas Condensed Super 8mm version of The Werewolf, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 3 - The Zombies of Mora Tau Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Kat Ellinger Atomic Terror: Genre in Transformation, a brand-new visual essay exploring the intersection of mythical horror creatures and the rational world of science in the films of Sam Katzman by critic Josh Hurtado. Theatrical Trailer Image Gallery Disc 4 - The Giant Claw Brand-new introduction by critic Kim Newman Brand-new audio commentary by critics Emma Westwood and Cerise Howard Family Endangered!, a brand-new visual essay examining the theme of Cold War paranoia in Sam Katzman monster movies, by critic Mike White Condensed Super 8mm version of The Giant Claw, produced for home cinema viewing. Theatrical Trailer Image Gallery
In between mercilessly pulverising the motoring industry's slackers and bagging themselves a place in the cockpit of the latest sleekest and fastest drives Jeremy Clarkson James May and Richard Hammond have had some fun racing crashing and generally mucking about in the most unlikely vehicles. Now direct from the Top Gear bunker Richard brings us the best and most requested petrolhead stunts from the unmissable show's recent series.
The Bill went from strength to strength in 1988 when it was restructured into the half-hour format that stormed to the top of the ITV ratings, and the show remained a Top Ten UK drama for over two decades becoming the longest-running police procedural drama ever screened on British television.Starring fan favourites Sgt. Cryer (Eric Richard), WPC Ackland (Trudie Goodwin), DS Ted Roach (Tony Scannell), DC Lines (Kevin Lloyd) and the irascible DI Burnside (Christopher Ellison), this set contains 48 consecutive episodes originally screened in 1990.
Tremors didn't actually break any new ground (even though its tunnelling worm monsters certainly did), but it revved up the classic monster-movie formulas of the 1950s with such energetic enthusiasm and humour that it made everything old seem new again. It also has a cast full of enjoyable actors who clearly had a lot of fun making the film, and director Ron Underwood strikes just the right balance of comedy and terror as a band of small-town rednecks battle a lot of really nasty-looking giant worms. The special effects are great, the one-liners fly fast and furious between heroes Kevin Bacon and Fred Ward (and yes, that's country star Reba McEntire packin' awesome firepower), and it's all done with the kind of flair one rarely associates with goofy monster flicks like this. --Jeff Shannon
Lieutenant Diamond (Cornel Wilde, The Naked Prey) is determined to bring down mob boss Mr Brown (Richard Conte, Thieves Highway), even if it means jeopardising his own career, but the feeling is mutual and the unscrupulous gangster is more than willing to operate outside the law to get his man. The confrontation escalates, leading to some wince-inducing set-pieces involving such handy props as a radio and a hearing aid. This masterpiece from Joseph H. Lewis (Gun Crazy, Terror in a Texas Town), drenched with sleazy innuendo, came late to the film noir cycle, but is now considered one of the defining examples of the genre, not least thanks to some extraordinary chiaroscuro lighting by the great cinematographer John Alton (already an Oscar-winner for An American in Paris) and a heartbreaking performance by Jean Wallace (No Blade of Grass) as Brown s troubled girlfriend. The film also boasts a menacing early performance from a pre-stardom Lee Van Cleef (The Good, the Bad and the Ugly) as one of Brown s henchmen. When the film was revived in London in the mid-seventies, a polemically breathless Time Out review called it almost certainly the greatest movie ever made... as heady as amyl nitrate andas compulsive as stamping on insects . SPECIAL EDITION CONTENTS: High Definition Blu-ray (1080p) presentation transferred from original film elements Uncompressed mono 1.0 PCM audio soundtrack Optional English subtitles for the deaf and hard of hearing Commentary by noirchaeologist Eddie Muller Geoff Andrew on The Big Combo, the critic and programmer offers an introduction to and analysis of the film Wagon Wheel Joe, a visual essay on director Joseph H. Lewis by filmmaker David Cairns Original Screenplay (DVD/BD-ROM content) International poster gallery Trailer for Lewis final, noir-themed film, Terror in a Texas Town Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow
One of Thames TV's most successful sitcoms about the ups and downs of mixed flat-sharing. Three's A Crowd: Chrissy and Jo throw a farewell party for their flatmate who's getting engaged and moving out. Next morining they find Robin asleep in their bath. They're looking for a new flatmate and Robin is looking for somewhere to live so the girls ask Robin to stay. All they have to do then is to talk the Ropers into agreeing to the new arrangement... And Mother Makes Four: Chrissy's mother is about to pay a visit. She doesn't know Robin is living in the flat so he's told to make himself scarce. Then Chrissy's mother decides to stay the night... Some Enchanted Evening: Jo's new boyfriend is coming to the flat for a meal. Robin is persuaded to cook it. Then he and Chrissy have to spend the evening playing monopoly with the Ropers. They learn that Chrissy's boyfriend is Jewish - and Robin has cooked roast pork for their meal! And Then There Were Two: Chrissy is very nervous when Jo goes away for the weekend and leaves her alone in the flat with Robin. Robin brings another woman back only for Chrissy to sabotage his plans for a night of passion. It's Only Money: The rent is due and the money put aside to pay it has disappeared from the flat. Robin Chrissy and Jo have to find a way of getting some more money quickly... Match Of The Day: Robin has been picked to play in a college football match. A few days before the game he goes down with a bad cold. Chrissy and Jo rally round in an attempt to help him to recover in time to play. No CHildren No Dogs: Robin accidentally acquires a puppy. The lease on the flat says 'no pets' so Roper mustn't find out...
In the gap between seasons four and five of Babylon 5, fans suffering withdrawal symptoms were sated by this first TV movie. As a prequel to the series' timeline, creator J. Michael Straczynski had an awful lot of continuity to consider. Amazingly, there's only one inconsistency throughout (a matter of who met whom and when), making this an essential part of the overall storyline. The tale is told cleverly from the future as the remembrances of Londo (Peter Jurasik), who is now Emperor of a dying Centauri homeworld. He looks back at the beginnings of the Earth-Minbari war and links together many clues strewn throughout the shows' early years. We see exactly how Delenn contributed to the first blows, the death of dignitary Dukhat, and most importantly what really happened to Sinclair (Michael O'Hare) at the Battle of the Line. The FX showcased by the battle are genuinely spectacular, but overshadowed by the make-up department which had the thankless task of making everyone look younger. Their best success is on an uncredited Claudia Christian who appears as an 18-year-old Susan Ivanova dealing with the death of her brother. Being a prequel there's little in the way of a surprise finale, but there's plenty of intrigue along the way. --Paul Tonks
Top Gear: The Challenges - 1 & 2 Collection
The best of the James Bond adventures starring Roger Moore as tuxedoed Agent 007, this globe-trotting thriller introduced the steel-toothed Jaws (played by seven-foot-two-inch-tall actor Richard Kiel) as one of the most memorable and indestructible Bond villains. Jaws is so tenacious, in fact, that Moore looks genuinely frightened, and that adds to the abundant fun. This time Bond teams up with yet another lovely Russian agent (Barbara Bach) to track a pair of nuclear submarines that the nefarious Stromberg (Curt Jürgens) plans to use in his plot to start World War III. Featuring lavish sets designed by the great Ken Adam (Dr. Strangelove), The Spy Who Loved Me is a galaxy away from the suave Sean Connery exploits of the 1960s, but the film works perfectly as grandiose entertainment. From cavernous undersea lairs to the vast horizons of Egypt, this Bond thriller keeps its tongue firmly in cheek with a plot tailor-made for daredevil escapism. --Jeff Shannon
Eurotrash sex/horror auteur Jesus Franco's Female Vampire delivers nudity, drinking of human body fluids, plentiful zoom shots, languorous music, a vestigial storyline and the odd moment of surrealism (a flapping bat car ornament). It opens with a soulful-eyed brunette (Lina Romay) striding through misty woods wearing only thigh-boots, a leather belt and a black cloak, then chancing across a breeder of tropical birds upon whom she performs an act of oral sex that winds up painfully and fatally for the poor chump. One of Franco's better films, this still has an extremely leisurely pace which means that the story drifts dreamlike (or tediously, depending on your point of view) between protracted but unappealing sexual encounters as a smitten fellow with the requisite 70s porno moustache (Jack Taylor), a vampire-hating doctor (director Franco) and a blind coroner pursue the gloomy Countess for their own reasons. The vampire is mute but has an Anne Rice-style whining voice-over, and the dubbing means that everyone else seems equally dissociated from the words that fail to approximate their lip movements. Fans of Lina's frustrated naked writhings get to see her do the thing on top of several men and women, a bed, a tree and in a bath of blood. To Franco-philes, it's a masterpiece; to everyone else, wearisome tat. On the DVD: Female Vampire on disc comes with a nice widescreen transfer of a print that goes on longer than any previous UK release (though it runs 94 mins, not the 101 listed on the cover); an alternate opening sequence (with the title The Bare Breasted Countess); a fairly complete list of Franco credits; a French trailer (for La Comtesse aux Seins Nus); and four brief alternate scenes from a version of the film with less explicit sex but more blood (i.e., necks are bitten but not private parts). --Kim Newman
Shaun The Sheep: Party Animals
The elegant and respectable facade of Brighton hides a sinister underworld ruled by intimidation and terror. Richard Attenborough stars as Pinkie a ruthless and sadistic young criminal whose trail of killings and double crossings lead to his eventual downfall when savage justice is finally meted out in a thrilling and memorable climax...
A young woman (Foster) is found hiding in the rafters of her Blue Ridge Mountain home after the death of her mother. She has been totally cut off from the outside world and has developed her own impenetrable language. A local doctor (Neeson) attempts to hide her from the outside world's prying eyes but she may have to be locked up in an institution for her own safety from hostile locals...
James Bond (Roger Moore) and the beautiful Soviet Agent Anya Amasova codenamed Triple X (Barbara Bach) team up to investigate missing Allied and Russian atomic submarines following a deadly trail that leads to billionaire shipping magnate Karl Stromberg (Curt Jurgens). Soon Bond and Anya are the world's only hope as they discover a nightmarish scheme of global nuclear Armageddon!
Based on the international best-selling novel; two sets of wealthy parents meet for dinner to decide what to do about a crime their sons have committed. Starring Richard Gere (Chicago, Pretty Woman, Shall We Dance) Laura Linney (The Big C, The Savages, Kinsey) Rebecca Hall (Vicky Cristina, Barcelona, The Prestige) Steve Coogan (Philomena, I m Alan Partridge) Chloe Sevigny (Oscar Nominee, Boys Don't Cry)
Terry-Thomas one of Britain's finest cinematic cads gets his very own box set. Good show! Featuring: 1. School For Scoundrels (1960) 2. His & Hers (1961) 3. Private's Progress (1956) 4. Make Mine Mink (1960) 5. Too Many Crooks (1959) 6. The Naked Truth (1957)
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