Camden Town the arse-end of the sixties. Two struggling unemployed actors decide some respite is in order and so depart their miserable flat for a week in the Lake District – one that will involve rain booze minimal supplies a randy bull and an even randier Uncle Monty. Based on the real-life experiences of former actor turned writer/director Bruce Robinson WITHNAIL and I has become one of British cinema’s most fondly remembered comedies. A cult film in the truest sense that has also become a classic. Perfectly cast – with career-defining roles for Richard E. Grant Paul McGann Richard Griffiths and Ralph Brown – and crammed with irresistibly quotable dialogue WITHNAIL and I is a sheer delight even on the umpteenth viewing.
Available for the first time on DVD! Leading man Cary Grant plays Matt Howard a common man who gains employment as a surveyor through the help of Thomas Jefferson. Howard quickly falls head over heels for his wealthy employer's daughter Jane Peyton (Martha Scott). The couple appear to be set for happiness until Matt becomes involved in politics and the War of Independence arrives...
Beauty and the Beast: One of the most acclaimed and treasured animated films of all time is about to sweep you off your feet. Follow the adventures of Belle, a bright young woman who finds herself in the castle of a prince who's been turned into a mysterious beast. With the help of the castle's enchanted staff, Belle soon learns the most important lesson of all - that true beauty comes from within. An all-new digital restoration makes this 2-Disc DVD more magical than ever. Be our guest and let the music you'll never forget and the characters who will fill your heart cast a shimmering spell like never before.Beauty and the Beast: The Enchanted Christmas: Celebrate the most magical time of the year with this Special Edition of the irresistible holiday classic inspired by Disney's Academy Award-winning masterpiece, Beauty And The Beast (1991: Winner - Best Song, Best Original Score; nominated for Best Picture). Share the wonder as Mrs. Potts (Angela Lansbury) recounts another tale as old as time about a Christmas past that almost wasn't - thanks to the scheming of former court composer Forte (Tim Curry), now a gloomy, holiday-hating pipe organ, determined to keep Belle and Beast apart forever. Only a true Christmas miracle could possibly thwart his dastardly plans. Reuniting the original voice cast, this spectacular gem sparkles with exciting bonus features, delightful songs, spellbinding visuals, and enduring themes of hope, friendship and love. Your family will experience the spirit of the season all year long with the timeless magic of Beauty And The Beast: The Enchanted Christmas.Beauty and the Beast: Belle's Magical World: A lot happened before Belle and Beast lived happily ever after! Share the fun with one of Disney's most spirited Princesses and all her enchanted friends as their exciting adventures continue in this sparkling Special Edition of Belle's Magical World - inspired by Disney's beloved Academy Award-winning masterpiece, Beauty And The Beast (1991: Winner - Best Song, Best Original Score; nominated for Best Picture). Join Belle, Beast, Cogsworth, Lumiere, plus some charming new friends as they discover how love, teamwork, forgiveness and friendship can turn a once-gloomy castle into a dazzling palace fit for a princess! Adorned with delightful bonus features, your favourite characters and great songs, this fun-filled, modern-day classic proves that true beauty shines from within!
Charles Burnett's 1990 masterpiece, a family drama suffused with magical realism. A slowburning masterwork of the early 1990s, this third feature by Charles Burnett (Killer of Sheep) is a singular piece of American mythmaking. In a towering performance, Danny Glover (The Color Purple) plays the enigmatic southern drifter Harry, a devilish charmer who turns up out of the blue on the South Central Los Angeles doorstep of his old friends. In short order, Harry's presence turns a seemingly peaceful household upside down, exposing smouldering tensions between parents and children, tradition and change, virtue and temptation. Interweaving evocative strains of gospel and blues with rich, poeticrealist images, To Sleep with Anger is a sublimely stirring film from an autonomous artistic sensibility, a portrait of family resilience steeped in the traditions of black mysticism and folklore. Features: New, restored 4K digital transfer, approved by director Charles Burnett, with 2.0 surround DTSHD Master Audio soundtrack New interview programme featuring Burnett, actors Danny Glover and Sheryl Lee Ralph, and associate producer Linda Koulisis A Walk with Charles Burnett, a new hourlong conversation between Burnett and filmmaker Robert Townsend that revisits Burnett's films and shooting locations Short video tribute to Burnett produced for the Academy of Motion Picture Arts and Sciences' Governors Awards ceremony in 2017 PLUS: An essay by critic Ashley Clark
Random Hearts, starring Harrison Ford and Kristen Scott Thomas, is a compelling love story about two people who never would have met in a perfect world.
With 128 million worldwide album sales already under their collective belts, two OBE awards, a million neon lit 'Sold Out' signs, a record 108 appearances on Top of the Pops, this will never be beaten or even equalled! You'd think that HRH Prince Charles favourite band had nothing more to prove in the field of entertainment... But, they've never in all their long and glorious history been seen on a cinema screen...
The switch is set... The clock has started... Time's running out! A 16 year old student Paul Stephens (Chris Collet) has high hopes of winning first prize at a science fair with his fully-operational A-bomb! Needless to say the army are not happy and set out to disarm the prospective 'terrorist' before he can harm the good people of America. When the bomb is activated only Dr. Mathewson (Lithgow) can save Paul... and prevent Armageddon.
Based on Tom Sharpes satirical novel and set in a fictional, all-male Cambridge College, 1987s Porterhouse Blue is a crusty delight. Ian Richardson stars as the austere moderniser who takes over as master of Porterhouse with a view to bringing in radical changes; David Jason is Skullion, head porter for 45 years and a bulldog-style traditionalist.Porterhouse Blue is a wonderfully grotesque and not inaccurate depiction of an Oxbridge college that has set itself resolutely and decadently against the modern world. Crammed with hoggish, port-swilling dons who are more concerned that the college stay "head of the river" than with academic achievement, the highlight of Porterhouses year is the Founders Feast, in which students and tutors gorge debauchedly on roast swan stuffed with widgeon, to the horror of the new vegetarian master. Jasons Skullion looks on approvingly: hes a stickler for Porterhouses inverted values, disapproving, for instance, of student Zipser (John Sessions), the only fellow at the college actually there to work. When the master eventually fires Skullion, the forces of traditionalism gather in sympathy and attempt their revenge.Unfolding over 190 leisurely minutes, Porterhouse Blue is an elegantly turned comedy in which practically every morsel of dialogue is to be savoured for its delicious tang. Jason and Richardson are reliably excellent in what is an overall exhibition of British TV thespianism at its finest. --David Stubbs
When mankind is reduced to a handful of scared cave dwellers a rebellious group of teenagers are cast out of their tribe and search the land for a new paradise reminiscent of their lost civilization. During their travels the teens encounter two immortal super-humans Judith and Neil who appear at first to be the answer to their prayers. However the couple's true motives soon become clear when they cleverly seduce each teenager in an attempt to pass on a super-human virus. When o
Five small-time crooks arrive in prison on the same day and sharing the same cell form a close-knit circle of friends. Upon their release (also all on the same day) the five buddies move in together and start the ""Five Stars Cleaning Service."" Of course the five of them as a group will get into more trouble combined than they ever could individually! It is an indomitable Hong Kong cop (Jackie) on the trail of a ruthless gang of counterfeiters who finds himself teamed with this od
Undeniably one of the toughest and most powerful gangster thrillers of the 70's 'Across 110th Street' hits hard with a thrill ride through the hell-raisin' hoods of Harlem! When a crew of gangsters make the fatal mistake of crossing a Mafia heist in Harlem things turn very ugly. But as the bullets start flying and the cops start dying a pair of New York's finest are forced to work together to bring justice to the streets before the Mafia brings the Ghetto to its knees! Up against
The Good Life has proved an enduring jewel in the BBC's mainstream comedy archive. More than 25 years after it first appeared in our living rooms, nostalgia must be a major reason for its appeal. A whole generation of young men--and their fathers--found the weekly sight of Felicity Kendal as Barbara Good, pert in denim dungarees, irresistible. But it's the quality of the playing that has really stood the test of time and triumphs over a premise--self-sufficiency in Surbiton--that now seems naïve. Even in 1975, a Tom Good (a masterpiece of comic eccentricity from Richard Briers) quitting the rat race would probably have sold up his semi and chanced his luck as a small holder somewhere more remote than suburban Surrey. Comic tensions arise not just from the Goods' daily struggle to beat the system on their own terms, but also from the relationship with their incredulous, often horrified, but usually supportive neighbours. Penelope Keith's Margo Leadbetter remains one of the great comic creations in British sitcom history--a simmering volcano of conservatism waging her own battle against creeping mediocrity in all aspects of life, whose human frailty somehow keeps her loveable. Paul Eddington as Jerry, her long-suffering husband, spars splendidly. These are happy memories indeed. --Piers Ford
Explosive high adventure! A mission more daring than silencing the ""Guns"". The survivors of The Guns Of Navarone (Dir. J. Lee Thompson 1961) are given an even more dangerous mission - they must destroy a huge bridge deep in the Balkans. During their journey they join up with 'Force 10' a group of tough American commandoes led by the daring Lt. Colonel Barnsby (Harrison Ford). But on their arrival in Yugoslavia they are captured by the Germans and failure of
John Lewis a computer programming genius has it all a beautiful wife a lavish home and he is on the brink of a big career move to the prestigious 'Richfield Project'. Only the creation of one more sexy CD-ROM game is required: he must perfect 'Virtual Girl'. However he soon discovers that 'Virtual Girl' is not your basic computer game. It is a fully inter-active cyber-erotic adventure featuring a seductive character called Virtuality who can transform herself into any woman she so desires. Even when she is making love she can morph herself into an unlimited number of beautiful women. This program transcends reality and John actually believes that 'Virtuality' is falling in love with him. What John doesn't know is that others have not lived to tell of their affairs with the 'Virtual Girl'...
When two strangers stumble into international intrigue in the middle of a Los Angeles night anything can happen... and it does in this zany comedy directed by John Landis! Ed Okin is an insomniac with a cheating wife and a dull job. His chance for excitement looks hopeless until a mysterious blonde named Diana drops onto the bonnet of his car. She is being pursued by a gang of Iranian gunmen and despite Ed's reluctance he gets involved and Diana leads him on a murderous chase where
The Longest Day, producer Darryl F Zanuck's epic account of June 6, 1944, is Hollywood's definitive D-Day movie. More modern accounts such as Saving Private Ryan and the mini-series Band of Brothers are more vividly realistic, but Zanuck's production is the only one to attempt the daunting task of covering that fateful day from all perspectives. From the German high command and front line officers to the French Resistance and all the key Allied participants, the screenplay by Cornelius Ryan, based on his own authoritative book, is as factually accurate a depiction of events as possible. Zanuck picked three different directors to handle the German, French and Allied sequences respectively and the result should have been a grittily realistic semi-documentary work of unparalleled authenticity. That it is not is due to the unfortunate decision to populate the movie with an apparently endless parade of stars: John Wayne, Henry Fonda, Robert Mitchum, Sean Connery and Kenneth Moore to name a few all pop up from time to time; while Roddy McDowall and Richard Burton, on leave from the set of Cleopatra, also get cameos. The end result is an uneasy mix of verisimilitude and Hollywood star-power. Add to that the need for every character to provide almost endless explanatory exposition and the film falls a little flat for too much of its running time. The set-piece battles are still spectacular, however, and if the landings on Omaha beach lack the graphic gore of Private Ryan they nonetheless show the sheer scale and audacity of the invasion. Despite its top-heavy cast, The Longest Day is still the best D-Day movie ever made.On the DVD: The black and white print is in excellent condition, as is the remixed Dolby 5.0. Made in 1969, the 50-minute supplementary documentary "D-Day Revisited" has producer Zanuck revisiting key locations in Normandy, chatting to the locals in rather stiff French and providing a personal narrative of the events of June 6, 1944 intercut with scenes from his film. The sight of the elderly Zanuck standing on Omaha Beach or beside the headstone of an unknown soldier is easily as poignant as the bookend scenes of Saving Private Ryan, but without the Spielbergian sentiment. --Mark Walker
A grim, disheartening view of the underside of city life, Q & A is a legal drama with a disturbing twist. Not exactly a whodunit--the guilt of policeman Nick Nolte is established early on--the plot follows the closing of the circle around him. Leading the murder investigation is Timothy Huttons young, idealistic district attorney Al Reilly, who finds himself battling a fraudulent and cynical culture. Racism, corruption and political machinations are all added to the mix, resulting in a film that is just a little too dense and slow moving to capture the imagination. Director Sidney Lumet creates a feeling of enveloping darkness around Hutton, who slowly manages to let the light in and bring the truth to the surface. With an obviously small budget, the film has more of a made-for-television feel than that of a big blockbuster and some of the performances err too much on the side of cliché. The concept of the New York melting pot is fairly effectively dismissed by the film, painting a picture of distrust between communities that often spills into verbal and physical violence. Not quite as unremittingly bleak as Harvey Kietels Bad Lieutenant, Q & A is still a tough, dark piece of cinema. On the DVD: Q & A is very much a film of the night, with much of the action taking place either in the shadows or in rooms with harsh, artificial light. The picture on the DVD reflects that perfectly, although the lack of budget is hard to disguise. The soundtrack quality is good, if not startling, but there are no extras aside from the movies theatrical trailer. All in all, its a fairly average package. --Phil Udell
Lord and Lady Braunceston are the impoverished landed gentry. 'Uncle Willy' is the eccentric Bishop whose church is threatened by greedy developers. Lady Anne is the daughter of the family and it's her impending marriage to the son of a wealthy neighbour which promises to be the salvation of the whole family... ... until the Bishop excels himself by managing to marry her to a penniless American at the wedding rehearsal. Things are looking black for everyone - then Ormiston the l
You'd think a black comedy about murder, tackiness, and sexual perversion would quickly become dated, but Eating Raoul (1982) feels surprisingly fresh and delightful. When Mary Bland (Mary Woronov) gets assaulted by one of the repulsive swingers from the neighbouring apartment, her husband Paul (Paul Bartel) rescues her with a swift blow from a frying pan--only to discover a substantial wad of cash in the swinger's wallet. A lure-and-kill scheme follows, which nicely fills their nest egg until a slippery thief named Raoul (Robert Beltran of Star Trek: Voyager, making his film debut) stumbles onto the truth and insists on getting a share. When Raoul starts demanding a share of Mary as well, Paul has to take drastic steps. The key to Eating Raoul isn't the sensational content, but the blithe, matter-of-fact attitude Bartel and Woronov take to it; their sly underplaying makes the movie sparkle with wicked wit. --Bret Fetzer
Please wait. Loading...
This site uses cookies.
More details in our privacy policy