Robert Hammond has just died. Beloved father, husband and chairman of a lucrative trucking company, his heart failed him whilst ‘doing the nasty’ with his secretary… Eldest son Edward had just prepared to take over the business when the funeral delivered a shock. Robert had split his fortune four ways – to all three brothers and his secretary Jennifer. Edward is a chip-off-the-old-block, gruff and no nonsense. Brian is an accountancy wizard with a domineering wife. David is a “second class honours, first class layabout” arts graduate. And Jennifer has revealed the biggest secret of all – her and Robert’s love child. How will these unlikely bedfellows pull together to save the business and secure a profit? In this series mother Mary is determined to drive a wedge between the increasingly flirty Edward and Jennifer; strike action threatens the business; and the firm sinks deeper into debt.
Tom Cruise uncovers his dark side to play a contract killer who hijacks a taxi - and its driver - to take him from job to job.
The Morecambe & Wise Collection brings together the total cinematic oeuvre of Eric Morecambe and Ernie Wise: The Intelligence Men (1965), That Riviera Touch (1966) and The Magnificent Two (1967). Though intermittently amusing, they serve mostly to confirm that Morecambe & Wise did the smart thing in devoting the majority of their career to television sketch show. Their comedy was most potent in small doses. The Intelligence Men is an obvious but likeable parody of the early Bond films and sets the pattern for all three films: Eric and Ernie as two well-meaning blunderers cast into an unfamiliar milieu (in this case, international espionage) and forced to survive armed with little more than a repertoire of wince-inducing puns. That Riviera Touch is an obvious but likeable parody of the heist genre. Again, Eric and Ernie are cast as hapless ingénues, in this case a pair of traffic wardens whose holiday in France intersects with the plottings of a gang of jewel thieves. If anything, its even more contrived than that sounds, but the scenes in which Eric cleans out the casino by accident are wonderfully understated, and a reminder of a peerless comic actor. The Magnificent Two, the final and by some distance the least funny of the three, is an updated though rather laboured subversion of the Spaghetti Western, relying rather too much on the notion that anything and everything to do with foreigners is inherently hilarious. On the DVD: The Morecambe & Wise Collection has English subtitles for all three discs and all include the original cinematic trailer. That Riviera Touch is presented in 4:3 format, the remaining two in 16:9. As special features go, these are annoyingly desultory for a release that will certainly only be purchased by die-hard fans. It wouldnt have killed the producers to commission some liner notes at the very least.--Andrew Mueller
Annette (Jill Damas) promises to marry her accident-prone boyfriend Gil (Jeremy Bulloch), on the condition that he keeps his hands off other women and holds down a proper job for seven days. If he breaks the bargain then he has to march up to Buckingham Palace stark naked. The trouble is, Bulloch just can't keep a job for five minutes and is continually getting into sexual misunderstandings with luscious females!
Johnny finally receives an answer to his marriage proposal from Sharon in the season opener, but is it what he had hoped? Meanwhile, Pete finally finds his calling in life by becoming a firefighter but his enthusiasm is short-lived after meeting Marti (played by Saved By The Bell's Tiffani Thiessen) who thwarts him at every turn and comes between him and best friend Berg (Ryan Reynolds). Ashley and Berg's relationship continues to be more hate/hate than love/hate, so eventually they break up leading to a very interesting turn of events during the season finale.
Three special editions of Top Gear presented by Jeremy Clarkson Richard Hammond and James May. In 'Polar Special' the team set out on their most ambitious and arduous challenge to date - a race starting in Canada and finishing at the North Pole. In 'US Special' with a budget of $1000 dollars each of the team have to buy a car for an epic road trip stopping along the way to compete in a series of challenges which range from driving across Alabama without getting shot to preparing and eating road kill whilst camping out for the night. Finally 'The Challenges Volume 1' features three hours of ingenious plans foolhardy ventures and fuel-injected rivalry as the presenters put themselves and their vehicles to the test for various challenges.
Episodes Comprise: 1. A Day In The Life Of 2. The Right Honourable Gentleman 3. Adam's Rib 4. Postman's Knock 5. Accident 6. Dear Diary 7. These You Have Loved 8. Away For Christmas
Playwright Skip Donahue (Wilder) and actor Harry Monroe (Pryor) are out of work and penniless. Deciding they have had enough of Broadway they set off to make their fortunes and find freedom down South. On the way their funds get so low that they have to find work; as singing dancing Woodpeckers promoting a bank. Plagued by bad luck thieves steal their costumes and rob the bank and guess who gets the blame and get put jail? Whacky laughs riotous situations thrills and spills make this one of the looniest mad-cap prison-break escapades ever!
A luxury ocean liner capsizes, leaving its survivors to fend for themselves in this remake.
Possibly the most alluring mysterious and powerful woman of all time Cleopatra (Elizabeth Taylor) changed the course of history when two of the most powerful men in Rome fell in love with her. Rex Harrison is Julius Caesar who wins the Egyptian throne for Cleopatra marries her and provides her with a child Caesarion. Upon returning to his native country Caesar is crowned Dictator of Rome but his desperate desire for even greater power causes a worried Roman Senate to fatally conspire against him on the Ides of March.
Based on ex-SAS man Chris Ryan's bestseller Strike Back is a story of deception redemption and revenge all played out in the interlinked lives of two former soldiers; Major Hugh Collinson and discharged veteran John Porter. Their paths last crossed seven years ago. Now amidst a new hostage crisis in the Middle East their lives are about to collide again. It's 1993 Basra City and Porter leads a team to rescue a kidnapped British businessman. The decisions taken on that night inexorably unite the fate of both Porter and Collinson. Porter bares the burden of guilt and the repercussions haunt him for years until an opportunity presents itself for him to return to Iraq and redeem himself.
Winning BAFTAs for Best British Screenplay and Best British Actor (Peter Sellers) I’M ALL RIGHT JACK is popularly considered to be the best of John and Roy Boulting’s social satires.Sellers plays both Sir John Kennaway and the tragic-comic trade union leader Fred Kite. The result is laugh-out-loud comedy with a satiric edge lampooning the then-burning issue of industrial relations. Bertram Tracepurcel (Dennis Price) plans to make a fortune from a missile contract a scheme that involves manipulating his innocent nephew Stanley Windrush (Ian Carmichael) into acting as the catalyst in an escalating labour dispute from which the socialist Mr. Kite is only too keen to make capital. Featuring a superb supporting cast including Terry-Thomas Richard Attenborough John Le Mesurier Irene Handl and Margaret Rutherford this is an ingenious comedy about the British workplace and self-serving hypocrisy. A sequel to 1956’s A Private’s Progress the film is bought roaringly to life by Sellers’ astonishing turn as the Stalinist unionist. Bonus Features: Brand new interview with Liz Fraser The Running Jumping & Standing Still Film Cinefile: Seller’s Best
Written by David Leland and directed by Alan Clarke, Made in Britain is a slice of horrible but not inaccurate life from 1982. It holds a terrific early performance from Tim Roth as a skinhead with a swastika caste-mark tattoo, who constantly bares shark-like teeth as he spits embittered, articulate defiance at caring social workers and truncheon-wielding policemen alike. Sixteen-year-old Trevor (Roth) is remanded to an assessment centre before sentencing, but remains determined to disobey the rules imposed on him by any authority figures and spends the whole 73-minute play challenging the system to smack him back down, by vandalising the Job Centre, using his case-file as a toilet, stealing cars, victimising members of the "immigrant community" and shouting bile at people. The cycle that will lead him to an adult life in prison is explained to him with blackboard diagrams, but he believes he's better off keeping his hatred burning than toeing the line to end up as a no-hoper in a society that prizes obedience over conscience. It was originally televised as one of four Leland-filmed dramas about different aspects of the British education system, which made it seem less monomaniacal in its focus on an extreme case. There's no denying that it's an honest portrait of a monster calculated to terrify even the most concerned liberals which still manages to celebrate his self-destructive defiance. A film for television rather than a TV play, it has very strong language but the violence is all in Roth's face.On the DVD: No extra features here, but it does come with optional English sub-titles, and the theme song by the Exploited over the menu. --Kim Newman
The most lavish feature built around Laurel and Hardy, 1934's March of the Wooden Soldiers is also the most bizarre. Opening unpromisingly with one of several mawkish numbers derived from Victor Herbert's musical Babes in Toyland, the antics of toyshop labourers Stannie Dum and Ollie Dee are worked into a scenario midway between Lewis Carroll and The Brothers Grimm. Nursery-rhyme characters come and go in a surreal fantasy, with the evil Mr Barnaby threatening to evict Widow Peep from her shoe unless he receives her daughter Bo in marriage. The movie culminates in a full-scale invasion of Toyland by the yeti-ish Bogeymen and their defeat by the 100 six-foot wooden soldiers that Stan and Ollie have built by mistake. Henry Brandon gives a characterful performance, while 1930s child star Charlotte Henry is an appealing heroine. Directors Gus Meins and Charles R Rogers milk the slapstick to an increasingly unnerving degree. Reputedly Hardy's favourite among the double act's features, March of the Wooden Soldiers emerges now as their most audacious screen appearance. On the DVD: March of the Wooden Soldiers on disc reproduces the original black and white print in 4:3 ratio with pristine clarity; the mono soundtrack has similarly worn well. The potted biographies of Laurel and Hardy are too brief to be worthwhile, but the inclusion of the 1915 short Hustling for Health--among the earliest of Stan Laurel's film appearances--is a valuable bonus. --Richard Whitehouse
Milagro New Mexico. Population 426. Nothing had changed here for 300 years. But there's something about this day... In Milagro a small town in the American Southwest Ladd Devine plans to build a major new resort development. While activist Ruby Archuleta and lawyer/newspaper editor Charlie Bloom realize that this will result in the eventual displacement of the local Hispanic farmers they cannot arouse much opposition because of the short term opportunities offered by constructio
From acclaimed director Frank Launder The Happiest Days Of Your Life is a precursor to the hugely successful St. Trinian's series. Nutbourn College the most established and respectable of boys' schools is run by unyielding Headmaster Wetherby Pond [Alastair Sim.] When a military mistake billets a girls' school to share the college's premises due to wartime restrictions he is outraged. However he soon discovers he has met his match when he encounters the Headmistress of the girls' school in question the formidable Muriel Whitchurch [Margaret Rutherford]. Initially the two are hostile to one another but with a staff of dazed eccentric teachers and a student body whose mischief knows no bounds they are forced to pull together. Then just when they thought the situation couldn't get any more complicated they discover they are faced with two troublesome visits on the same day; one from a group of parents who must believe the school is only for girls and one from the Ministry who must be presented with an all boys establishment! Unmissable and hilarious this is classic British comedy at its best.
Richard Johnson returns as Hugh 'Bulldog' Drummond in this action-packed take on the exploits of H.C. McNeile's famous fictional hero - this time with an added dose of late '60s whimsy when Drummond comes up against a gang of armed, gorgeous fembots! Some Girls Do is presented here as a new High Definition transfer from original film elements in its original aspect ratio. Drummond is hot on the trail of his nemesis, the devious Carl Petersen, who is hell-bent on sabotaging the new British fighter airplane. Peterson must be stopped - whatever the cost - but this time he's protected by a bodyguard of murderous female androids! SPECIAL FEATURES: Theatrical Trailer Extensive Image gallery
The Galton And Simpson Playhouse: The Complete Series
Funny Bones, directed by Peter Chelsom (Hear My Song), is a weird but intriguing comedy with a particularly dark edge. Oliver Platt plays a would-be comedian, the son of a major comedy star (Jerry Lewis); dad's reputation even overshadows his son's Las Vegas debut. After that flop the son tries to go back to his roots and heads across the Atlantic for his father's launch pad in Blackpool. There, he meets his previously unknown half-brother (Lee Evans), a bizarre comedy savant who teaches him a thing or two about taking risks to get laughs, and discovers a secret about how his father got started. Platt is likably lost and Lewis is perfectly overbearing, but the real find here is Evans, making his cinematic debut as the rubber-faced, protean comic with always surprising material. --Marshall Fine
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